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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 51 / 77 / 33 it is the complementary color CMYK 61 / 21 / 0 / 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 51 / 77 / 33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 51 / 77 / 33: CMYK 0 / 52 / 81 / 31, CMYK 0 / 47 / 73 / 24, CMYK 0 / 43 / 66 / 18, CMYK 0 / 39 / 60 / 11 and CMYK 0 / 36 / 55 / 4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 51 / 77 / 33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 51 / 77 / 33: CMYK 0 / 51 / 77 / 33, CMYK 0 / 57 / 87 / 40, CMYK 0 / 65 / 99 / 46, CMYK 0 / 75 / 100 / 53 and CMYK 0 / 88 / 100 / 60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 77 / 33

HEX #AB5427

RGB 171 84 39

HSL 20.45, 0.63%, 0.41%

LAB 45.83, 32.51, 41.41

 

Complementary color

CMYK 61 / 21 / 0 / 15

HEX #54ABD8

RGB 84 171 216

HSL 200.45, 0.63%, 0.59%

LAB 66.5, -12.85, -30.62

 

CMYK 0 / 52 / 81 / 31

HEX #B05422

RGB 176 84 34

HSL 21.13, 0.68%, 0.41%

LAB 46.56, 34.35, 44.79

 

CMYK 0 / 47 / 73 / 24

HEX #C16635

RGB 193 102 53

HSL 21, 0.57%, 0.48%

LAB 53.06, 32.59, 42.97

 

CMYK 0 / 43 / 66 / 18

HEX #D27848

RGB 210 120 72

HSL 20.87, 0.61%, 0.55%

LAB 59.53, 30.99, 41.07

 

CMYK 0 / 39 / 60 / 11

HEX #E38A5B

RGB 227 138 91

HSL 20.74, 0.71%, 0.62%

LAB 65.95, 29.56, 39.27

 

CMYK 0 / 36 / 55 / 4

HEX #F49C6E

RGB 244 156 110

HSL 20.6, 0.86%, 0.69%

LAB 72.32, 28.28, 37.59

 

CMYK 0 / 51 / 77 / 33

HEX #AB5427

RGB 171 84 39

HSL 20.45, 0.63%, 0.41%

LAB 45.83, 32.51, 41.41

 

CMYK 0 / 57 / 87 / 40

HEX #9A4214

RGB 154 66 20

HSL 20.6, 0.77%, 0.34%

LAB 39.27, 34.35, 43.08

 

CMYK 0 / 65 / 99 / 46

HEX #893001

RGB 137 48 1

HSL 20.74, 0.99%, 0.27%

LAB 32.78, 36.19, 44.15

 

CMYK 0 / 75 / 100 / 53

HEX #781E00

RGB 120 30 0

HSL 15, 1%, 0.24%

LAB 26.51, 37.79, 38.31

 

CMYK 0 / 88 / 100 / 60

HEX #670C00

RGB 103 12 0

HSL 6.99, 1%, 0.2%

LAB 20.62, 38.15, 31.18

 

CMYK 0 / 51 / 77 / 33

HEX #AB5427

RGB 171 84 39

HSL 20.45, 0.63%, 0.41%

LAB 45.83, 32.51, 41.41

 

CMYK 0 / 39 / 78 / 33

HEX #AA6826

RGB 170 104 38

HSL 30, 0.63%, 0.41%

LAB 50.2, 21.08, 46.2

 

CMYK 0 / 26 / 78 / 33

HEX #AA7E26

RGB 170 126 38

HSL 40, 0.63%, 0.41%

LAB 55.69, 8.7, 51.49

 

CMYK 0 / 13 / 78 / 33

HEX #AA9426

RGB 170 148 38

HSL 50, 0.63%, 0.41%

LAB 61.54, -3.45, 56.96

 

CMYK 0 / 0 / 78 / 33

HEX #AAAA26

RGB 170 170 38

HSL 60, 0.63%, 0.41%

LAB 67.6, -15.07, 62.49

 

