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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 55 / 66 / 20 it is the complementary color CMYK 73 / 12 / 0 / 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 55 / 66 / 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 55 / 66 / 20: CMYK 0 / 56 / 69 / 18, CMYK 0 / 51 / 63 / 11, CMYK 0 / 47 / 58 / 5, CMYK 0 / 43 / 53 / 0 and CMYK 0 / 36 / 45 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 55 / 66 / 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 55 / 66 / 20: CMYK 0 / 55 / 66 / 20, CMYK 0 / 60 / 73 / 27, CMYK 0 / 67 / 82 / 33, CMYK 0 / 75 / 92 / 40 and CMYK 0 / 85 / 100 / 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 66 / 20

HEX #CC5C45

RGB 204 92 69

HSL 10.22, 0.57%, 0.54%

LAB 52.86, 42.86, 34.62

 

Complementary color

CMYK 73 / 12 / 0 / 27

HEX #33A3BA

RGB 51 163 186

HSL 190.22, 0.57%, 0.46%

LAB 62.03, -23.32, -20.88

 

CMYK 0 / 56 / 69 / 18

HEX #D15C40

RGB 209 92 64

HSL 11.59, 0.61%, 0.54%

LAB 53.58, 44.44, 38.42

 

CMYK 0 / 51 / 63 / 11

HEX #E26E53

RGB 226 110 83

HSL 11.33, 0.71%, 0.61%

LAB 59.84, 43.06, 36.09

 

CMYK 0 / 47 / 58 / 5

HEX #F38066

RGB 243 128 102

HSL 11.06, 0.85%, 0.68%

LAB 66.1, 41.73, 34

 

CMYK 0 / 43 / 53 / 0

HEX #FF9279

RGB 255 146 121

HSL 11.19, 1%, 0.74%

LAB 71.69, 38.61, 31.17

 

CMYK 0 / 36 / 45 / 0

HEX #FFA48C

RGB 255 164 140

HSL 12.52, 1%, 0.77%

LAB 75.89, 31.05, 26.46

 

CMYK 0 / 55 / 66 / 20

HEX #CC5C45

RGB 204 92 69

HSL 10.22, 0.57%, 0.54%

LAB 52.86, 42.86, 34.62

 

CMYK 0 / 60 / 73 / 27

HEX #BB4A32

RGB 187 74 50

HSL 10.51, 0.58%, 0.46%

LAB 46.57, 44.21, 37.19

 

CMYK 0 / 67 / 82 / 33

HEX #AA381F

RGB 170 56 31

HSL 10.79, 0.69%, 0.39%

LAB 40.37, 45.44, 39.97

 

CMYK 0 / 75 / 92 / 40

HEX #99260C

RGB 153 38 12

HSL 11.06, 0.85%, 0.32%

LAB 34.37, 46.31, 42.39

 

CMYK 0 / 85 / 100 / 47

HEX #881400

RGB 136 20 0

HSL 8.82, 1%, 0.27%

LAB 28.73, 46.36, 41.55

 

CMYK 0 / 55 / 66 / 20

HEX #CC5C45

RGB 204 92 69

HSL 10.22, 0.57%, 0.54%

LAB 52.86, 42.86, 34.62

 

CMYK 0 / 44 / 66 / 20

HEX #CC7346

RGB 204 115 70

HSL 20.15, 0.57%, 0.54%

LAB 57.6, 31.1, 39.68

 

CMYK 0 / 33 / 66 / 20

HEX #CC8946

RGB 204 137 70

HSL 30, 0.57%, 0.54%

LAB 62.65, 19.21, 45.47

 

CMYK 0 / 22 / 66 / 20

HEX #CC9F46

RGB 204 159 70

HSL 39.85, 0.57%, 0.54%

LAB 68.08, 7.25, 51.48

 

CMYK 0 / 11 / 66 / 20

HEX #CCB646

RGB 204 182 70

HSL 50.15, 0.57%, 0.54%

LAB 74.02, -4.97, 57.84

 

CMYK 0 / 55 / 66 / 20

HEX #CC5C45

RGB 204 92 69

HSL 10.22, 0.57%, 0.54%

LAB 52.86, 42.86, 34.62

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 55 / 67 / 80

HEX #331711

RGB 51 23 17

HSL 10.59, 0.5%, 0.13%

LAB 11.67, 13.34, 10.12

 

CMYK 0 / 55 / 66 / 60

HEX #662E23

RGB 102 46 35

HSL 9.85, 0.49%, 0.27%

LAB 26.45, 24.19, 18.88

 

CMYK 0 / 55 / 66 / 40

HEX #994534

RGB 153 69 52

HSL 10.1, 0.49%, 0.4%

LAB 40.04, 33.85, 27.03

 

CMYK 0 / 55 / 66 / 20

HEX #CC5C45

RGB 204 92 69

HSL 10.22, 0.57%, 0.54%

LAB 52.86, 42.86, 34.62

 

CMYK 24 / 0 / 66 / 20

HEX #9BCC46

RGB 155 204 70

HSL 81.94, 0.57%, 0.54%

LAB 76.43, -35.94, 59.27

 

CMYK 66 / 50 / 0 / 20

HEX #4666CC

RGB 70 102 204

HSL 225.67, 0.57%, 0.54%

LAB 45.86, 21.43, -56.49

 

CMYK 0 / 55 / 66 / 20

HEX #CC5C45

RGB 204 92 69

HSL 10.22, 0.57%, 0.54%

LAB 52.86, 42.86, 34.62

 

CMYK 66 / 0 / 54 / 20

HEX #46CC5D

RGB 70 204 93

HSL 130.3, 0.57%, 0.54%

LAB 73.07, -58.98, 44.38

 

CMYK 54 / 66 / 0 / 20

HEX #5D46CC

RGB 93 70 204

HSL 250.3, 0.57%, 0.54%

LAB 39.69, 44.95, -66.41

 

CMYK 0 / 55 / 66 / 20

HEX #CC5C45

RGB 204 92 69

HSL 10.22, 0.57%, 0.54%

LAB 52.86, 42.86, 34.62

 

CMYK 24 / 0 / 66 / 20

HEX #9BCC46

RGB 155 204 70

HSL 81.94, 0.57%, 0.54%

LAB 76.43, -35.94, 59.27

 

CMYK 66 / 11 / 0 / 20

HEX #46B6CC

RGB 70 182 204

HSL 189.85, 0.57%, 0.54%

LAB 68.84, -24.66, -20.46

 

CMYK 42 / 66 / 0 / 20

HEX #7746CC

RGB 119 70 204

HSL 261.94, 0.57%, 0.54%

LAB 42.25, 49.74, -62.14

 

CMYK 0 / 55 / 66 / 20

HEX #CC5C45

RGB 204 92 69

HSL 10.22, 0.57%, 0.54%

LAB 52.86, 42.86, 34.62

 

CMYK 44 / 0 / 66 / 20

HEX #73CC46

RGB 115 204 70

HSL 99.85, 0.57%, 0.54%

LAB 74.36, -49.94, 56.44

 

CMYK 66 / 11 / 0 / 20

HEX #46B6CC

RGB 70 182 204

HSL 189.85, 0.57%, 0.54%

LAB 68.84, -24.66, -20.46

 

CMYK 22 / 66 / 0 / 20

HEX #9F46CC

RGB 159 70 204

HSL 279.85, 0.57%, 0.54%

LAB 47.12, 58.18, -54.03

 

Description

Color code: CMYK 0 / 55 / 66 / 20 | qconv.com Color code: CMYK 0 / 55 / 66 / 20 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 92 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 92 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 66 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 66% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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