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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 58 / 37 / 45 it is the complementary color CMYK 41 / 0 / 15 / 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 58 / 37 / 45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 58 / 37 / 45: CMYK 0 / 59 / 43 / 43, CMYK 0 / 52 / 37 / 36, CMYK 0 / 47 / 32 / 30, CMYK 0 / 42 / 29 / 23 and CMYK 0 / 38 / 25 / 16

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 58 / 37 / 45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 58 / 37 / 45: CMYK 0 / 58 / 37 / 45, CMYK 0 / 67 / 44 / 52, CMYK 0 / 78 / 53 / 58, CMYK 0 / 94 / 65 / 65 and CMYK 0 / 100 / 83 / 72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 37 / 45

HEX #8C3B58

RGB 140 59 88

HSL 338.52, 0.41%, 0.39%

LAB 36.76, 37.53, -0.18

 

Complementary color

CMYK 41 / 0 / 15 / 23

HEX #73C4A7

RGB 115 196 167

HSL 158.52, 0.41%, 0.61%

LAB 73.49, -31.55, 6.83

 

CMYK 0 / 59 / 43 / 43

HEX #913B53

RGB 145 59 83

HSL 343.26, 0.42%, 0.4%

LAB 37.43, 38.71, 4.08

 

CMYK 0 / 52 / 37 / 36

HEX #A24D66

RGB 162 77 102

HSL 342.35, 0.36%, 0.47%

LAB 44.16, 37.85, 2.27

 

CMYK 0 / 47 / 32 / 30

HEX #B35F79

RGB 179 95 121

HSL 341.43, 0.36%, 0.54%

LAB 50.86, 36.94, 0.82

 

CMYK 0 / 42 / 29 / 23

HEX #C4718C

RGB 196 113 140

HSL 340.48, 0.41%, 0.61%

LAB 57.5, 36.03, -0.4

 

CMYK 0 / 38 / 25 / 16

HEX #D5839F

RGB 213 131 159

HSL 339.51, 0.49%, 0.67%

LAB 64.07, 35.17, -1.45

 

CMYK 0 / 58 / 37 / 45

HEX #8C3B58

RGB 140 59 88

HSL 338.52, 0.41%, 0.39%

LAB 36.76, 37.53, -0.18

 

CMYK 0 / 67 / 44 / 52

HEX #7B2945

RGB 123 41 69

HSL 339.51, 0.5%, 0.32%

LAB 29.98, 38.15, 1.9

 

CMYK 0 / 78 / 53 / 58

HEX #6A1732

RGB 106 23 50

HSL 340.48, 0.64%, 0.25%

LAB 23.36, 38.17, 4.81

 

CMYK 0 / 94 / 65 / 65

HEX #59051F

RGB 89 5 31

HSL 341.43, 0.89%, 0.18%

LAB 17.14, 36.99, 9.05

 

CMYK 0 / 100 / 83 / 72

HEX #48000C

RGB 72 0 12

HSL 350, 1%, 0.14%

LAB 11.99, 32.66, 13.88

 

CMYK 0 / 58 / 37 / 45

HEX #8C3B58

RGB 140 59 88

HSL 338.52, 0.41%, 0.39%

LAB 36.76, 37.53, -0.18

 

CMYK 0 / 59 / 47 / 45

HEX #8C3A4A

RGB 140 58 74

HSL 348.29, 0.41%, 0.39%

LAB 36.17, 36.43, 7.89

 

CMYK 0 / 59 / 56 / 45

HEX #8C3A3D

RGB 140 58 61

HSL 357.8, 0.41%, 0.39%

LAB 35.87, 35.18, 15.73

 

CMYK 0 / 51 / 59 / 45

HEX #8C453A

RGB 140 69 58

HSL 8.05, 0.41%, 0.39%

LAB 38.09, 29.07, 20.52

 

CMYK 0 / 41 / 59 / 45

HEX #8C533A

RGB 140 83 58

HSL 18.29, 0.41%, 0.39%

LAB 41.32, 21.14, 24.64

 

