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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 51 / 58 / 7 it is the complementary color CMYK 88 / 10 / 0 / 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 51 / 58 / 7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 51 / 58 / 7: CMYK 0 / 52 / 61 / 5, CMYK 0 / 47 / 55 / 0, CMYK 0 / 40 / 48 / 0, CMYK 0 / 33 / 40 / 0 and CMYK 0 / 26 / 33 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 51 / 58 / 7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 51 / 58 / 7: CMYK 0 / 51 / 58 / 7, CMYK 0 / 55 / 63 / 14, CMYK 0 / 61 / 69 / 20, CMYK 0 / 67 / 77 / 27 and CMYK 0 / 74 / 86 / 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 58 / 7

HEX #ED7464

RGB 237 116 100

HSL 7.01, 0.79%, 0.66%

LAB 62.86, 45.33, 30.8

 

Complementary color

CMYK 88 / 10 / 0 / 39

HEX #128B9B

RGB 18 139 155

HSL 187.01, 0.79%, 0.34%

LAB 52.91, -24.44, -17.21

 

CMYK 0 / 52 / 61 / 5

HEX #F2745F

RGB 242 116 95

HSL 8.57, 0.85%, 0.66%

LAB 63.5, 46.81, 34.54

 

CMYK 0 / 47 / 55 / 0

HEX #FF8672

RGB 255 134 114

HSL 8.51, 1%, 0.72%

LAB 69.13, 44.09, 31.65

 

CMYK 0 / 40 / 48 / 0

HEX #FF9885

RGB 255 152 133

HSL 9.34, 1%, 0.76%

LAB 73.16, 36.6, 26.59

 

CMYK 0 / 33 / 40 / 0

HEX #FFAA98

RGB 255 170 152

HSL 10.49, 1%, 0.8%

LAB 77.45, 29.17, 22.1

 

CMYK 0 / 26 / 33 / 0

HEX #FFBCAB

RGB 255 188 171

HSL 12.14, 1%, 0.84%

LAB 81.93, 21.94, 18.09

 

CMYK 0 / 51 / 58 / 7

HEX #ED7464

RGB 237 116 100

HSL 7.01, 0.79%, 0.66%

LAB 62.86, 45.33, 30.8

 

CMYK 0 / 55 / 63 / 14

HEX #DC6251

RGB 220 98 81

HSL 7.34, 0.67%, 0.59%

LAB 56.63, 46.58, 33.05

 

CMYK 0 / 61 / 69 / 20

HEX #CB503E

RGB 203 80 62

HSL 7.66, 0.58%, 0.52%

LAB 50.43, 47.8, 35.63

 

CMYK 0 / 67 / 77 / 27

HEX #BA3E2B

RGB 186 62 43

HSL 7.97, 0.62%, 0.45%

LAB 44.32, 48.9, 38.53

 

CMYK 0 / 74 / 86 / 34

HEX #A92C18

RGB 169 44 24

HSL 8.28, 0.75%, 0.38%

LAB 38.38, 49.66, 41.57

 

CMYK 0 / 51 / 58 / 7

HEX #ED7464

RGB 237 116 100

HSL 7.01, 0.79%, 0.66%

LAB 62.86, 45.33, 30.8

 

CMYK 0 / 42 / 58 / 7

HEX #EC8A63

RGB 236 138 99

HSL 17.08, 0.78%, 0.66%

LAB 67.21, 33.71, 36.82

 

CMYK 0 / 32 / 58 / 7

HEX #ECA163

RGB 236 161 99

HSL 27.15, 0.78%, 0.66%

LAB 72.38, 21.58, 43.17

 

CMYK 0 / 22 / 58 / 7

HEX #ECB863

RGB 236 184 99

HSL 37.23, 0.78%, 0.66%

LAB 77.88, 9.41, 49.73

 

CMYK 0 / 12 / 58 / 7

HEX #ECCF63

RGB 236 207 99

HSL 47.3, 0.78%, 0.66%

LAB 83.63, -2.54, 56.38

 

