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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 4 / 19 / 30 it is the complementary color CMYK 31 / 24 / 0 / 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 4 / 19 / 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 4 / 19 / 30: CMYK 0 / 7 / 24 / 28, CMYK 0 / 6 / 21 / 21, CMYK 0 / 5 / 18 / 15, CMYK 0 / 4 / 16 / 8 and CMYK 0 / 4 / 14 / 1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 4 / 19 / 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 4 / 19 / 30: CMYK 0 / 4 / 19 / 30, CMYK 0 / 6 / 22 / 36, CMYK 0 / 7 / 26 / 43, CMYK 0 / 9 / 31 / 50 and CMYK 0 / 11 / 38 / 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 19 / 30

HEX #B3AB91

RGB 179 171 145

HSL 45.88, 0.18%, 0.64%

LAB 70, -1.51, 14.43

 

Complementary color

CMYK 31 / 24 / 0 / 57

HEX #4C546E

RGB 76 84 110

HSL 225.88, 0.18%, 0.36%

LAB 35.99, 3.51, -15.94

 

CMYK 0 / 7 / 24 / 28

HEX #B8AB8C

RGB 184 171 140

HSL 42.27, 0.24%, 0.64%

LAB 70.32, -0.33, 17.68

 

CMYK 0 / 6 / 21 / 21

HEX #C9BD9F

RGB 201 189 159

HSL 42.86, 0.28%, 0.71%

LAB 76.87, -0.63, 16.71

 

CMYK 0 / 5 / 18 / 15

HEX #DACFB2

RGB 218 207 178

HSL 43.5, 0.35%, 0.78%

LAB 83.31, -0.9, 15.79

 

CMYK 0 / 4 / 16 / 8

HEX #EBE1C5

RGB 235 225 197

HSL 44.21, 0.49%, 0.85%

LAB 89.65, -1.14, 14.92

 

CMYK 0 / 4 / 14 / 1

HEX #FCF3D8

RGB 252 243 216

HSL 45, 0.86%, 0.92%

LAB 95.89, -1.36, 14.1

 

CMYK 0 / 4 / 19 / 30

HEX #B3AB91

RGB 179 171 145

HSL 45.88, 0.18%, 0.64%

LAB 70, -1.51, 14.43

 

CMYK 0 / 6 / 22 / 36

HEX #A2997E

RGB 162 153 126

HSL 45, 0.16%, 0.56%

LAB 63.32, -1.24, 15.4

 

CMYK 0 / 7 / 26 / 43

HEX #91876B

RGB 145 135 107

HSL 44.21, 0.15%, 0.49%

LAB 56.5, -0.92, 16.44

 

CMYK 0 / 9 / 31 / 50

HEX #807558

RGB 128 117 88

HSL 43.5, 0.19%, 0.42%

LAB 49.52, -0.55, 17.57

 

CMYK 0 / 11 / 38 / 56

HEX #6F6345

RGB 111 99 69

HSL 42.86, 0.23%, 0.35%

LAB 42.36, -0.07, 18.81

 

CMYK 0 / 4 / 19 / 30

HEX #B3AB91

RGB 179 171 145

HSL 45.88, 0.18%, 0.64%

LAB 70, -1.51, 14.43

 

CMYK 0 / 2 / 18 / 30

HEX #B3B092

RGB 179 176 146

HSL 54.55, 0.18%, 0.64%

LAB 71.36, -4.03, 15.78

 

CMYK 2 / 0 / 18 / 30

HEX #B0B392

RGB 176 179 146

HSL 65.45, 0.18%, 0.64%

LAB 71.92, -6.76, 16.53

 

CMYK 4 / 0 / 18 / 30

HEX #ABB392

RGB 171 179 146

HSL 74.55, 0.18%, 0.64%

LAB 71.54, -8.64, 15.93

 

CMYK 8 / 0 / 18 / 30

HEX #A5B392

RGB 165 179 146

HSL 85.45, 0.18%, 0.64%

LAB 71.09, -10.87, 15.24

 