CMYK 0 / 51 / 77 / 33

HEX #AB5427

RGB 171 84 39

HSL 20.45, 0.63%, 0.41%

LAB 45.83, 32.51, 41.41

 

CMYK 0 / 51 / 77 / 13

HEX #DE6D33

RGB 222 109 51

HSL 20.35, 0.72%, 0.54%

LAB 58.7, 40.41, 51.12

 

CMYK 0 / 50 / 78 / 93

HEX #120904

RGB 18 9 4

HSL 21.43, 0.64%, 0.04%

LAB 3.01, 2.16, 2.9

 

CMYK 0 / 51 / 77 / 73

HEX #452210

RGB 69 34 16

HSL 20.38, 0.62%, 0.17%

LAB 17.68, 14.94, 19.06

 

CMYK 0 / 51 / 78 / 53

HEX #783B1B

RGB 120 59 27

HSL 20.65, 0.63%, 0.29%

LAB 32.26, 24.09, 31.1

 

CMYK 0 / 51 / 77 / 33

HEX #AB5427

RGB 171 84 39

HSL 20.45, 0.63%, 0.41%

LAB 45.83, 32.51, 41.41

 

CMYK 41 / 0 / 78 / 33

HEX #64AA26

RGB 100 170 38

HSL 91.82, 0.63%, 0.41%

LAB 63.01, -43.26, 56.56

 

CMYK 78 / 72 / 0 / 33

HEX #262FAA

RGB 38 47 170

HSL 235.91, 0.63%, 0.41%

LAB 27.7, 40.13, -66.18

 

CMYK 0 / 51 / 77 / 33

HEX #AB5427

RGB 171 84 39

HSL 20.45, 0.63%, 0.41%

LAB 45.83, 32.51, 41.41

 

CMYK 78 / 0 / 52 / 33

HEX #26AA52

RGB 38 170 82

HSL 140, 0.63%, 0.41%

LAB 61.46, -53.83, 35.45

 

CMYK 52 / 78 / 0 / 33

HEX #5226AA

RGB 82 38 170

HSL 260, 0.63%, 0.41%

LAB 29.62, 50.15, -62.9

 

CMYK 0 / 51 / 77 / 33

HEX #AB5427

RGB 171 84 39

HSL 20.45, 0.63%, 0.41%

LAB 45.83, 32.51, 41.41

 

CMYK 41 / 0 / 78 / 33

HEX #64AA26

RGB 100 170 38

HSL 91.82, 0.63%, 0.41%

LAB 63.01, -43.26, 56.56

 

CMYK 78 / 26 / 0 / 33

HEX #267EAA

RGB 38 126 170

HSL 200, 0.63%, 0.41%

LAB 49.78, -10.28, -30.69

 

CMYK 36 / 78 / 0 / 33

HEX #6C26AA

RGB 108 38 170

HSL 271.82, 0.63%, 0.41%

LAB 32.87, 54.25, -57.45

 

CMYK 0 / 51 / 77 / 33

HEX #AB5427

RGB 171 84 39

HSL 20.45, 0.63%, 0.41%

LAB 45.83, 32.51, 41.41

 

CMYK 65 / 0 / 78 / 33

HEX #3CAA26

RGB 60 170 38

HSL 110, 0.63%, 0.41%

LAB 61.52, -54.74, 54.62

 

CMYK 78 / 26 / 0 / 33

HEX #267EAA

RGB 38 126 170

HSL 200, 0.63%, 0.41%

LAB 49.78, -10.28, -30.69

 

CMYK 13 / 78 / 0 / 33

HEX #9426AA

RGB 148 38 170

HSL 290, 0.63%, 0.41%

LAB 38.87, 61.68, -47.44

 

Description

Color code: CMYK 0 / 51 / 77 / 33 | qconv.com Color code: CMYK 0 / 51 / 77 / 33 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 84 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 84 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 77 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 77% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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