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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 50 / 58 / 5 it is the complementary color CMYK 92 / 12 / 0 / 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 50 / 58 / 5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 50 / 58 / 5: CMYK 0 / 51 / 61 / 3, CMYK 0 / 45 / 55 / 0, CMYK 0 / 38 / 47 / 0, CMYK 0 / 31 / 40 / 0 and CMYK 0 / 24 / 32 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 50 / 58 / 5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 50 / 58 / 5: CMYK 0 / 50 / 58 / 5, CMYK 0 / 54 / 63 / 12, CMYK 0 / 59 / 69 / 18, CMYK 0 / 65 / 76 / 25 and CMYK 0 / 72 / 85 / 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 58 / 5

HEX #F27966

RGB 242 121 102

HSL 8.14, 0.84%, 0.67%

LAB 64.57, 44.85, 32.03

 

Complementary color

CMYK 92 / 12 / 0 / 40

HEX #0D8699

RGB 13 134 153

HSL 188.14, 0.84%, 0.33%

LAB 51.19, -22.82, -18.67

 

CMYK 0 / 51 / 61 / 3

HEX #F77961

RGB 247 121 97

HSL 9.6, 0.9%, 0.67%

LAB 65.21, 46.33, 35.73

 

CMYK 0 / 45 / 55 / 0

HEX #FF8B74

RGB 255 139 116

HSL 9.93, 1%, 0.73%

LAB 70.17, 41.75, 31.9

 

CMYK 0 / 38 / 47 / 0

HEX #FF9D87

RGB 255 157 135

HSL 11, 1%, 0.76%

LAB 74.27, 34.2, 26.99

 

CMYK 0 / 31 / 40 / 0

HEX #FFAF9A

RGB 255 175 154

HSL 12.48, 1%, 0.8%

LAB 78.61, 26.77, 22.61

 

CMYK 0 / 24 / 32 / 0

HEX #FFC1AD

RGB 255 193 173

HSL 14.63, 1%, 0.84%

LAB 83.13, 19.56, 18.7

 

CMYK 0 / 50 / 58 / 5

HEX #F27966

RGB 242 121 102

HSL 8.14, 0.84%, 0.67%

LAB 64.57, 44.85, 32.03

 

CMYK 0 / 54 / 63 / 12

HEX #E16753

RGB 225 103 83

HSL 8.45, 0.7%, 0.6%

LAB 58.35, 46.12, 34.23

 

CMYK 0 / 59 / 69 / 18

HEX #D05540

RGB 208 85 64

HSL 8.75, 0.61%, 0.53%

LAB 52.15, 47.39, 36.72

 

CMYK 0 / 65 / 76 / 25

HEX #BF432D

RGB 191 67 45

HSL 9.04, 0.62%, 0.46%

LAB 46.02, 48.57, 39.51

 

CMYK 0 / 72 / 85 / 32

HEX #AE311A

RGB 174 49 26

HSL 9.32, 0.74%, 0.39%

LAB 40.03, 49.5, 42.42

 

CMYK 0 / 50 / 58 / 5

HEX #F27966

RGB 242 121 102

HSL 8.14, 0.84%, 0.67%

LAB 64.57, 44.85, 32.03

 

CMYK 0 / 41 / 59 / 5

HEX #F18E64

RGB 241 142 100

HSL 17.87, 0.83%, 0.67%

LAB 68.73, 33.66, 38.31

 

CMYK 0 / 31 / 59 / 5

HEX #F1A664

RGB 241 166 100

HSL 28.09, 0.83%, 0.67%

LAB 74.12, 21.04, 44.9

 

CMYK 0 / 22 / 59 / 5

HEX #F1BD64

RGB 241 189 100

HSL 37.87, 0.83%, 0.67%

LAB 79.62, 8.92, 51.41

 

CMYK 0 / 12 / 59 / 5

HEX #F1D564

RGB 241 213 100

HSL 48.09, 0.83%, 0.67%

LAB 85.61, -3.48, 58.29

 

