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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 54 / 11 / 42 it is the complementary color CMYK 43 / 0 / 34 / 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 54 / 11 / 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 54 / 11 / 42: CMYK 0 / 56 / 17 / 40, CMYK 0 / 49 / 14 / 33, CMYK 0 / 44 / 12 / 27, CMYK 0 / 40 / 10 / 20 and CMYK 0 / 37 / 8 / 13

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 54 / 11 / 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 54 / 11 / 42: CMYK 0 / 54 / 11 / 42, CMYK 0 / 62 / 14 / 49, CMYK 0 / 72 / 18 / 55, CMYK 0 / 86 / 23 / 62 and CMYK 0 / 100 / 30 / 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 11 / 42

HEX #944484

RGB 148 68 132

HSL 312, 0.37%, 0.42%

LAB 41.37, 42.2, -20.53

 

Complementary color

CMYK 43 / 0 / 34 / 27

HEX #6BBB7B

RGB 107 187 123

HSL 132, 0.37%, 0.58%

LAB 69.54, -38.36, 24.96

 

CMYK 0 / 56 / 17 / 40

HEX #99447F

RGB 153 68 127

HSL 318.35, 0.38%, 0.43%

LAB 41.91, 42.94, -16.58

 

CMYK 0 / 49 / 14 / 33

HEX #AA5692

RGB 170 86 146

HSL 317.14, 0.33%, 0.5%

LAB 48.61, 42.28, -17.59

 

CMYK 0 / 44 / 12 / 27

HEX #BB68A5

RGB 187 104 165

HSL 315.9, 0.38%, 0.57%

LAB 55.26, 41.53, -18.41

 

CMYK 0 / 40 / 10 / 20

HEX #CC7AB8

RGB 204 122 184

HSL 314.63, 0.45%, 0.64%

LAB 61.84, 40.77, -19.1

 

CMYK 0 / 37 / 8 / 13

HEX #DD8CCB

RGB 221 140 203

HSL 313.33, 0.54%, 0.71%

LAB 68.34, 40.01, -19.71

 

CMYK 0 / 54 / 11 / 42

HEX #944484

RGB 148 68 132

HSL 312, 0.37%, 0.42%

LAB 41.37, 42.2, -20.53

 

CMYK 0 / 62 / 14 / 49

HEX #833271

RGB 131 50 113

HSL 313.33, 0.45%, 0.35%

LAB 34.6, 42.66, -19.42

 

CMYK 0 / 72 / 18 / 55

HEX #72205E

RGB 114 32 94

HSL 314.63, 0.56%, 0.29%

LAB 27.9, 42.64, -17.85

 

CMYK 0 / 86 / 23 / 62

HEX #610E4B

RGB 97 14 75

HSL 315.9, 0.75%, 0.22%

LAB 21.44, 41.56, -15.45

 

CMYK 0 / 100 / 30 / 69

HEX #500038

RGB 80 0 56

HSL 318, 1%, 0.16%

LAB 15.44, 38.72, -11.8

 

CMYK 0 / 54 / 11 / 42

HEX #944484

RGB 148 68 132

HSL 312, 0.37%, 0.42%

LAB 41.37, 42.2, -20.53

 

CMYK 0 / 54 / 20 / 43

HEX #924375

RGB 146 67 117

HSL 322.03, 0.37%, 0.42%

LAB 40.26, 39.6, -13.03

 

CMYK 0 / 54 / 29 / 43

HEX #924368

RGB 146 67 104

HSL 331.9, 0.37%, 0.42%

LAB 39.79, 37.66, -5.67

 

CMYK 0 / 54 / 38 / 43

HEX #92435B

RGB 146 67 91

HSL 341.77, 0.37%, 0.42%

LAB 39.38, 35.93, 1.86

 

CMYK 0 / 54 / 47 / 43

HEX #92434E

RGB 146 67 78

HSL 351.65, 0.37%, 0.42%

LAB 39.03, 34.42, 9.52

 

