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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 50 / 81 / 5 it is the complementary color CMYK 94 / 36 / 0 / 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 50 / 81 / 5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 50 / 81 / 5: CMYK 0 / 51 / 83 / 3, CMYK 0 / 45 / 76 / 0, CMYK 0 / 38 / 69 / 0, CMYK 0 / 31 / 62 / 0 and CMYK 0 / 24 / 54 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 50 / 81 / 5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 50 / 81 / 5: CMYK 0 / 50 / 81 / 5, CMYK 0 / 54 / 88 / 12, CMYK 0 / 59 / 96 / 18, CMYK 0 / 65 / 100 / 25 and CMYK 0 / 72 / 100 / 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 81 / 5

HEX #F2792E

RGB 242 121 46

HSL 22.96, 0.88%, 0.56%

LAB 63.96, 41.99, 59.33

 

Complementary color

CMYK 94 / 36 / 0 / 18

HEX #0D86D1

RGB 13 134 209

HSL 202.96, 0.88%, 0.44%

LAB 53.75, -2.26, -46.8

 

CMYK 0 / 51 / 83 / 3

HEX #F77929

RGB 247 121 41

HSL 23.3, 0.93%, 0.56%

LAB 64.65, 43.78, 62.18

 

CMYK 0 / 45 / 76 / 0

HEX #FF8B3C

RGB 255 139 60

HSL 24.31, 1%, 0.62%

LAB 69.51, 38.5, 59.34

 

CMYK 0 / 38 / 69 / 0

HEX #FF9D4F

RGB 255 157 79

HSL 26.59, 1%, 0.65%

LAB 73.51, 30.12, 54.89

 

CMYK 0 / 31 / 62 / 0

HEX #FFAF62

RGB 255 175 98

HSL 29.43, 1%, 0.69%

LAB 77.76, 21.85, 50.58

 

CMYK 0 / 24 / 54 / 0

HEX #FFC175

RGB 255 193 117

HSL 33.04, 1%, 0.73%

LAB 82.21, 13.84, 46.54

 

CMYK 0 / 50 / 81 / 5

HEX #F2792E

RGB 242 121 46

HSL 22.96, 0.88%, 0.56%

LAB 63.96, 41.99, 59.33

 

CMYK 0 / 54 / 88 / 12

HEX #E1671B

RGB 225 103 27

HSL 23.03, 0.79%, 0.49%

LAB 57.83, 43.84, 60.2

 

CMYK 0 / 59 / 96 / 18

HEX #D05508

RGB 208 85 8

HSL 23.1, 0.93%, 0.42%

LAB 51.75, 45.75, 59.73

 

CMYK 0 / 65 / 100 / 25

HEX #BF4300

RGB 191 67 0

HSL 21.05, 1%, 0.37%

LAB 45.76, 47.59, 56.74

 

CMYK 0 / 72 / 100 / 32

HEX #AE3100

RGB 174 49 0

HSL 16.9, 1%, 0.34%

LAB 39.91, 49.07, 52.1

 

CMYK 0 / 50 / 81 / 5

HEX #F2792E

RGB 242 121 46

HSL 22.96, 0.88%, 0.56%

LAB 63.96, 41.99, 59.33

 

CMYK 0 / 38 / 82 / 5

HEX #F1952C

RGB 241 149 44

HSL 31.98, 0.88%, 0.56%

LAB 69.74, 27.16, 65.21

 

CMYK 0 / 24 / 82 / 5

HEX #F1B62C

RGB 241 182 44

HSL 42.03, 0.88%, 0.56%

LAB 77.48, 9.78, 71.95

 

CMYK 0 / 11 / 82 / 5

HEX #F1D72C

RGB 241 215 44

HSL 52.08, 0.88%, 0.56%

LAB 85.75, -7.21, 79.03

 

CMYK 3 / 0 / 82 / 5

HEX #EAF12C

RGB 234 241 44

HSL 62.13, 0.88%, 0.56%

LAB 91.95, -22.88, 84.06

 