CMYK 0 / 50 / 58 / 5

HEX #F27966

RGB 242 121 102

HSL 8.14, 0.84%, 0.67%

LAB 64.57, 44.85, 32.03

 

CMYK 0 / 50 / 58 / 85

HEX #261310

RGB 38 19 16

HSL 8.18, 0.41%, 0.11%

LAB 8.26, 9.39, 5.56

 

CMYK 0 / 49 / 57 / 65

HEX #592D26

RGB 89 45 38

HSL 8.24, 0.4%, 0.25%

LAB 24.13, 19.33, 13.52

 

CMYK 0 / 50 / 58 / 45

HEX #8C463B

RGB 140 70 59

HSL 8.15, 0.41%, 0.39%

LAB 38.33, 28.6, 20.21

 

CMYK 0 / 50 / 58 / 25

HEX #BF6051

RGB 191 96 81

HSL 8.18, 0.46%, 0.53%

LAB 51.88, 36.73, 26.14

 

CMYK 0 / 50 / 58 / 5

HEX #F27966

RGB 242 121 102

HSL 8.14, 0.84%, 0.67%

LAB 64.57, 44.85, 32.03

 

CMYK 20 / 0 / 59 / 5

HEX #C2F164

RGB 194 241 100

HSL 80, 0.83%, 0.67%

LAB 89.53, -35.71, 61.75

 

CMYK 59 / 43 / 0 / 5

HEX #6489F1

RGB 100 137 241

HSL 224.26, 0.83%, 0.67%

LAB 58.93, 17.76, -56.28

 

CMYK 0 / 50 / 58 / 5

HEX #F27966

RGB 242 121 102

HSL 8.14, 0.84%, 0.67%

LAB 64.57, 44.85, 32.03

 

CMYK 59 / 0 / 51 / 5

HEX #64F177

RGB 100 241 119

HSL 128.09, 0.83%, 0.67%

LAB 85.48, -62.59, 47.38

 

CMYK 51 / 59 / 0 / 5

HEX #7764F1

RGB 119 100 241

HSL 248.09, 0.83%, 0.67%

LAB 51.14, 43.48, -68.75

 

CMYK 0 / 50 / 58 / 5

HEX #F27966

RGB 242 121 102

HSL 8.14, 0.84%, 0.67%

LAB 64.57, 44.85, 32.03

 

CMYK 20 / 0 / 59 / 5

HEX #C2F164

RGB 194 241 100

HSL 80, 0.83%, 0.67%

LAB 89.53, -35.71, 61.75

 

CMYK 59 / 8 / 0 / 5

HEX #64DEF1

RGB 100 222 241

HSL 188.09, 0.83%, 0.67%

LAB 82.54, -28.65, -19.56

 

CMYK 39 / 59 / 0 / 5

HEX #9364F1

RGB 147 100 241

HSL 260, 0.83%, 0.67%

LAB 53.67, 49.2, -64.53

 

CMYK 0 / 50 / 58 / 5

HEX #F27966

RGB 242 121 102

HSL 8.14, 0.84%, 0.67%

LAB 64.57, 44.85, 32.03

 

CMYK 37 / 0 / 59 / 5

HEX #98F164

RGB 152 241 100

HSL 97.87, 0.83%, 0.67%

LAB 87.24, -50.46, 58.55

 

CMYK 59 / 8 / 0 / 5

HEX #64DEF1

RGB 100 222 241

HSL 188.09, 0.83%, 0.67%

LAB 82.54, -28.65, -19.56

 

CMYK 22 / 59 / 0 / 5

HEX #BD64F1

RGB 189 100 241

HSL 277.87, 0.83%, 0.67%

LAB 58.31, 58.8, -56.84

 

Description

Color code: CMYK 0 / 50 / 58 / 5 | qconv.com Color code: CMYK 0 / 50 / 58 / 5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 121 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 121 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 58 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 58% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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