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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 58 / 6 / 57 it is the complementary color CMYK 31 / 0 / 27 / 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 58 / 6 / 57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 58 / 6 / 57: CMYK 0 / 60 / 15 / 55, CMYK 0 / 52 / 11 / 48, CMYK 0 / 45 / 9 / 42, CMYK 0 / 40 / 7 / 35 and CMYK 0 / 36 / 5 / 28

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 58 / 6 / 57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 58 / 6 / 57: CMYK 0 / 58 / 6 / 57, CMYK 0 / 70 / 10 / 64, CMYK 0 / 87 / 14 / 70, CMYK 0 / 100 / 22 / 77 and CMYK 0 / 100 / 36 / 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 6 / 57

HEX #6E2E67

RGB 110 46 103

HSL 306.56, 0.41%, 0.31%

LAB 30.03, 36.49, -20.41

 

Complementary color

CMYK 31 / 0 / 27 / 18

HEX #91D198

RGB 145 209 152

HSL 126.56, 0.41%, 0.69%

LAB 78.4, -31.73, 21.95

 

CMYK 0 / 60 / 15 / 55

HEX #732E62

RGB 115 46 98

HSL 314.78, 0.43%, 0.32%

LAB 30.59, 37.17, -16.26

 

CMYK 0 / 52 / 11 / 48

HEX #844075

RGB 132 64 117

HSL 313.24, 0.35%, 0.38%

LAB 37.58, 36.57, -17.31

 

CMYK 0 / 45 / 9 / 42

HEX #955288

RGB 149 82 136

HSL 311.64, 0.29%, 0.45%

LAB 44.52, 35.81, -18.1

 

CMYK 0 / 40 / 7 / 35

HEX #A6649B

RGB 166 100 155

HSL 310, 0.27%, 0.52%

LAB 51.37, 35.02, -18.75

 

CMYK 0 / 36 / 5 / 28

HEX #B776AE

RGB 183 118 174

HSL 308.31, 0.31%, 0.59%

LAB 58.11, 34.25, -19.3

 

CMYK 0 / 58 / 6 / 57

HEX #6E2E67

RGB 110 46 103

HSL 306.56, 0.41%, 0.31%

LAB 30.03, 36.49, -20.41

 

CMYK 0 / 70 / 10 / 64

HEX #5D1C54

RGB 93 28 84

HSL 308.31, 0.54%, 0.24%

LAB 22.99, 36.71, -19.17

 

CMYK 0 / 87 / 14 / 70

HEX #4C0A41

RGB 76 10 65

HSL 310, 0.77%, 0.17%

LAB 16.18, 35.83, -17.08

 

CMYK 0 / 100 / 22 / 77

HEX #3B002E

RGB 59 0 46

HSL 313.22, 1%, 0.12%

LAB 10.01, 32.45, -13.35

 

CMYK 0 / 100 / 36 / 84

HEX #2A001B

RGB 42 0 27

HSL 321.43, 1%, 0.08%

LAB 5.16, 23.66, -6.57

 

CMYK 0 / 58 / 6 / 57

HEX #6E2E67

RGB 110 46 103

HSL 306.56, 0.41%, 0.31%

LAB 30.03, 36.49, -20.41

 

CMYK 0 / 59 / 15 / 56

HEX #6F2E5E

RGB 111 46 94

HSL 315.69, 0.41%, 0.31%

LAB 29.77, 35.2, -15

 

CMYK 0 / 59 / 25 / 56

HEX #6F2E53

RGB 111 46 83

HSL 325.85, 0.41%, 0.31%

LAB 29.31, 33.4, -8.53

 

CMYK 0 / 59 / 35 / 56

HEX #6F2E48

RGB 111 46 72

HSL 336, 0.41%, 0.31%

LAB 28.91, 31.8, -1.9

 

CMYK 0 / 59 / 45 / 56

HEX #6F2E3D

RGB 111 46 61

HSL 346.15, 0.41%, 0.31%

LAB 28.57, 30.4, 4.89

 

