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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 58 / 51 / 2 it is the complementary color CMYK 97 / 0 / 11 / 41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 58 / 51 / 2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 58 / 51 / 2: CMYK 0 / 59 / 54 / 0, CMYK 0 / 52 / 47 / 0, CMYK 0 / 45 / 39 / 0, CMYK 0 / 38 / 32 / 0 and CMYK 0 / 31 / 24 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 58 / 51 / 2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 58 / 51 / 2: CMYK 0 / 58 / 51 / 2, CMYK 0 / 63 / 56 / 9, CMYK 0 / 68 / 61 / 15, CMYK 0 / 74 / 67 / 22 and CMYK 0 / 82 / 75 / 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 51 / 2

HEX #FA697A

RGB 250 105 122

HSL 352.97, 0.94%, 0.7%

LAB 63.2, 56.74, 19.15

 

Complementary color

CMYK 97 / 0 / 11 / 41

HEX #059685

RGB 5 150 133

HSL 172.97, 0.94%, 0.3%

LAB 55.62, -37.31, -0.48

 

CMYK 0 / 59 / 54 / 0

HEX #FF6975

RGB 255 105 117

HSL 355.2, 1%, 0.71%

LAB 63.87, 58, 23.04

 

CMYK 0 / 52 / 47 / 0

HEX #FF7B88

RGB 255 123 136

HSL 354.09, 1%, 0.74%

LAB 67.43, 51.33, 17.13

 

CMYK 0 / 45 / 39 / 0

HEX #FF8D9B

RGB 255 141 155

HSL 352.63, 1%, 0.78%

LAB 71.33, 44.42, 11.95

 

CMYK 0 / 38 / 32 / 0

HEX #FF9FAE

RGB 255 159 174

HSL 350.63, 1%, 0.81%

LAB 75.52, 37.45, 7.4

 

CMYK 0 / 31 / 24 / 0

HEX #FFB1C1

RGB 255 177 193

HSL 347.69, 1%, 0.85%

LAB 79.93, 30.59, 3.4

 

CMYK 0 / 58 / 51 / 2

HEX #FA697A

RGB 250 105 122

HSL 352.97, 0.94%, 0.7%

LAB 63.2, 56.74, 19.15

 

CMYK 0 / 63 / 56 / 9

HEX #E95767

RGB 233 87 103

HSL 353.42, 0.77%, 0.63%

LAB 57.19, 57.52, 21.54

 

CMYK 0 / 68 / 61 / 15

HEX #D84554

RGB 216 69 84

HSL 353.88, 0.65%, 0.56%

LAB 51.26, 58.09, 24.37

 

CMYK 0 / 74 / 67 / 22

HEX #C73341

RGB 199 51 65

HSL 354.32, 0.59%, 0.49%

LAB 45.49, 58.26, 27.76

 

CMYK 0 / 82 / 75 / 29

HEX #B6212E

RGB 182 33 46

HSL 354.77, 0.69%, 0.42%

LAB 39.97, 57.78, 31.82

 

CMYK 0 / 58 / 51 / 2

HEX #FA697A

RGB 250 105 122

HSL 352.97, 0.94%, 0.7%

LAB 63.2, 56.74, 19.15

 

CMYK 0 / 56 / 58 / 2

HEX #FA6F6A

RGB 250 111 106

HSL 2.08, 0.94%, 0.7%

LAB 63.94, 52.78, 29.22

 

CMYK 0 / 46 / 58 / 2

HEX #FA876A

RGB 250 135 106

HSL 12.08, 0.94%, 0.7%

LAB 68.53, 41.13, 35.1

 

CMYK 0 / 36 / 58 / 2

HEX #FA9F6A

RGB 250 159 106

HSL 22.08, 0.94%, 0.7%

LAB 73.65, 28.78, 41.49

 

CMYK 0 / 27 / 58 / 2

HEX #FAB76A

RGB 250 183 106

HSL 32.08, 0.94%, 0.7%

LAB 79.17, 16.19, 48.19

 

