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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 51 / 86 / 36 it is the complementary color CMYK 60 / 25 / 0 / 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 51 / 86 / 36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 51 / 86 / 36: CMYK 0 / 52 / 89 / 34, CMYK 0 / 47 / 80 / 27, CMYK 0 / 43 / 72 / 21, CMYK 0 / 39 / 66 / 14 and CMYK 0 / 36 / 60 / 7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 51 / 86 / 36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 51 / 86 / 36: CMYK 0 / 51 / 86 / 36, CMYK 0 / 58 / 97 / 43, CMYK 0 / 66 / 100 / 49, CMYK 0 / 77 / 100 / 56 and CMYK 0 / 92 / 100 / 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 86 / 36

HEX #A35017

RGB 163 80 23

HSL 24.43, 0.75%, 0.36%

LAB 43.63, 30.77, 46.14

 

Complementary color

CMYK 60 / 25 / 0 / 9

HEX #5CAFE8

RGB 92 175 232

HSL 204.43, 0.75%, 0.64%

LAB 68.58, -8.55, -36.15

 

CMYK 0 / 52 / 89 / 34

HEX #A85012

RGB 168 80 18

HSL 24.8, 0.81%, 0.36%

LAB 44.38, 32.72, 48.93

 

CMYK 0 / 47 / 80 / 27

HEX #B96225

RGB 185 98 37

HSL 24.73, 0.67%, 0.44%

LAB 50.9, 30.75, 48.04

 

CMYK 0 / 43 / 72 / 21

HEX #CA7438

RGB 202 116 56

HSL 24.66, 0.58%, 0.51%

LAB 57.4, 28.97, 46.5

 

CMYK 0 / 39 / 66 / 14

HEX #DB864B

RGB 219 134 75

HSL 24.58, 0.67%, 0.58%

LAB 63.85, 27.39, 44.82

 

CMYK 0 / 36 / 60 / 7

HEX #EC985E

RGB 236 152 94

HSL 24.51, 0.79%, 0.65%

LAB 70.24, 25.99, 43.16

 

CMYK 0 / 51 / 86 / 36

HEX #A35017

RGB 163 80 23

HSL 24.43, 0.75%, 0.36%

LAB 43.63, 30.77, 46.14

 

CMYK 0 / 58 / 97 / 43

HEX #923E04

RGB 146 62 4

HSL 24.51, 0.95%, 0.29%

LAB 37.05, 32.85, 46.42

 

CMYK 0 / 66 / 100 / 49

HEX #812C00

RGB 129 44 0

HSL 20.47, 1%, 0.25%

LAB 30.56, 34.97, 42.34

 

CMYK 0 / 77 / 100 / 56

HEX #701A00

RGB 112 26 0

HSL 13.93, 1%, 0.22%

LAB 24.27, 36.52, 35.61

 

CMYK 0 / 92 / 100 / 63

HEX #5F0800

RGB 95 8 0

HSL 5.05, 1%, 0.19%

LAB 18.39, 36.64, 28.14

 

CMYK 0 / 51 / 86 / 36

HEX #A35017

RGB 163 80 23

HSL 24.43, 0.75%, 0.36%

LAB 43.63, 30.77, 46.14

 

CMYK 0 / 38 / 86 / 37

HEX #A06416

RGB 160 100 22

HSL 33.91, 0.76%, 0.36%

LAB 47.81, 18.33, 49.88

 

CMYK 0 / 23 / 86 / 37

HEX #A07B16

RGB 160 123 22

HSL 43.91, 0.76%, 0.36%

LAB 53.7, 5.26, 54.81

 

CMYK 0 / 9 / 86 / 37

HEX #A09216

RGB 160 146 22

HSL 53.91, 0.76%, 0.36%

LAB 59.97, -7.43, 60

 

CMYK 6 / 0 / 86 / 37

HEX #97A016

RGB 151 160 22

HSL 63.91, 0.76%, 0.36%

LAB 63.16, -18.82, 62.33

 