CMYK 0 / 58 / 6 / 57

HEX #6E2E67

RGB 110 46 103

HSL 306.56, 0.41%, 0.31%

LAB 30.03, 36.49, -20.41

 

CMYK 0 / 58 / 6 / 37

HEX #A14397

RGB 161 67 151

HSL 306.38, 0.41%, 0.45%

LAB 43.98, 49.8, -27.83

 

CMYK 0 / 58 / 6 / 17

HEX #D459C7

RGB 212 89 199

HSL 306.34, 0.59%, 0.59%

LAB 57.33, 61.8, -34.51

 

CMYK 0 / 63 / 13 / 97

HEX #080307

RGB 8 3 7

HSL 312, 0.45%, 0.02%

LAB 1.19, 1.86, -1.05

 

CMYK 0 / 58 / 7 / 77

HEX #3B1937

RGB 59 25 55

HSL 307.06, 0.4%, 0.16%

LAB 14.96, 21.73, -12.16

 

CMYK 0 / 58 / 6 / 57

HEX #6E2E67

RGB 110 46 103

HSL 306.56, 0.41%, 0.31%

LAB 30.03, 36.49, -20.41

 

CMYK 0 / 41 / 59 / 56

HEX #6F422E

RGB 111 66 46

HSL 18.46, 0.41%, 0.31%

LAB 32.86, 17.26, 20.33

 

CMYK 59 / 0 / 17 / 56

HEX #2E6F5C

RGB 46 111 92

HSL 162.46, 0.41%, 0.31%

LAB 42.34, -25.77, 4.38

 

CMYK 0 / 58 / 6 / 57

HEX #6E2E67

RGB 110 46 103

HSL 306.56, 0.41%, 0.31%

LAB 30.03, 36.49, -20.41

 

CMYK 6 / 0 / 59 / 56

HEX #686F2E

RGB 104 111 46

HSL 66.46, 0.41%, 0.31%

LAB 44.95, -12.7, 34.64

 

CMYK 59 / 6 / 0 / 56

HEX #2E686F

RGB 46 104 111

HSL 186.46, 0.41%, 0.31%

LAB 40.62, -16.61, -9.67

 

CMYK 0 / 58 / 6 / 57

HEX #6E2E67

RGB 110 46 103

HSL 306.56, 0.41%, 0.31%

LAB 30.03, 36.49, -20.41

 

CMYK 0 / 41 / 59 / 56

HEX #6F422E

RGB 111 66 46

HSL 18.46, 0.41%, 0.31%

LAB 32.86, 17.26, 20.33

 

CMYK 59 / 0 / 52 / 56

HEX #2E6F35

RGB 46 111 53

HSL 126.46, 0.41%, 0.31%

LAB 41.54, -34.01, 26.04

 

CMYK 59 / 17 / 0 / 56

HEX #2E5C6F

RGB 46 92 111

HSL 197.54, 0.41%, 0.31%

LAB 36.71, -9.71, -15.61

 

CMYK 0 / 58 / 6 / 57

HEX #6E2E67

RGB 110 46 103

HSL 306.56, 0.41%, 0.31%

LAB 30.03, 36.49, -20.41

 

CMYK 0 / 23 / 59 / 56

HEX #6F552E

RGB 111 85 46

HSL 36, 0.41%, 0.31%

LAB 37.97, 5.71, 26.65

 

CMYK 59 / 0 / 52 / 56

HEX #2E6F35

RGB 46 111 53

HSL 126.46, 0.41%, 0.31%

LAB 41.54, -34.01, 26.04

 

CMYK 59 / 35 / 0 / 56

HEX #2E486F

RGB 46 72 111

HSL 216, 0.41%, 0.31%

LAB 30.31, 2.88, -25.55

 

Description

Color code: CMYK 0 / 58 / 6 / 57 | qconv.com Color code: CMYK 0 / 58 / 6 / 57 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 46 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 46 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 6 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 6% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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