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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 52 / 10 / 48 it is the complementary color CMYK 36 / 0 / 29 / 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 52 / 10 / 48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 52 / 10 / 48: CMYK 0 / 54 / 17 / 46, CMYK 0 / 47 / 14 / 39, CMYK 0 / 42 / 12 / 33, CMYK 0 / 38 / 10 / 26 and CMYK 0 / 34 / 8 / 19

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 52 / 10 / 48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 52 / 10 / 48: CMYK 0 / 52 / 11 / 48, CMYK 0 / 60 / 14 / 55, CMYK 0 / 72 / 18 / 61, CMYK 0 / 88 / 24 / 68 and CMYK 0 / 100 / 34 / 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 10 / 48

HEX #854077

RGB 133 64 119

HSL 312.17, 0.35%, 0.39%

LAB 37.82, 37.25, -18.18

 

Complementary color

CMYK 36 / 0 / 29 / 25

HEX #7ABF88

RGB 122 191 136

HSL 132.17, 0.35%, 0.61%

LAB 71.67, -33.36, 21.04

 

CMYK 0 / 54 / 17 / 46

HEX #8A4072

RGB 138 64 114

HSL 319.46, 0.37%, 0.4%

LAB 38.35, 38.03, -14.19

 

CMYK 0 / 47 / 14 / 39

HEX #9B5285

RGB 155 82 133

HSL 318.08, 0.31%, 0.46%

LAB 45.22, 37.3, -15.15

 

CMYK 0 / 42 / 12 / 33

HEX #AC6498

RGB 172 100 152

HSL 316.67, 0.3%, 0.53%

LAB 52.01, 36.51, -15.94

 

CMYK 0 / 38 / 10 / 26

HEX #BD76AB

RGB 189 118 171

HSL 315.21, 0.35%, 0.6%

LAB 58.71, 35.72, -16.6

 

CMYK 0 / 34 / 8 / 19

HEX #CE88BE

RGB 206 136 190

HSL 313.71, 0.42%, 0.67%

LAB 65.32, 34.97, -17.19

 

CMYK 0 / 52 / 11 / 48

HEX #854077

RGB 133 64 119

HSL 312.17, 0.35%, 0.39%

LAB 37.82, 37.25, -18.18

 

CMYK 0 / 60 / 14 / 55

HEX #742E64

RGB 116 46 100

HSL 313.71, 0.43%, 0.32%

LAB 30.85, 37.83, -17.14

 

CMYK 0 / 72 / 18 / 61

HEX #631C51

RGB 99 28 81

HSL 315.21, 0.56%, 0.25%

LAB 23.93, 37.95, -15.62

 

CMYK 0 / 88 / 24 / 68

HEX #520A3E

RGB 82 10 62

HSL 316.67, 0.78%, 0.18%

LAB 17.27, 36.92, -13.19

 

CMYK 0 / 100 / 34 / 75

HEX #41002B

RGB 65 0 43

HSL 320.31, 1%, 0.13%

LAB 11.26, 33.45, -9.06

 

CMYK 0 / 52 / 11 / 48

HEX #854077

RGB 133 64 119

HSL 312.17, 0.35%, 0.39%

LAB 37.82, 37.25, -18.18

 

CMYK 0 / 52 / 19 / 47

HEX #86406C

RGB 134 64 108

HSL 322.29, 0.35%, 0.39%

LAB 37.51, 35.71, -11.77

 

CMYK 0 / 52 / 28 / 47

HEX #864061

RGB 134 64 97

HSL 331.71, 0.35%, 0.39%

LAB 37.11, 34.01, -5.46

 

CMYK 0 / 52 / 37 / 47

HEX #864055

RGB 134 64 85

HSL 342, 0.35%, 0.39%

LAB 36.73, 32.34, 1.57

 

CMYK 0 / 52 / 46 / 47

HEX #864049

RGB 134 64 73

HSL 352.29, 0.35%, 0.39%

LAB 36.4, 30.89, 8.71

 

