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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 55 / 86 / 53 it is the complementary color CMYK 43 / 16 / 0 / 7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 55 / 86 / 53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 55 / 86 / 53: CMYK 0 / 57 / 90 / 51, CMYK 0 / 49 / 78 / 44, CMYK 0 / 43 / 69 / 38, CMYK 0 / 39 / 61 / 31 and CMYK 0 / 35 / 54 / 24

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 55 / 86 / 53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 55 / 86 / 53: CMYK 0 / 55 / 86 / 53, CMYK 0 / 65 / 100 / 60, CMYK 0 / 79 / 100 / 66, CMYK 0 / 100 / 100 / 73 and CMYK 0 / 100 / 100 / 80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 86 / 53

HEX #783611

RGB 120 54 17

HSL 21.55, 0.75%, 0.27%

LAB 31.05, 26.5, 35

 

Complementary color

CMYK 43 / 16 / 0 / 7

HEX #87C9EE

RGB 135 201 238

HSL 201.55, 0.75%, 0.73%

LAB 77.93, -11.43, -24.83

 

CMYK 0 / 57 / 90 / 51

HEX #7D360C

RGB 125 54 12

HSL 22.3, 0.82%, 0.27%

LAB 31.86, 28.49, 38.2

 

CMYK 0 / 49 / 78 / 44

HEX #8E481F

RGB 142 72 31

HSL 22.16, 0.64%, 0.34%

LAB 38.7, 26.52, 36.74

 

CMYK 0 / 43 / 69 / 38

HEX #9F5A32

RGB 159 90 50

HSL 22.02, 0.52%, 0.41%

LAB 45.52, 24.77, 34.83

 

CMYK 0 / 39 / 61 / 31

HEX #B06C45

RGB 176 108 69

HSL 21.87, 0.44%, 0.48%

LAB 52.27, 23.25, 32.97

 

CMYK 0 / 35 / 54 / 24

HEX #C17E58

RGB 193 126 88

HSL 21.71, 0.46%, 0.55%

LAB 58.94, 21.95, 31.25

 

CMYK 0 / 55 / 86 / 53

HEX #783611

RGB 120 54 17

HSL 21.55, 0.75%, 0.27%

LAB 31.05, 26.5, 35

 

CMYK 0 / 65 / 100 / 60

HEX #672400

RGB 103 36 0

HSL 20.97, 1%, 0.2%

LAB 24.15, 28.49, 34.88

 

CMYK 0 / 79 / 100 / 66

HEX #561200

RGB 86 18 0

HSL 12.56, 1%, 0.17%

LAB 17.51, 30.25, 26.59

 

CMYK 0 / 100 / 100 / 73

HEX #450000

RGB 69 0 0

HSL 0, 1%, 0.14%

LAB 11.03, 31.28, 17.37

 

CMYK 0 / 100 / 100 / 80

HEX #340000

RGB 52 0 0

HSL 0, 1%, 0.1%

LAB 6.59, 25.64, 10.42

 

CMYK 0 / 55 / 86 / 53

HEX #783611

RGB 120 54 17

HSL 21.55, 0.75%, 0.27%

LAB 31.05, 26.5, 35

 

CMYK 0 / 42 / 86 / 53

HEX #784611

RGB 120 70 17

HSL 30.87, 0.75%, 0.27%

LAB 34.83, 17.24, 38.39

 

CMYK 0 / 28 / 86 / 53

HEX #785711

RGB 120 87 17

HSL 40.78, 0.75%, 0.27%

LAB 39.33, 7.05, 42.35

 

CMYK 0 / 13 / 86 / 53

HEX #786811

RGB 120 104 17

HSL 50.68, 0.75%, 0.27%

LAB 44.14, -2.95, 46.5

 

CMYK 2 / 0 / 86 / 53

HEX #767811

RGB 118 120 17

HSL 61.17, 0.75%, 0.27%

LAB 48.67, -12.87, 50.28

 