CMYK 0 / 58 / 51 / 2

HEX #FA697A

RGB 250 105 122

HSL 352.97, 0.94%, 0.7%

LAB 63.2, 56.74, 19.15

 

CMYK 0 / 59 / 52 / 82

HEX #2E1316

RGB 46 19 22

HSL 353.33, 0.42%, 0.13%

LAB 9.83, 14.19, 4.18

 

CMYK 0 / 58 / 52 / 62

HEX #61292F

RGB 97 41 47

HSL 353.57, 0.41%, 0.27%

LAB 24.74, 26.05, 8.54

 

CMYK 0 / 58 / 51 / 42

HEX #943E48

RGB 148 62 72

HSL 353.02, 0.41%, 0.41%

LAB 38.21, 37.15, 12.21

 

CMYK 0 / 58 / 51 / 22

HEX #C75461

RGB 199 84 97

HSL 353.22, 0.51%, 0.55%

LAB 51.09, 46.97, 15.89

 

CMYK 0 / 58 / 51 / 2

HEX #FA697A

RGB 250 105 122

HSL 352.97, 0.94%, 0.7%

LAB 63.2, 56.74, 19.15

 

CMYK 4 / 0 / 58 / 2

HEX #F0FA6A

RGB 240 250 106

HSL 64.17, 0.94%, 0.7%

LAB 95.13, -21.72, 66.31

 

CMYK 58 / 27 / 0 / 2

HEX #6AB7FA

RGB 106 183 250

HSL 207.92, 0.94%, 0.7%

LAB 72.12, -4.71, -40.38

 

CMYK 0 / 58 / 51 / 2

HEX #FA697A

RGB 250 105 122

HSL 352.97, 0.94%, 0.7%

LAB 63.2, 56.74, 19.15

 

CMYK 50 / 0 / 58 / 2

HEX #7DFA6A

RGB 125 250 106

HSL 112.08, 0.94%, 0.7%

LAB 88.81, -61.38, 57.45

 

CMYK 58 / 50 / 0 / 2

HEX #6A7DFA

RGB 106 125 250

HSL 232.08, 0.94%, 0.7%

LAB 56.72, 29, -64.79

 

CMYK 0 / 58 / 51 / 2

HEX #FA697A

RGB 250 105 122

HSL 352.97, 0.94%, 0.7%

LAB 63.2, 56.74, 19.15

 

CMYK 4 / 0 / 58 / 2

HEX #F0FA6A

RGB 240 250 106

HSL 64.17, 0.94%, 0.7%

LAB 95.13, -21.72, 66.31

 

CMYK 58 / 0 / 8 / 2

HEX #6AFAE7

RGB 106 250 231

HSL 172.08, 0.94%, 0.7%

LAB 90.42, -43.16, -2.56

 

CMYK 54 / 58 / 0 / 2

HEX #746AFA

RGB 116 106 250

HSL 244.17, 0.94%, 0.7%

LAB 52.87, 42.12, -70.97

 

CMYK 0 / 58 / 51 / 2

HEX #FA697A

RGB 250 105 122

HSL 352.97, 0.94%, 0.7%

LAB 63.2, 56.74, 19.15

 

CMYK 21 / 0 / 58 / 2

HEX #C5FA6A

RGB 197 250 106

HSL 82.08, 0.94%, 0.7%

LAB 92.26, -38.15, 62.3

 

CMYK 58 / 0 / 8 / 2

HEX #6AFAE7

RGB 106 250 231

HSL 172.08, 0.94%, 0.7%

LAB 90.42, -43.16, -2.56

 

CMYK 36 / 58 / 0 / 2

HEX #9F6AFA

RGB 159 106 250

HSL 262.08, 0.94%, 0.7%

LAB 56.66, 50.91, -64.65

 

Description

Color code: CMYK 0 / 58 / 51 / 2 | qconv.com Color code: CMYK 0 / 58 / 51 / 2 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 105 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 105 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 51 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 51% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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