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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 59 / 7 / 52 it is the complementary color CMYK 35 / 0 / 31 / 20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 59 / 7 / 52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 59 / 7 / 52: CMYK 0 / 61 / 14 / 50, CMYK 0 / 53 / 11 / 44, CMYK 0 / 47 / 9 / 37, CMYK 0 / 42 / 7 / 30 and CMYK 0 / 37 / 5 / 24

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 59 / 7 / 52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 59 / 7 / 52: CMYK 0 / 59 / 7 / 52, CMYK 0 / 70 / 10 / 59, CMYK 0 / 84 / 14 / 65, CMYK 0 / 100 / 20 / 72 and CMYK 0 / 100 / 30 / 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 7 / 52

HEX #7A3272

RGB 122 50 114

HSL 306.67, 0.42%, 0.34%

LAB 33.21, 40.14, -22.32

 

Complementary color

CMYK 35 / 0 / 31 / 20

HEX #85CD8D

RGB 133 205 141

HSL 126.67, 0.42%, 0.66%

LAB 76.42, -35.55, 24.94

 

CMYK 0 / 61 / 14 / 50

HEX #7F326D

RGB 127 50 109

HSL 314.03, 0.44%, 0.35%

LAB 33.77, 40.79, -18.23

 

CMYK 0 / 53 / 11 / 44

HEX #904480

RGB 144 68 128

HSL 312.63, 0.36%, 0.42%

LAB 40.61, 40.25, -19.3

 

CMYK 0 / 47 / 9 / 37

HEX #A15693

RGB 161 86 147

HSL 311.2, 0.3%, 0.48%

LAB 47.42, 39.54, -20.12

 

CMYK 0 / 42 / 7 / 30

HEX #B268A6

RGB 178 104 166

HSL 309.73, 0.32%, 0.55%

LAB 54.15, 38.78, -20.78

 

CMYK 0 / 37 / 5 / 24

HEX #C37AB9

RGB 195 122 185

HSL 308.22, 0.38%, 0.62%

LAB 60.8, 38.01, -21.35

 

CMYK 0 / 59 / 7 / 52

HEX #7A3272

RGB 122 50 114

HSL 306.67, 0.42%, 0.34%

LAB 33.21, 40.14, -22.32

 

CMYK 0 / 70 / 10 / 59

HEX #69205F

RGB 105 32 95

HSL 308.22, 0.53%, 0.27%

LAB 26.34, 40.29, -21.05

 

CMYK 0 / 84 / 14 / 65

HEX #580E4C

RGB 88 14 76

HSL 309.73, 0.73%, 0.2%

LAB 19.68, 39.43, -19.02

 

CMYK 0 / 100 / 20 / 72

HEX #470039

RGB 71 0 57

HSL 311.83, 1%, 0.14%

LAB 13.44, 36.82, -15.78

 

CMYK 0 / 100 / 30 / 79

HEX #360026

RGB 54 0 38

HSL 317.78, 1%, 0.11%

LAB 8.34, 30.08, -10.03

 

CMYK 0 / 59 / 7 / 52

HEX #7A3272

RGB 122 50 114

HSL 306.67, 0.42%, 0.34%

LAB 33.21, 40.14, -22.32

 

CMYK 0 / 59 / 16 / 52

HEX #7B3267

RGB 123 50 103

HSL 316.44, 0.42%, 0.34%

LAB 32.86, 38.54, -15.87

 

CMYK 0 / 59 / 26 / 52

HEX #7B325B

RGB 123 50 91

HSL 326.3, 0.42%, 0.34%

LAB 32.36, 36.65, -8.93

 

CMYK 0 / 59 / 36 / 52

HEX #7B324F

RGB 123 50 79

HSL 336.16, 0.42%, 0.34%

LAB 31.94, 34.96, -1.79

 

CMYK 0 / 59 / 46 / 52

HEX #7B3243

RGB 123 50 67

HSL 346.03, 0.42%, 0.34%

LAB 31.57, 33.5, 5.5

 

