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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 47 / 55 / 43 it is the complementary color CMYK 42 / 6 / 0 / 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 47 / 55 / 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 47 / 55 / 43: CMYK 0 / 49 / 60 / 41, CMYK 0 / 43 / 53 / 35, CMYK 0 / 39 / 47 / 28, CMYK 0 / 35 / 42 / 21 and CMYK 0 / 32 / 38 / 15

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 47 / 55 / 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 47 / 55 / 43: CMYK 0 / 47 / 55 / 43, CMYK 0 / 54 / 64 / 50, CMYK 0 / 63 / 76 / 56, CMYK 0 / 76 / 91 / 63 and CMYK 0 / 94 / 100 / 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 55 / 43

HEX #914D41

RGB 145 77 65

HSL 9, 0.38%, 0.41%

LAB 40.75, 27.29, 19.86

 

Complementary color

CMYK 42 / 6 / 0 / 25

HEX #6EB2BE

RGB 110 178 190

HSL 189, 0.38%, 0.59%

LAB 68.66, -18.37, -12.88

 

CMYK 0 / 49 / 60 / 41

HEX #964D3C

RGB 150 77 60

HSL 11.33, 0.43%, 0.41%

LAB 41.4, 28.92, 23.86

 

CMYK 0 / 43 / 53 / 35

HEX #A75F4F

RGB 167 95 79

HSL 10.91, 0.36%, 0.48%

LAB 48.22, 27.58, 21.88

 

CMYK 0 / 39 / 47 / 28

HEX #B87162

RGB 184 113 98

HSL 10.47, 0.38%, 0.55%

LAB 54.95, 26.38, 20.19

 

CMYK 0 / 35 / 42 / 21

HEX #C98375

RGB 201 131 117

HSL 10, 0.44%, 0.62%

LAB 61.6, 25.32, 18.71

 

CMYK 0 / 32 / 38 / 15

HEX #DA9588

RGB 218 149 136

HSL 9.51, 0.53%, 0.69%

LAB 68.15, 24.37, 17.4

 

CMYK 0 / 47 / 55 / 43

HEX #914D41

RGB 145 77 65

HSL 9, 0.38%, 0.41%

LAB 40.75, 27.29, 19.86

 

CMYK 0 / 54 / 64 / 50

HEX #803B2E

RGB 128 59 46

HSL 9.51, 0.47%, 0.34%

LAB 33.8, 28.69, 22.07

 

CMYK 0 / 63 / 76 / 56

HEX #6F291B

RGB 111 41 27

HSL 10, 0.61%, 0.27%

LAB 26.86, 30.15, 24.78

 

CMYK 0 / 76 / 91 / 63

HEX #5E1708

RGB 94 23 8

HSL 10.47, 0.84%, 0.2%

LAB 20.08, 31.39, 26.78

 

CMYK 0 / 94 / 100 / 70

HEX #4D0500

RGB 77 5 0

HSL 3.9, 1%, 0.15%

LAB 13.75, 31.79, 21.39

 

CMYK 0 / 47 / 55 / 43

HEX #914D41

RGB 145 77 65

HSL 9, 0.38%, 0.41%

LAB 40.75, 27.29, 19.86

 

CMYK 0 / 38 / 56 / 44

HEX #905940

RGB 144 89 64

HSL 18.75, 0.38%, 0.41%

LAB 43.43, 19.93, 23.88

 

CMYK 0 / 28 / 56 / 44

HEX #906740

RGB 144 103 64

HSL 29.25, 0.38%, 0.41%

LAB 46.97, 11.79, 28.35

 

CMYK 0 / 19 / 56 / 44

HEX #907440

RGB 144 116 64

HSL 39, 0.38%, 0.41%

LAB 50.44, 4.28, 32.59

 

CMYK 0 / 10 / 56 / 44

HEX #908140

RGB 144 129 64

HSL 48.75, 0.38%, 0.41%

LAB 54.03, -3.08, 36.87

 

CMYK 0 / 47 / 55 / 43

HEX #914D41

RGB 145 77 65

HSL 9, 0.38%, 0.41%

LAB 40.75, 27.29, 19.86

 

CMYK 0 / 47 / 55 / 23

HEX #C46858

RGB 196 104 88

HSL 8.89, 0.48%, 0.56%

LAB 54.39, 35.05, 25.49

 

CMYK 0 / 47 / 55 / 3

HEX #F7836F

RGB 247 131 111

HSL 8.82, 0.89%, 0.7%

LAB 67.39, 42.4, 30.84

 

CMYK 0 / 47 / 56 / 83

HEX #2B1713

RGB 43 23 19

HSL 10, 0.39%, 0.12%

LAB 10.36, 9.53, 6.88

 

CMYK 0 / 47 / 55 / 63

HEX #5E322A

RGB 94 50 42

HSL 9.23, 0.38%, 0.27%

LAB 26.24, 18.93, 13.81

 

CMYK 0 / 47 / 55 / 43

HEX #914D41

RGB 145 77 65

HSL 9, 0.38%, 0.41%

LAB 40.75, 27.29, 19.86

 

CMYK 19 / 0 / 56 / 44

HEX #749040

RGB 116 144 64

HSL 81, 0.38%, 0.41%

LAB 56.12, -23.18, 38.75

 

CMYK 56 / 42 / 0 / 44

HEX #405490

RGB 64 84 144

HSL 225, 0.38%, 0.41%

LAB 36.83, 10.83, -35.59

 

CMYK 0 / 47 / 55 / 43

HEX #914D41

RGB 145 77 65

HSL 9, 0.38%, 0.41%

LAB 40.75, 27.29, 19.86

 

CMYK 56 / 0 / 47 / 44

HEX #40904C

RGB 64 144 76

HSL 129, 0.38%, 0.41%

LAB 53.56, -39.63, 28.82

 

CMYK 47 / 56 / 0 / 44

HEX #4C4090

RGB 76 64 144

HSL 249, 0.38%, 0.41%

LAB 32.3, 26.67, -42.78

 

CMYK 0 / 47 / 55 / 43

HEX #914D41

RGB 145 77 65

HSL 9, 0.38%, 0.41%

LAB 40.75, 27.29, 19.86

 

CMYK 19 / 0 / 56 / 44

HEX #749040

RGB 116 144 64

HSL 81, 0.38%, 0.41%

LAB 56.12, -23.18, 38.75

 

CMYK 56 / 8 / 0 / 44

HEX #408490

RGB 64 132 144

HSL 189, 0.38%, 0.41%

LAB 51.39, -17.89, -13.02

 

CMYK 36 / 56 / 0 / 44

HEX #5C4090

RGB 92 64 144

HSL 261, 0.38%, 0.41%

LAB 33.89, 30.67, -40.14

 

CMYK 0 / 47 / 55 / 43

HEX #914D41

RGB 145 77 65

HSL 9, 0.38%, 0.41%

LAB 40.75, 27.29, 19.86

 

CMYK 36 / 0 / 56 / 44

HEX #5C9040

RGB 92 144 64

HSL 99, 0.38%, 0.41%

LAB 54.65, -32.46, 36.66

 

CMYK 56 / 8 / 0 / 44

HEX #408490

RGB 64 132 144

HSL 189, 0.38%, 0.41%

LAB 51.39, -17.89, -13.02

 

CMYK 19 / 56 / 0 / 44

HEX #744090

RGB 116 64 144

HSL 279, 0.38%, 0.41%

LAB 36.73, 37.21, -35.44

 

Description

Color code: CMYK 0 / 47 / 55 / 43 | qconv.com Color code: CMYK 0 / 47 / 55 / 43 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 77 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 77 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 55 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 55% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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