CMYK 0 / 51 / 86 / 36

HEX #A35017

RGB 163 80 23

HSL 24.43, 0.75%, 0.36%

LAB 43.63, 30.77, 46.14

 

CMYK 0 / 51 / 86 / 16

HEX #D6691E

RGB 214 105 30

HSL 24.46, 0.75%, 0.48%

LAB 56.58, 38.65, 57.47

 

CMYK 0 / 50 / 90 / 96

HEX #0A0501

RGB 10 5 1

HSL 26.67, 0.82%, 0.02%

LAB 1.58, 0.75, 1.97

 

CMYK 0 / 51 / 85 / 76

HEX #3D1E09

RGB 61 30 9

HSL 24.23, 0.74%, 0.14%

LAB 15.17, 13.1, 18.94

 

CMYK 0 / 51 / 86 / 56

HEX #703710

RGB 112 55 16

HSL 24.38, 0.75%, 0.25%

LAB 29.95, 22.36, 33.97

 

CMYK 0 / 51 / 86 / 36

HEX #A35017

RGB 163 80 23

HSL 24.43, 0.75%, 0.36%

LAB 43.63, 30.77, 46.14

 

CMYK 51 / 0 / 86 / 37

HEX #4EA016

RGB 78 160 22

HSL 95.65, 0.76%, 0.36%

LAB 58.81, -47.19, 56.88

 

CMYK 86 / 86 / 0 / 37

HEX #1616A0

RGB 22 22 160

HSL 240, 0.76%, 0.36%

LAB 21.14, 49.12, -71.01

 

CMYK 0 / 51 / 86 / 36

HEX #A35017

RGB 163 80 23

HSL 24.43, 0.75%, 0.36%

LAB 43.63, 30.77, 46.14

 

CMYK 86 / 0 / 51 / 37

HEX #16A04E

RGB 22 160 78

HSL 144.35, 0.76%, 0.36%

LAB 57.91, -52.77, 33.03

 

CMYK 51 / 86 / 0 / 37

HEX #4E16A0

RGB 78 22 160

HSL 264.35, 0.76%, 0.36%

LAB 25.96, 53.41, -62.89

 

CMYK 0 / 51 / 86 / 36

HEX #A35017

RGB 163 80 23

HSL 24.43, 0.75%, 0.36%

LAB 43.63, 30.77, 46.14

 

CMYK 51 / 0 / 86 / 37

HEX #4EA016

RGB 78 160 22

HSL 95.65, 0.76%, 0.36%

LAB 58.81, -47.19, 56.88

 

CMYK 86 / 34 / 0 / 37

HEX #1669A0

RGB 22 105 160

HSL 203.91, 0.76%, 0.36%

LAB 42.48, -3.14, -36.33

 

CMYK 34 / 86 / 0 / 37

HEX #6916A0

RGB 105 22 160

HSL 276.09, 0.76%, 0.36%

LAB 29.7, 57, -56.6

 

CMYK 0 / 51 / 86 / 36

HEX #A35017

RGB 163 80 23

HSL 24.43, 0.75%, 0.36%

LAB 43.63, 30.77, 46.14

 

CMYK 78 / 0 / 86 / 37

HEX #24A016

RGB 36 160 22

HSL 113.91, 0.76%, 0.36%

LAB 57.63, -56.87, 55.39

 

CMYK 86 / 34 / 0 / 37

HEX #1669A0

RGB 22 105 160

HSL 203.91, 0.76%, 0.36%

LAB 42.48, -3.14, -36.33

 

CMYK 9 / 86 / 0 / 37

HEX #9216A0

RGB 146 22 160

HSL 293.91, 0.76%, 0.36%

LAB 36.41, 63.79, -45.41

 

Description

Color code: CMYK 0 / 51 / 86 / 36 | qconv.com Color code: CMYK 0 / 51 / 86 / 36 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 80 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 80 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 86 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 86% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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