CMYK 0 / 52 / 11 / 48

HEX #854077

RGB 133 64 119

HSL 312.17, 0.35%, 0.39%

LAB 37.82, 37.25, -18.18

 

CMYK 0 / 52 / 10 / 28

HEX #B859A5

RGB 184 89 165

HSL 312, 0.4%, 0.54%

LAB 51.9, 48.27, -23.6

 

CMYK 0 / 52 / 11 / 8

HEX #EB71D2

RGB 235 113 210

HSL 312.3, 0.75%, 0.68%

LAB 65.06, 59.01, -28.49

 

CMYK 0 / 52 / 10 / 88

HEX #1F0F1C

RGB 31 15 28

HSL 311.25, 0.35%, 0.09%

LAB 6.47, 10.66, -5.6

 

CMYK 0 / 52 / 11 / 68

HEX #522749

RGB 82 39 73

HSL 312.56, 0.36%, 0.24%

LAB 22.74, 25.31, -12.31

 

CMYK 0 / 52 / 11 / 48

HEX #854077

RGB 133 64 119

HSL 312.17, 0.35%, 0.39%

LAB 37.82, 37.25, -18.18

 

CMYK 0 / 31 / 52 / 47

HEX #865C40

RGB 134 92 64

HSL 24, 0.35%, 0.39%

LAB 42.9, 13.79, 22.96

 

CMYK 52 / 0 / 10 / 47

HEX #408678

RGB 64 134 120

HSL 168, 0.35%, 0.39%

LAB 51.26, -25.68, 0.8

 

CMYK 0 / 52 / 11 / 48

HEX #854077

RGB 133 64 119

HSL 312.17, 0.35%, 0.39%

LAB 37.82, 37.25, -18.18

 

CMYK 10 / 0 / 52 / 47

HEX #788640

RGB 120 134 64

HSL 72, 0.35%, 0.39%

LAB 53.4, -16.34, 35.62

 

CMYK 52 / 10 / 0 / 47

HEX #407886

RGB 64 120 134

HSL 192, 0.35%, 0.39%

LAB 47.29, -14.32, -13.34

 

CMYK 0 / 52 / 11 / 48

HEX #854077

RGB 133 64 119

HSL 312.17, 0.35%, 0.39%

LAB 37.82, 37.25, -18.18

 

CMYK 0 / 31 / 52 / 47

HEX #865C40

RGB 134 92 64

HSL 24, 0.35%, 0.39%

LAB 42.9, 13.79, 22.96

 

CMYK 52 / 0 / 42 / 47

HEX #40864E

RGB 64 134 78

HSL 132, 0.35%, 0.39%

LAB 50.32, -34.94, 23.57

 

CMYK 52 / 21 / 0 / 47

HEX #406A86

RGB 64 106 134

HSL 204, 0.35%, 0.39%

LAB 42.94, -6.25, -19.98

 

CMYK 0 / 52 / 11 / 48

HEX #854077

RGB 133 64 119

HSL 312.17, 0.35%, 0.39%

LAB 37.82, 37.25, -18.18

 

CMYK 0 / 16 / 52 / 47

HEX #867140

RGB 134 113 64

HSL 42, 0.35%, 0.39%

LAB 48.57, 1.51, 30.08

 

CMYK 52 / 0 / 42 / 47

HEX #40864E

RGB 64 134 78

HSL 132, 0.35%, 0.39%

LAB 50.32, -34.94, 23.57

 

CMYK 52 / 37 / 0 / 47

HEX #405586

RGB 64 85 134

HSL 222, 0.35%, 0.39%

LAB 36.57, 6.78, -29.91

 

Description

Color code: CMYK 0 / 52 / 10 / 48 | qconv.com Color code: CMYK 0 / 52 / 10 / 48 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 64 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 64 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 10 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 10% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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