CMYK 0 / 54 / 11 / 42

HEX #944484

RGB 148 68 132

HSL 312, 0.37%, 0.42%

LAB 41.37, 42.2, -20.53

 

CMYK 0 / 54 / 11 / 22

HEX #C75BB1

RGB 199 91 177

HSL 312.22, 0.49%, 0.57%

LAB 54.86, 53.72, -25.84

 

CMYK 0 / 54 / 11 / 2

HEX #FA73DF

RGB 250 115 223

HSL 312, 0.93%, 0.72%

LAB 67.96, 64.34, -31.11

 

CMYK 0 / 54 / 11 / 82

HEX #2E1529

RGB 46 21 41

HSL 312, 0.37%, 0.13%

LAB 11.12, 16.28, -8.13

 

CMYK 0 / 54 / 10 / 62

HEX #612D57

RGB 97 45 87

HSL 311.54, 0.37%, 0.28%

LAB 27.04, 29.8, -14.82

 

CMYK 0 / 54 / 11 / 42

HEX #944484

RGB 148 68 132

HSL 312, 0.37%, 0.42%

LAB 41.37, 42.2, -20.53

 

CMYK 0 / 32 / 54 / 43

HEX #926343

RGB 146 99 67

HSL 24.3, 0.37%, 0.42%

LAB 46.23, 15.28, 25.76

 

CMYK 54 / 0 / 11 / 43

HEX #439282

RGB 67 146 130

HSL 167.85, 0.37%, 0.42%

LAB 55.44, -28.33, 1.12

 

CMYK 0 / 54 / 11 / 42

HEX #944484

RGB 148 68 132

HSL 312, 0.37%, 0.42%

LAB 41.37, 42.2, -20.53

 

CMYK 11 / 0 / 54 / 43

HEX #829243

RGB 130 146 67

HSL 72.15, 0.37%, 0.42%

LAB 57.76, -18.09, 39.43

 

CMYK 54 / 11 / 0 / 43

HEX #438292

RGB 67 130 146

HSL 192.15, 0.37%, 0.42%

LAB 50.96, -15.53, -14.82

 

CMYK 0 / 54 / 11 / 42

HEX #944484

RGB 148 68 132

HSL 312, 0.37%, 0.42%

LAB 41.37, 42.2, -20.53

 

CMYK 0 / 32 / 54 / 43

HEX #926343

RGB 146 99 67

HSL 24.3, 0.37%, 0.42%

LAB 46.23, 15.28, 25.76

 

CMYK 54 / 0 / 43 / 43

HEX #439253

RGB 67 146 83

HSL 132.15, 0.37%, 0.42%

LAB 54.42, -38.52, 26.18

 

CMYK 54 / 21 / 0 / 43

HEX #437392

RGB 67 115 146

HSL 203.54, 0.37%, 0.42%

LAB 46.35, -7.02, -21.87

 

CMYK 0 / 54 / 11 / 42

HEX #944484

RGB 148 68 132

HSL 312, 0.37%, 0.42%

LAB 41.37, 42.2, -20.53

 

CMYK 0 / 16 / 54 / 43

HEX #927A43

RGB 146 122 67

HSL 41.77, 0.37%, 0.42%

LAB 52.33, 2.03, 33.31

 

CMYK 54 / 0 / 43 / 43

HEX #439253

RGB 67 146 83

HSL 132.15, 0.37%, 0.42%

LAB 54.42, -38.52, 26.18

 

CMYK 54 / 38 / 0 / 43

HEX #435B92

RGB 67 91 146

HSL 221.77, 0.37%, 0.42%

LAB 39.16, 7.7, -33.1

 

Description

Color code: CMYK 0 / 54 / 11 / 42 | qconv.com Color code: CMYK 0 / 54 / 11 / 42 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 68 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 68 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 11 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 11% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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