CMYK 0 / 51 / 58 / 7

HEX #ED7464

RGB 237 116 100

HSL 7.01, 0.79%, 0.66%

LAB 62.86, 45.33, 30.8

 

CMYK 0 / 52 / 58 / 87

HEX #21100E

RGB 33 16 14

HSL 6.32, 0.4%, 0.09%

LAB 6.55, 8.24, 4.03

 

CMYK 0 / 51 / 58 / 67

HEX #542923

RGB 84 41 35

HSL 7.35, 0.41%, 0.23%

LAB 22.27, 19.23, 12.93

 

CMYK 0 / 51 / 58 / 47

HEX #874239

RGB 135 66 57

HSL 6.92, 0.41%, 0.38%

LAB 36.64, 28.59, 19.1

 

CMYK 0 / 51 / 58 / 27

HEX #BA5B4E

RGB 186 91 78

HSL 7.22, 0.44%, 0.52%

LAB 50.06, 37.16, 25.4

 

CMYK 0 / 51 / 58 / 7

HEX #ED7464

RGB 237 116 100

HSL 7.01, 0.79%, 0.66%

LAB 62.86, 45.33, 30.8

 

CMYK 18 / 0 / 58 / 7

HEX #C1EC63

RGB 193 236 99

HSL 78.83, 0.78%, 0.66%

LAB 88.08, -33.89, 60.53

 

CMYK 58 / 42 / 0 / 7

HEX #638AEC

RGB 99 138 236

HSL 222.92, 0.78%, 0.66%

LAB 58.87, 15.34, -53.61

 

CMYK 0 / 51 / 58 / 7

HEX #ED7464

RGB 237 116 100

HSL 7.01, 0.79%, 0.66%

LAB 62.86, 45.33, 30.8

 

CMYK 58 / 0 / 51 / 7

HEX #63EC73

RGB 99 236 115

HSL 127.01, 0.78%, 0.66%

LAB 83.9, -61.52, 47.32

 

CMYK 51 / 58 / 0 / 7

HEX #7363EC

RGB 115 99 236

HSL 247.01, 0.78%, 0.66%

LAB 50.25, 41.81, -67.41

 

CMYK 0 / 51 / 58 / 7

HEX #ED7464

RGB 237 116 100

HSL 7.01, 0.79%, 0.66%

LAB 62.86, 45.33, 30.8

 

CMYK 18 / 0 / 58 / 7

HEX #C1EC63

RGB 193 236 99

HSL 78.83, 0.78%, 0.66%

LAB 88.08, -33.89, 60.53

 

CMYK 58 / 7 / 0 / 7

HEX #63DCEC

RGB 99 220 236

HSL 187.01, 0.78%, 0.66%

LAB 81.78, -29.25, -18.06

 

CMYK 39 / 58 / 0 / 7

HEX #8F63EC

RGB 143 99 236

HSL 259.27, 0.78%, 0.66%

LAB 52.75, 47.57, -63.24

 

CMYK 0 / 51 / 58 / 7

HEX #ED7464

RGB 237 116 100

HSL 7.01, 0.79%, 0.66%

LAB 62.86, 45.33, 30.8

 

CMYK 36 / 0 / 58 / 7

HEX #98EC63

RGB 152 236 99

HSL 96.79, 0.78%, 0.66%

LAB 85.79, -48.48, 57.32

 

CMYK 58 / 7 / 0 / 7

HEX #63DCEC

RGB 99 220 236

HSL 187.01, 0.78%, 0.66%

LAB 81.78, -29.25, -18.06

 

CMYK 22 / 58 / 0 / 7

HEX #B863EC

RGB 184 99 236

HSL 277.23, 0.78%, 0.66%

LAB 57.24, 57.02, -55.79

 

Description

Color code: CMYK 0 / 51 / 58 / 7 | qconv.com Color code: CMYK 0 / 51 / 58 / 7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 116 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 116 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 58 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 58% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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