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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 48 / 11 / 44 it is the complementary color CMYK 38 / 0 / 29 / 29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 48 / 11 / 44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 48 / 11 / 44: CMYK 0 / 50 / 18 / 42, CMYK 0 / 44 / 15 / 35, CMYK 0 / 40 / 12 / 29, CMYK 0 / 36 / 10 / 22 and CMYK 0 / 32 / 8 / 15

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 48 / 11 / 44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 48 / 11 / 44: CMYK 0 / 48 / 11 / 44, CMYK 0 / 56 / 14 / 51, CMYK 0 / 65 / 18 / 57, CMYK 0 / 78 / 24 / 64 and CMYK 0 / 97 / 32 / 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 11 / 44

HEX #8F4A7F

RGB 143 74 127

HSL 313.91, 0.32%, 0.43%

LAB 41.64, 36.57, -17.12

 

Complementary color

CMYK 38 / 0 / 29 / 29

HEX #70B580

RGB 112 181 128

HSL 133.91, 0.32%, 0.57%

LAB 68.06, -33.22, 20.31

 

CMYK 0 / 50 / 18 / 42

HEX #944A7A

RGB 148 74 122

HSL 321.08, 0.33%, 0.44%

LAB 42.15, 37.4, -13.21

 

CMYK 0 / 44 / 15 / 35

HEX #A55C8D

RGB 165 92 141

HSL 319.73, 0.29%, 0.5%

LAB 48.98, 36.61, -14.11

 

CMYK 0 / 40 / 12 / 29

HEX #B66EA0

RGB 182 110 160

HSL 318.33, 0.33%, 0.57%

LAB 55.72, 35.82, -14.86

 

CMYK 0 / 36 / 10 / 22

HEX #C780B3

RGB 199 128 179

HSL 316.9, 0.39%, 0.64%

LAB 62.37, 35.05, -15.52

 

CMYK 0 / 32 / 8 / 15

HEX #D892C6

RGB 216 146 198

HSL 315.43, 0.47%, 0.71%

LAB 68.92, 34.31, -16.11

 

CMYK 0 / 48 / 11 / 44

HEX #8F4A7F

RGB 143 74 127

HSL 313.91, 0.32%, 0.43%

LAB 41.64, 36.57, -17.12

 

CMYK 0 / 56 / 14 / 51

HEX #7E386C

RGB 126 56 108

HSL 315.43, 0.38%, 0.36%

LAB 34.69, 37.28, -16.18

 

CMYK 0 / 65 / 18 / 57

HEX #6D2659

RGB 109 38 89

HSL 316.9, 0.48%, 0.29%

LAB 27.73, 37.72, -14.9

 

CMYK 0 / 78 / 24 / 64

HEX #5C1446

RGB 92 20 70

HSL 318.33, 0.64%, 0.22%

LAB 20.9, 37.47, -12.96

 

CMYK 0 / 97 / 32 / 71

HEX #4B0233

RGB 75 2 51

HSL 319.73, 0.95%, 0.15%

LAB 14.28, 36.17, -10.09

 

CMYK 0 / 48 / 11 / 44

HEX #8F4A7F

RGB 143 74 127

HSL 313.91, 0.32%, 0.43%

LAB 41.64, 36.57, -17.12

 

CMYK 0 / 49 / 19 / 44

HEX #904A75

RGB 144 74 117

HSL 323.14, 0.32%, 0.43%

LAB 41.39, 35.22, -11.35

 

CMYK 0 / 49 / 26 / 44

HEX #904A6A

RGB 144 74 106

HSL 332.57, 0.32%, 0.43%

LAB 41, 33.51, -5.13

 

CMYK 0 / 49 / 35 / 44

HEX #904A5E

RGB 144 74 94

HSL 342.86, 0.32%, 0.43%

LAB 40.63, 31.81, 1.77

 

CMYK 0 / 49 / 43 / 44

HEX #904A52

RGB 144 74 82

HSL 353.14, 0.32%, 0.43%

LAB 40.31, 30.32, 8.77

 

