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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 56 / 14 / 40 it is the complementary color CMYK 46 / 0 / 35 / 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 56 / 14 / 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 56 / 14 / 40: CMYK 0 / 58 / 20 / 38, CMYK 0 / 51 / 17 / 31, CMYK 0 / 46 / 14 / 25, CMYK 0 / 42 / 12 / 18 and CMYK 0 / 38 / 10 / 11

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 56 / 14 / 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 56 / 14 / 40: CMYK 0 / 56 / 14 / 40, CMYK 0 / 64 / 17 / 47, CMYK 0 / 74 / 21 / 53, CMYK 0 / 87 / 26 / 60 and CMYK 0 / 100 / 34 / 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 14 / 40

HEX #994384

RGB 153 67 132

HSL 314.65, 0.39%, 0.43%

LAB 41.93, 44.25, -19.61

 

Complementary color

CMYK 46 / 0 / 35 / 26

HEX #66BC7B

RGB 102 188 123

HSL 134.65, 0.39%, 0.57%

LAB 69.63, -40.24, 25.04

 

CMYK 0 / 58 / 20 / 38

HEX #9E437F

RGB 158 67 127

HSL 320.44, 0.4%, 0.44%

LAB 42.48, 45, -15.63

 

CMYK 0 / 51 / 17 / 31

HEX #AF5592

RGB 175 85 146

HSL 319.33, 0.36%, 0.51%

LAB 49.11, 44.4, -16.76

 

CMYK 0 / 46 / 14 / 25

HEX #C067A5

RGB 192 103 165

HSL 318.2, 0.41%, 0.58%

LAB 55.71, 43.68, -17.66

 

CMYK 0 / 42 / 12 / 18

HEX #D179B8

RGB 209 121 184

HSL 317.05, 0.49%, 0.65%

LAB 62.25, 42.92, -18.43

 

CMYK 0 / 38 / 10 / 11

HEX #E28BCB

RGB 226 139 203

HSL 315.86, 0.6%, 0.72%

LAB 68.71, 42.16, -19.1

 

CMYK 0 / 56 / 14 / 40

HEX #994384

RGB 153 67 132

HSL 314.65, 0.39%, 0.43%

LAB 41.93, 44.25, -19.61

 

CMYK 0 / 64 / 17 / 47

HEX #883171

RGB 136 49 113

HSL 315.86, 0.47%, 0.36%

LAB 35.25, 44.61, -18.35

 

CMYK 0 / 74 / 21 / 53

HEX #771F5E

RGB 119 31 94

HSL 317.05, 0.59%, 0.29%

LAB 28.67, 44.43, -16.58

 

CMYK 0 / 87 / 26 / 60

HEX #660D4B

RGB 102 13 75

HSL 318.2, 0.77%, 0.23%

LAB 22.38, 43.1, -13.93

 

CMYK 0 / 100 / 34 / 67

HEX #550038

RGB 85 0 56

HSL 320.47, 1%, 0.17%

LAB 16.59, 39.89, -9.94

 

CMYK 0 / 56 / 14 / 40

HEX #994384

RGB 153 67 132

HSL 314.65, 0.39%, 0.43%

LAB 41.93, 44.25, -19.61

 

CMYK 0 / 57 / 22 / 40

HEX #984276

RGB 152 66 118

HSL 323.72, 0.39%, 0.43%

LAB 41.02, 42.22, -12.41

 

CMYK 0 / 57 / 32 / 40

HEX #984267

RGB 152 66 103

HSL 334.19, 0.39%, 0.43%

LAB 40.49, 40.1, -3.9

 

CMYK 0 / 57 / 41 / 40

HEX #984259

RGB 152 66 89

HSL 343.95, 0.39%, 0.43%

LAB 40.07, 38.37, 4.23

 

CMYK 0 / 57 / 51 / 40

HEX #98424B

RGB 152 66 75

HSL 353.72, 0.39%, 0.43%

LAB 39.71, 36.89, 12.49

 

CMYK 0 / 56 / 14 / 40

HEX #994384

RGB 153 67 132

HSL 314.65, 0.39%, 0.43%

LAB 41.93, 44.25, -19.61

 

CMYK 0 / 56 / 14 / 20

HEX #CC59B0

RGB 204 89 176

HSL 314.61, 0.53%, 0.57%

LAB 55.19, 55.94, -24.69

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 57 / 14 / 80

HEX #33162C

RGB 51 22 44

HSL 314.48, 0.4%, 0.14%

LAB 12.35, 18.26, -8.37

 

CMYK 0 / 56 / 14 / 60

HEX #662D58

RGB 102 45 88

HSL 314.74, 0.39%, 0.29%

LAB 27.86, 31.69, -14.14

 

CMYK 0 / 56 / 14 / 40

HEX #994384

RGB 153 67 132

HSL 314.65, 0.39%, 0.43%

LAB 41.93, 44.25, -19.61

 

CMYK 0 / 32 / 57 / 40

HEX #986742

RGB 152 103 66

HSL 25.81, 0.39%, 0.43%

LAB 47.97, 15.51, 28.67

 

CMYK 57 / 0 / 9 / 40

HEX #42988A

RGB 66 152 138

HSL 170.23, 0.39%, 0.43%

LAB 57.51, -29.39, -0.45

 

CMYK 0 / 56 / 14 / 40

HEX #994384

RGB 153 67 132

HSL 314.65, 0.39%, 0.43%

LAB 41.93, 44.25, -19.61

 

CMYK 13 / 0 / 57 / 40

HEX #849842

RGB 132 152 66

HSL 73.95, 0.39%, 0.43%

LAB 59.67, -20.43, 42.17

 

CMYK 57 / 13 / 0 / 40

HEX #428498

RGB 66 132 152

HSL 193.95, 0.39%, 0.43%

LAB 51.76, -15.02, -17.12

 

CMYK 0 / 56 / 14 / 40

HEX #994384

RGB 153 67 132

HSL 314.65, 0.39%, 0.43%

LAB 41.93, 44.25, -19.61

 

CMYK 0 / 32 / 57 / 40

HEX #986742

RGB 152 103 66

HSL 25.81, 0.39%, 0.43%

LAB 47.97, 15.51, 28.67

 

CMYK 57 / 0 / 43 / 40

HEX #429856

RGB 66 152 86

HSL 133.95, 0.39%, 0.43%

LAB 56.37, -40.83, 27.08

 

CMYK 57 / 24 / 0 / 40

HEX #427398

RGB 66 115 152

HSL 205.81, 0.39%, 0.43%

LAB 46.56, -5.32, -25.1

 

CMYK 0 / 56 / 14 / 40

HEX #994384

RGB 153 67 132

HSL 314.65, 0.39%, 0.43%

LAB 41.93, 44.25, -19.61

 

CMYK 0 / 15 / 57 / 40

HEX #988142

RGB 152 129 66

HSL 43.95, 0.39%, 0.43%

LAB 54.83, 0.66, 36.98

 

CMYK 57 / 0 / 43 / 40

HEX #429856

RGB 66 152 86

HSL 133.95, 0.39%, 0.43%

LAB 56.37, -40.83, 27.08

 

CMYK 57 / 41 / 0 / 40

HEX #425998

RGB 66 89 152

HSL 223.95, 0.39%, 0.43%

LAB 38.85, 10.8, -37.21

 

Description

Color code: CMYK 0 / 56 / 14 / 40 | qconv.com Color code: CMYK 0 / 56 / 14 / 40 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 67 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 67 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 14 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 14% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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