CMYK 0 / 55 / 86 / 53

HEX #783611

RGB 120 54 17

HSL 21.55, 0.75%, 0.27%

LAB 31.05, 26.5, 35

 

CMYK 0 / 55 / 86 / 33

HEX #AB4D18

RGB 171 77 24

HSL 21.63, 0.75%, 0.38%

LAB 44.28, 35.65, 46.79

 

CMYK 0 / 55 / 86 / 13

HEX #DE641F

RGB 222 100 31

HSL 21.68, 0.75%, 0.5%

LAB 56.82, 44.24, 57.82

 

CMYK 0 / 56 / 83 / 93

HEX #120803

RGB 18 8 3

HSL 20, 0.71%, 0.04%

LAB 2.79, 2.42, 2.99

 

CMYK 0 / 55 / 86 / 73

HEX #451F0A

RGB 69 31 10

HSL 21.36, 0.75%, 0.15%

LAB 16.83, 16.49, 20.91

 

CMYK 0 / 55 / 86 / 53

HEX #783611

RGB 120 54 17

HSL 21.55, 0.75%, 0.27%

LAB 31.05, 26.5, 35

 

CMYK 48 / 0 / 86 / 53

HEX #3F7811

RGB 63 120 17

HSL 93.2, 0.75%, 0.27%

LAB 44.98, -36.09, 45.64

 

CMYK 86 / 82 / 0 / 53

HEX #111678

RGB 17 22 120

HSL 237.09, 0.75%, 0.27%

LAB 15.74, 35.76, -54.95

 

CMYK 0 / 55 / 86 / 53

HEX #783611

RGB 120 54 17

HSL 21.55, 0.75%, 0.27%

LAB 31.05, 26.5, 35

 

CMYK 86 / 0 / 56 / 53

HEX #117835

RGB 17 120 53

HSL 140.97, 0.75%, 0.27%

LAB 43.96, -43.12, 28.85

 

CMYK 56 / 86 / 0 / 53

HEX #351178

RGB 53 17 120

HSL 260.97, 0.75%, 0.27%

LAB 17.98, 41.61, -51.15

 

CMYK 0 / 55 / 86 / 53

HEX #783611

RGB 120 54 17

HSL 21.55, 0.75%, 0.27%

LAB 31.05, 26.5, 35

 

CMYK 48 / 0 / 86 / 53

HEX #3F7811

RGB 63 120 17

HSL 93.2, 0.75%, 0.27%

LAB 44.98, -36.09, 45.64

 

CMYK 86 / 30 / 0 / 53

HEX #115478

RGB 17 84 120

HSL 200.97, 0.75%, 0.27%

LAB 33.6, -6.29, -26.09

 

CMYK 38 / 86 / 0 / 53

HEX #4A1178

RGB 74 17 120

HSL 273.2, 0.75%, 0.27%

LAB 20.88, 44.62, -46.29

 

CMYK 0 / 55 / 86 / 53

HEX #783611

RGB 120 54 17

HSL 21.55, 0.75%, 0.27%

LAB 31.05, 26.5, 35

 

CMYK 73 / 0 / 86 / 53

HEX #207811

RGB 32 120 17

HSL 111.26, 0.75%, 0.27%

LAB 43.92, -44.63, 44.27

 

CMYK 86 / 30 / 0 / 53

HEX #115478

RGB 17 84 120

HSL 200.97, 0.75%, 0.27%

LAB 33.6, -6.29, -26.09

 

CMYK 13 / 86 / 0 / 53

HEX #681178

RGB 104 17 120

HSL 290.68, 0.75%, 0.27%

LAB 25.86, 49.96, -37.97

 

Description

Color code: CMYK 0 / 55 / 86 / 53 | qconv.com Color code: CMYK 0 / 55 / 86 / 53 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 54 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 54 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 86 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 86% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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