CMYK 0 / 48 / 11 / 44

HEX #8F4A7F

RGB 143 74 127

HSL 313.91, 0.32%, 0.43%

LAB 41.64, 36.57, -17.12

 

CMYK 0 / 48 / 11 / 24

HEX #C264AC

RGB 194 100 172

HSL 314.04, 0.44%, 0.58%

LAB 55.65, 46.99, -21.8

 

CMYK 0 / 48 / 11 / 4

HEX #F57FDA

RGB 245 127 218

HSL 313.73, 0.86%, 0.73%

LAB 69.22, 56.52, -26.44

 

CMYK 0 / 49 / 12 / 84

HEX #291524

RGB 41 21 36

HSL 315, 0.32%, 0.12%

LAB 10.07, 13.08, -6.09

 

CMYK 0 / 48 / 11 / 64

HEX #5C3052

RGB 92 48 82

HSL 313.64, 0.31%, 0.27%

LAB 26.73, 25.34, -12.07

 

CMYK 0 / 48 / 11 / 44

HEX #8F4A7F

RGB 143 74 127

HSL 313.91, 0.32%, 0.43%

LAB 41.64, 36.57, -17.12

 

CMYK 0 / 28 / 49 / 44

HEX #90674A

RGB 144 103 74

HSL 24.86, 0.32%, 0.43%

LAB 47.14, 12.78, 22.83

 

CMYK 49 / 0 / 9 / 44

HEX #4A9083

RGB 74 144 131

HSL 168.86, 0.32%, 0.43%

LAB 55.11, -25.4, 0.09

 

CMYK 0 / 48 / 11 / 44

HEX #8F4A7F

RGB 143 74 127

HSL 313.91, 0.32%, 0.43%

LAB 41.64, 36.57, -17.12

 

CMYK 10 / 0 / 49 / 44

HEX #81904A

RGB 129 144 74

HSL 72.86, 0.32%, 0.43%

LAB 57.18, -16.74, 35.17

 

CMYK 49 / 10 / 0 / 44

HEX #4A8190

RGB 74 129 144

HSL 192.86, 0.32%, 0.43%

LAB 50.89, -13.91, -13.74

 

CMYK 0 / 48 / 11 / 44

HEX #8F4A7F

RGB 143 74 127

HSL 313.91, 0.32%, 0.43%

LAB 41.64, 36.57, -17.12

 

CMYK 0 / 28 / 49 / 44

HEX #90674A

RGB 144 103 74

HSL 24.86, 0.32%, 0.43%

LAB 47.14, 12.78, 22.83

 

CMYK 49 / 0 / 38 / 44

HEX #4A9059

RGB 74 144 89

HSL 132.86, 0.32%, 0.43%

LAB 54.16, -34.62, 22.6

 

CMYK 49 / 20 / 0 / 44

HEX #4A7390

RGB 74 115 144

HSL 204.86, 0.32%, 0.43%

LAB 46.62, -5.92, -20.25

 

CMYK 0 / 48 / 11 / 44

HEX #8F4A7F

RGB 143 74 127

HSL 313.91, 0.32%, 0.43%

LAB 41.64, 36.57, -17.12

 

CMYK 0 / 14 / 49 / 44

HEX #907C4A

RGB 144 124 74

HSL 42.86, 0.32%, 0.43%

LAB 52.77, 0.69, 30.03

 

CMYK 49 / 0 / 38 / 44

HEX #4A9059

RGB 74 144 89

HSL 132.86, 0.32%, 0.43%

LAB 54.16, -34.62, 22.6

 

CMYK 49 / 35 / 0 / 44

HEX #4A5E90

RGB 74 94 144

HSL 222.86, 0.32%, 0.43%

LAB 40.37, 6.89, -29.96

 

Description

Color code: CMYK 0 / 48 / 11 / 44 | qconv.com Color code: CMYK 0 / 48 / 11 / 44 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 74 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 74 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 11 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 11% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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