CMYK 0 / 58 / 37 / 45

HEX #8C3B58

RGB 140 59 88

HSL 338.52, 0.41%, 0.39%

LAB 36.76, 37.53, -0.18

 

CMYK 0 / 58 / 37 / 25

HEX #BF5078

RGB 191 80 120

HSL 338.38, 0.46%, 0.53%

LAB 49.7, 48.48, -0.06

 

CMYK 0 / 58 / 37 / 5

HEX #F26698

RGB 242 102 152

HSL 338.57, 0.84%, 0.67%

LAB 62.21, 58.39, 0.31

 

CMYK 0 / 58 / 37 / 85

HEX #261018

RGB 38 16 24

HSL 338.18, 0.41%, 0.11%

LAB 7.67, 12.76, -0.62

 

CMYK 0 / 57 / 37 / 65

HEX #592638

RGB 89 38 56

HSL 338.82, 0.4%, 0.25%

LAB 22.98, 25.67, -0.27

 

CMYK 0 / 58 / 37 / 45

HEX #8C3B58

RGB 140 59 88

HSL 338.52, 0.41%, 0.39%

LAB 36.76, 37.53, -0.18

 

CMYK 0 / 10 / 59 / 45

HEX #8C7E3A

RGB 140 126 58

HSL 49.76, 0.41%, 0.39%

LAB 52.73, -3.7, 38.33

 

CMYK 59 / 14 / 0 / 45

HEX #3A798C

RGB 58 121 140

HSL 193.9, 0.41%, 0.39%

LAB 47.58, -14.38, -16.47

 

CMYK 0 / 58 / 37 / 45

HEX #8C3B58

RGB 140 59 88

HSL 338.52, 0.41%, 0.39%

LAB 36.76, 37.53, -0.18

 

CMYK 37 / 0 / 59 / 45

HEX #588C3A

RGB 88 140 58

HSL 98.05, 0.41%, 0.39%

LAB 53.1, -32.74, 37.75

 

CMYK 59 / 37 / 0 / 45

HEX #3A588C

RGB 58 88 140

HSL 218.05, 0.41%, 0.39%

LAB 37.43, 5.49, -32.23

 

CMYK 0 / 58 / 37 / 45

HEX #8C3B58

RGB 140 59 88

HSL 338.52, 0.41%, 0.39%

LAB 36.76, 37.53, -0.18

 

CMYK 0 / 10 / 59 / 45

HEX #8C7E3A

RGB 140 126 58

HSL 49.76, 0.41%, 0.39%

LAB 52.73, -3.7, 38.33

 

CMYK 59 / 0 / 21 / 45

HEX #3A8C6E

RGB 58 140 110

HSL 158.05, 0.41%, 0.39%

LAB 52.71, -32.5, 8.64

 

CMYK 59 / 49 / 0 / 45

HEX #3A488C

RGB 58 72 140

HSL 229.76, 0.41%, 0.39%

LAB 32.76, 15.98, -39.66

 

CMYK 0 / 58 / 37 / 45

HEX #8C3B58

RGB 140 59 88

HSL 338.52, 0.41%, 0.39%

LAB 36.76, 37.53, -0.18

 

CMYK 8 / 0 / 59 / 45

HEX #818C3A

RGB 129 140 58

HSL 68.05, 0.41%, 0.39%

LAB 55.82, -16.2, 41.58

 

CMYK 59 / 0 / 21 / 45

HEX #3A8C6E

RGB 58 140 110

HSL 158.05, 0.41%, 0.39%

LAB 52.71, -32.5, 8.64

 

CMYK 51 / 59 / 0 / 45

HEX #453A8C

RGB 69 58 140

HSL 248.05, 0.41%, 0.39%

LAB 29.87, 27.61, -44.26

 

Description

Color code: CMYK 0 / 58 / 37 / 45 | qconv.com Color code: CMYK 0 / 58 / 37 / 45 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 59 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 59 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 37 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 37% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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