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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 55 / 66 / 26 it is the complementary color CMYK 65 / 11 / 0 / 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 55 / 66 / 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 55 / 66 / 26: CMYK 0 / 56 / 70 / 24, CMYK 0 / 51 / 63 / 17, CMYK 0 / 47 / 57 / 11, CMYK 0 / 43 / 53 / 4 and CMYK 0 / 38 / 47 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 55 / 66 / 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 55 / 66 / 26: CMYK 0 / 55 / 66 / 26, CMYK 0 / 61 / 74 / 33, CMYK 0 / 68 / 83 / 39, CMYK 0 / 78 / 95 / 46 and CMYK 0 / 89 / 100 / 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 66 / 26

HEX #BD5540

RGB 189 85 64

HSL 10.08, 0.49%, 0.5%

LAB 49.11, 40.38, 32.38

 

Complementary color

CMYK 65 / 11 / 0 / 25

HEX #42AABF

RGB 66 170 191

HSL 190.08, 0.49%, 0.5%

LAB 64.7, -23.16, -19.58

 

CMYK 0 / 56 / 70 / 24

HEX #C2553B

RGB 194 85 59

HSL 11.56, 0.53%, 0.5%

LAB 49.84, 41.98, 36.23

 

CMYK 0 / 51 / 63 / 17

HEX #D3674E

RGB 211 103 78

HSL 11.28, 0.6%, 0.57%

LAB 56.19, 40.59, 33.88

 

CMYK 0 / 47 / 57 / 11

HEX #E47961

RGB 228 121 97

HSL 10.99, 0.71%, 0.64%

LAB 62.53, 39.25, 31.79

 

CMYK 0 / 43 / 53 / 4

HEX #F58B74

RGB 245 139 116

HSL 10.7, 0.87%, 0.71%

LAB 68.85, 38, 29.94

 

CMYK 0 / 38 / 47 / 0

HEX #FF9D87

RGB 255 157 135

HSL 11, 1%, 0.76%

LAB 74.27, 34.2, 26.99

 

CMYK 0 / 55 / 66 / 26

HEX #BD5540

RGB 189 85 64

HSL 10.08, 0.49%, 0.5%

LAB 49.11, 40.38, 32.38

 

CMYK 0 / 61 / 74 / 33

HEX #AC432D

RGB 172 67 45

HSL 10.39, 0.59%, 0.43%

LAB 42.72, 41.74, 34.99

 

CMYK 0 / 68 / 83 / 39

HEX #9B311A

RGB 155 49 26

HSL 10.7, 0.71%, 0.35%

LAB 36.44, 42.97, 37.82

 

CMYK 0 / 78 / 95 / 46

HEX #8A1F07

RGB 138 31 7

HSL 10.99, 0.9%, 0.28%

LAB 30.4, 43.75, 40.17

 

CMYK 0 / 89 / 100 / 53

HEX #790D00

RGB 121 13 0

HSL 6.45, 1%, 0.24%

LAB 24.81, 43.5, 36.8

 

CMYK 0 / 55 / 66 / 26

HEX #BD5540

RGB 189 85 64

HSL 10.08, 0.49%, 0.5%

LAB 49.11, 40.38, 32.38

 

CMYK 0 / 44 / 66 / 26

HEX #BD6A41

RGB 189 106 65

HSL 19.84, 0.49%, 0.5%

LAB 53.5, 29.49, 37.04

 

CMYK 0 / 33 / 66 / 26

HEX #BD7F41

RGB 189 127 65

HSL 30, 0.49%, 0.5%

LAB 58.4, 17.98, 42.67

 

CMYK 0 / 22 / 66 / 26

HEX #BD9441

RGB 189 148 65

HSL 40.16, 0.49%, 0.5%

LAB 63.66, 6.4, 48.52

 

CMYK 0 / 11 / 66 / 26

HEX #BDA941

RGB 189 169 65

HSL 50.32, 0.49%, 0.5%

LAB 69.17, -4.91, 54.44

 