CMYK 0 / 4 / 19 / 30

HEX #B3AB91

RGB 179 171 145

HSL 45.88, 0.18%, 0.64%

LAB 70, -1.51, 14.43

 

CMYK 0 / 4 / 19 / 10

HEX #E6DCBA

RGB 230 220 186

HSL 46.36, 0.47%, 0.82%

LAB 87.75, -2.03, 17.95

 

CMYK 0 / 4 / 19 / 90

HEX #1A1915

RGB 26 25 21

HSL 48, 0.11%, 0.09%

LAB 8.73, -0.47, 2.91

 

CMYK 0 / 4 / 19 / 70

HEX #4D4A3E

RGB 77 74 62

HSL 48, 0.11%, 0.27%

LAB 31.4, -1.12, 7.62

 

CMYK 0 / 5 / 19 / 50

HEX #807A68

RGB 128 122 104

HSL 45, 0.1%, 0.45%

LAB 51.28, -0.95, 10.69

 

CMYK 0 / 4 / 19 / 30

HEX #B3AB91

RGB 179 171 145

HSL 45.88, 0.18%, 0.64%

LAB 70, -1.51, 14.43

 

CMYK 17 / 0 / 18 / 30

HEX #94B392

RGB 148 179 146

HSL 116.36, 0.18%, 0.64%

LAB 69.9, -17.01, 13.41

 

CMYK 12 / 18 / 0 / 30

HEX #9E92B3

RGB 158 146 179

HSL 261.82, 0.18%, 0.64%

LAB 62.58, 11, -15.6

 

CMYK 0 / 4 / 19 / 30

HEX #B3AB91

RGB 179 171 145

HSL 45.88, 0.18%, 0.64%

LAB 70, -1.51, 14.43

 

CMYK 18 / 0 / 4 / 30

HEX #92B3AB

RGB 146 179 171

HSL 165.45, 0.18%, 0.64%

LAB 70.38, -12.84, 0.36

 

CMYK 4 / 18 / 0 / 30

HEX #AB92B3

RGB 171 146 179

HSL 285.45, 0.18%, 0.64%

LAB 63.73, 15.44, -13.75

 

CMYK 0 / 4 / 19 / 30

HEX #B3AB91

RGB 179 171 145

HSL 45.88, 0.18%, 0.64%

LAB 70, -1.51, 14.43

 

CMYK 17 / 0 / 18 / 30

HEX #94B392

RGB 148 179 146

HSL 116.36, 0.18%, 0.64%

LAB 69.9, -17.01, 13.41

 

CMYK 18 / 14 / 0 / 30

HEX #929AB3

RGB 146 154 179

HSL 225.45, 0.18%, 0.64%

LAB 63.74, 2.5, -13.95

 

CMYK 1 / 18 / 0 / 30

HEX #B292B3

RGB 178 146 179

HSL 298.18, 0.18%, 0.64%

LAB 64.38, 17.86, -12.7

 

CMYK 0 / 4 / 19 / 30

HEX #B3AB91

RGB 179 171 145

HSL 45.88, 0.18%, 0.64%

LAB 70, -1.51, 14.43

 

CMYK 18 / 0 / 14 / 30

HEX #92B39A

RGB 146 179 154

HSL 134.55, 0.18%, 0.64%

LAB 69.95, -16.23, 9.08

 

CMYK 18 / 14 / 0 / 30

HEX #929AB3

RGB 146 154 179

HSL 225.45, 0.18%, 0.64%

LAB 63.74, 2.5, -13.95

 

CMYK 0 / 18 / 4 / 30

HEX #B392AB

RGB 179 146 171

HSL 314.55, 0.18%, 0.64%

LAB 64.23, 16.69, -8.42

 

Description

Color code: CMYK 0 / 4 / 19 / 30 | qconv.com Color code: CMYK 0 / 4 / 19 / 30 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 171 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 171 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 19 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 19% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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