CMYK 0 / 59 / 7 / 52

HEX #7A3272

RGB 122 50 114

HSL 306.67, 0.42%, 0.34%

LAB 33.21, 40.14, -22.32

 

CMYK 0 / 59 / 6 / 32

HEX #AD47A2

RGB 173 71 162

HSL 306.47, 0.42%, 0.48%

LAB 46.97, 53.17, -29.59

 

CMYK 0 / 59 / 7 / 12

HEX #E05CD1

RGB 224 92 209

HSL 306.82, 0.68%, 0.62%

LAB 59.98, 65.27, -35.93

 

CMYK 0 / 60 / 5 / 92

HEX #140813

RGB 20 8 19

HSL 305, 0.43%, 0.05%

LAB 3.34, 5.81, -3.71

 

CMYK 0 / 59 / 7 / 72

HEX #471D42

RGB 71 29 66

HSL 307.14, 0.42%, 0.2%

LAB 18.42, 25.88, -14.35

 

CMYK 0 / 59 / 7 / 52

HEX #7A3272

RGB 122 50 114

HSL 306.67, 0.42%, 0.34%

LAB 33.21, 40.14, -22.32

 

CMYK 0 / 41 / 59 / 52

HEX #7B4832

RGB 123 72 50

HSL 18.08, 0.42%, 0.34%

LAB 36.13, 19.42, 22.38

 

CMYK 59 / 0 / 18 / 52

HEX #327B65

RGB 50 123 101

HSL 161.92, 0.42%, 0.34%

LAB 46.69, -28.43, 5.27

 

CMYK 0 / 59 / 7 / 52

HEX #7A3272

RGB 122 50 114

HSL 306.67, 0.42%, 0.34%

LAB 33.21, 40.14, -22.32

 

CMYK 7 / 0 / 59 / 52

HEX #737B32

RGB 115 123 50

HSL 66.58, 0.42%, 0.34%

LAB 49.55, -13.96, 38.09

 

CMYK 59 / 7 / 0 / 52

HEX #32737B

RGB 50 115 123

HSL 186.58, 0.42%, 0.34%

LAB 44.76, -18.07, -10.67

 

CMYK 0 / 59 / 7 / 52

HEX #7A3272

RGB 122 50 114

HSL 306.67, 0.42%, 0.34%

LAB 33.21, 40.14, -22.32

 

CMYK 0 / 41 / 59 / 52

HEX #7B4832

RGB 123 72 50

HSL 18.08, 0.42%, 0.34%

LAB 36.13, 19.42, 22.38

 

CMYK 59 / 0 / 54 / 52

HEX #327B39

RGB 50 123 57

HSL 125.75, 0.42%, 0.34%

LAB 45.82, -37.44, 29.19

 

CMYK 59 / 18 / 0 / 52

HEX #32657B

RGB 50 101 123

HSL 198.08, 0.42%, 0.34%

LAB 40.27, -10.15, -17.5

 

CMYK 0 / 59 / 7 / 52

HEX #7A3272

RGB 122 50 114

HSL 306.67, 0.42%, 0.34%

LAB 33.21, 40.14, -22.32

 

CMYK 0 / 24 / 59 / 52

HEX #7B5D32

RGB 123 93 50

HSL 35.34, 0.42%, 0.34%

LAB 41.64, 6.88, 29.13

 

CMYK 59 / 0 / 54 / 52

HEX #327B39

RGB 50 123 57

HSL 125.75, 0.42%, 0.34%

LAB 45.82, -37.44, 29.19

 

CMYK 59 / 36 / 0 / 52

HEX #324F7B

RGB 50 79 123

HSL 216.16, 0.42%, 0.34%

LAB 33.35, 3.51, -28.26

 

Description

Color code: CMYK 0 / 59 / 7 / 52 | qconv.com Color code: CMYK 0 / 59 / 7 / 52 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 50 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 50 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 7 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 7% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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