CMYK 0 / 55 / 66 / 26

HEX #BD5540

RGB 189 85 64

HSL 10.08, 0.49%, 0.5%

LAB 49.11, 40.38, 32.38

 

CMYK 0 / 55 / 66 / 6

HEX #F06C51

RGB 240 108 81

HSL 10.19, 0.84%, 0.63%

LAB 61.52, 49.05, 39.69

 

CMYK 0 / 56 / 67 / 86

HEX #24100C

RGB 36 16 12

HSL 10, 0.5%, 0.09%

LAB 6.98, 9.77, 5.66

 

CMYK 0 / 55 / 67 / 66

HEX #57271D

RGB 87 39 29

HSL 10.34, 0.5%, 0.23%

LAB 22.18, 21.23, 16.91

 

CMYK 0 / 55 / 66 / 46

HEX #8A3E2F

RGB 138 62 47

HSL 9.89, 0.49%, 0.36%

LAB 36.09, 31.22, 24.64

 

CMYK 0 / 55 / 66 / 26

HEX #BD5540

RGB 189 85 64

HSL 10.08, 0.49%, 0.5%

LAB 49.11, 40.38, 32.38

 

CMYK 24 / 0 / 66 / 26

HEX #90BD41

RGB 144 189 65

HSL 81.77, 0.49%, 0.5%

LAB 71.36, -33.64, 55.72

 

CMYK 66 / 50 / 0 / 26

HEX #415EBD

RGB 65 94 189

HSL 225.97, 0.49%, 0.5%

LAB 42.47, 20.39, -53.3

 

CMYK 0 / 55 / 66 / 26

HEX #BD5540

RGB 189 85 64

HSL 10.08, 0.49%, 0.5%

LAB 49.11, 40.38, 32.38

 

CMYK 66 / 0 / 55 / 26

HEX #41BD55

RGB 65 189 85

HSL 129.68, 0.49%, 0.5%

LAB 68.15, -55.64, 42.25

 

CMYK 55 / 66 / 0 / 26

HEX #5541BD

RGB 85 65 189

HSL 249.68, 0.49%, 0.5%

LAB 36.72, 41.9, -62.55

 

CMYK 0 / 55 / 66 / 26

HEX #BD5540

RGB 189 85 64

HSL 10.08, 0.49%, 0.5%

LAB 49.11, 40.38, 32.38

 

CMYK 24 / 0 / 66 / 26

HEX #90BD41

RGB 144 189 65

HSL 81.77, 0.49%, 0.5%

LAB 71.36, -33.64, 55.72

 

CMYK 66 / 11 / 0 / 26

HEX #41A9BD

RGB 65 169 189

HSL 189.68, 0.49%, 0.5%

LAB 64.3, -23.42, -19.07

 

CMYK 42 / 66 / 0 / 26

HEX #6E41BD

RGB 110 65 189

HSL 261.77, 0.49%, 0.5%

LAB 39.19, 46.59, -58.42

 

CMYK 0 / 55 / 66 / 26

HEX #BD5540

RGB 189 85 64

HSL 10.08, 0.49%, 0.5%

LAB 49.11, 40.38, 32.38

 

CMYK 44 / 0 / 66 / 26

HEX #6ABD41

RGB 106 189 65

HSL 100.16, 0.49%, 0.5%

LAB 69.36, -47.15, 52.99

 

CMYK 66 / 11 / 0 / 26

HEX #41A9BD

RGB 65 169 189

HSL 189.68, 0.49%, 0.5%

LAB 64.3, -23.42, -19.07

 

CMYK 22 / 66 / 0 / 26

HEX #9441BD

RGB 148 65 189

HSL 280.16, 0.49%, 0.5%

LAB 43.87, 54.8, -50.63

 

Description

Color code: CMYK 0 / 55 / 66 / 26 | qconv.com Color code: CMYK 0 / 55 / 66 / 26 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 85 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 85 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 66 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 66% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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