CMYK 0 / 50 / 81 / 5

HEX #F2792E

RGB 242 121 46

HSL 22.96, 0.88%, 0.56%

LAB 63.96, 41.99, 59.33

 

CMYK 0 / 50 / 82 / 85

HEX #261307

RGB 38 19 7

HSL 23.23, 0.69%, 0.09%

LAB 8.07, 8.34, 9.38

 

CMYK 0 / 49 / 81 / 65

HEX #592D11

RGB 89 45 17

HSL 23.33, 0.68%, 0.21%

LAB 23.81, 17.74, 26.22

 

CMYK 0 / 50 / 81 / 45

HEX #8C461B

RGB 140 70 27

HSL 22.83, 0.68%, 0.33%

LAB 37.9, 26.6, 37.83

 

CMYK 0 / 50 / 81 / 25

HEX #BF6024

RGB 191 96 36

HSL 23.23, 0.68%, 0.45%

LAB 51.35, 34.23, 49.21

 

CMYK 0 / 50 / 81 / 5

HEX #F2792E

RGB 242 121 46

HSL 22.96, 0.88%, 0.56%

LAB 63.96, 41.99, 59.33

 

CMYK 46 / 0 / 82 / 5

HEX #81F12C

RGB 129 241 44

HSL 94.11, 0.88%, 0.56%

LAB 85.89, -61.49, 76.42

 

CMYK 82 / 79 / 0 / 5

HEX #2C32F1

RGB 44 50 241

HSL 238.17, 0.88%, 0.56%

LAB 36.3, 61.98, -93.28

 

CMYK 0 / 50 / 81 / 5

HEX #F2792E

RGB 242 121 46

HSL 22.96, 0.88%, 0.56%

LAB 63.96, 41.99, 59.33

 

CMYK 82 / 0 / 52 / 5

HEX #2CF174

RGB 44 241 116

HSL 141.93, 0.88%, 0.56%

LAB 84.33, -71.89, 47.13

 

CMYK 52 / 82 / 0 / 5

HEX #742CF1

RGB 116 44 241

HSL 261.93, 0.88%, 0.56%

LAB 41, 70.25, -85.33

 

CMYK 0 / 50 / 81 / 5

HEX #F2792E

RGB 242 121 46

HSL 22.96, 0.88%, 0.56%

LAB 63.96, 41.99, 59.33

 

CMYK 46 / 0 / 82 / 5

HEX #81F12C

RGB 129 241 44

HSL 94.11, 0.88%, 0.56%

LAB 85.89, -61.49, 76.42

 

CMYK 82 / 30 / 0 / 5

HEX #2CA9F1

RGB 44 169 241

HSL 201.93, 0.88%, 0.56%

LAB 65.95, -8.69, -45.27

 

CMYK 36 / 82 / 0 / 5

HEX #9B2CF1

RGB 155 44 241

HSL 273.81, 0.88%, 0.56%

LAB 45.8, 75.17, -77.27

 

CMYK 0 / 50 / 81 / 5

HEX #F2792E

RGB 242 121 46

HSL 22.96, 0.88%, 0.56%

LAB 63.96, 41.99, 59.33

 

CMYK 71 / 0 / 82 / 5

HEX #46F12C

RGB 70 241 44

HSL 112.08, 0.88%, 0.56%

LAB 84.17, -75.32, 74.23

 

CMYK 82 / 30 / 0 / 5

HEX #2CA9F1

RGB 44 169 241

HSL 201.93, 0.88%, 0.56%

LAB 65.95, -8.69, -45.27

 

CMYK 11 / 82 / 0 / 5

HEX #D72CF1

RGB 215 44 241

HSL 292.08, 0.88%, 0.56%

LAB 54.66, 84.57, -62.49

 

Description

Color code: CMYK 0 / 50 / 81 / 5 | qconv.com Color code: CMYK 0 / 50 / 81 / 5 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 121 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 121 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 81 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 81% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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