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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 46 / 11 / 31 it is the complementary color CMYK 51 / 0 / 39 / 37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 46 / 11 / 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 46 / 11 / 31: CMYK 0 / 48 / 16 / 29, CMYK 0 / 43 / 14 / 22, CMYK 0 / 39 / 12 / 16, CMYK 0 / 36 / 10 / 9 and CMYK 0 / 33 / 8 / 2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 46 / 11 / 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 46 / 11 / 31: CMYK 0 / 46 / 11 / 31, CMYK 0 / 52 / 13 / 38, CMYK 0 / 58 / 16 / 44, CMYK 0 / 67 / 20 / 51 and CMYK 0 / 79 / 25 / 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 11 / 31

HEX #B05F9D

RGB 176 95 157

HSL 314.07, 0.34%, 0.53%

LAB 51.67, 41.36, -19.35

 

Complementary color

CMYK 51 / 0 / 39 / 37

HEX #4FA062

RGB 79 160 98

HSL 134.07, 0.34%, 0.47%

LAB 59.6, -38.75, 24.92

 

CMYK 0 / 48 / 16 / 29

HEX #B55F98

RGB 181 95 152

HSL 320.23, 0.37%, 0.54%

LAB 52.15, 42.16, -15.62

 

CMYK 0 / 43 / 14 / 22

HEX #C671AB

RGB 198 113 171

HSL 319.06, 0.43%, 0.61%

LAB 58.75, 41.39, -16.44

 

CMYK 0 / 39 / 12 / 16

HEX #D783BE

RGB 215 131 190

HSL 317.86, 0.51%, 0.68%

LAB 65.28, 40.62, -17.15

 

CMYK 0 / 36 / 10 / 9

HEX #E895D1

RGB 232 149 209

HSL 316.63, 0.64%, 0.75%

LAB 71.73, 39.87, -17.79

 

CMYK 0 / 33 / 8 / 2

HEX #F9A7E4

RGB 249 167 228

HSL 315.37, 0.87%, 0.82%

LAB 78.1, 39.15, -18.37

 

CMYK 0 / 46 / 11 / 31

HEX #B05F9D

RGB 176 95 157

HSL 314.07, 0.34%, 0.53%

LAB 51.67, 41.36, -19.35

 

CMYK 0 / 52 / 13 / 38

HEX #9F4D8A

RGB 159 77 138

HSL 315.37, 0.35%, 0.46%

LAB 44.96, 42.08, -18.51

 

CMYK 0 / 58 / 16 / 44

HEX #8E3B77

RGB 142 59 119

HSL 316.63, 0.41%, 0.39%

LAB 38.22, 42.66, -17.45

 

CMYK 0 / 67 / 20 / 51

HEX #7D2964

RGB 125 41 100

HSL 317.86, 0.51%, 0.33%

LAB 31.5, 42.92, -16.01

 

CMYK 0 / 79 / 25 / 58

HEX #6C1751

RGB 108 23 81

HSL 319.06, 0.65%, 0.26%

LAB 24.94, 42.45, -13.92

 

CMYK 0 / 46 / 11 / 31

HEX #B05F9D

RGB 176 95 157

HSL 314.07, 0.34%, 0.53%

LAB 51.67, 41.36, -19.35

 

CMYK 0 / 46 / 18 / 31

HEX #AF5E8F

RGB 175 94 143

HSL 323.7, 0.34%, 0.53%

LAB 50.81, 39.25, -12.41

 

CMYK 0 / 46 / 26 / 31

HEX #AF5E81

RGB 175 94 129

HSL 334.07, 0.34%, 0.53%

LAB 50.34, 37.14, -4.78

 

CMYK 0 / 46 / 34 / 31

HEX #AF5E74

RGB 175 94 116

HSL 343.7, 0.34%, 0.53%

LAB 49.95, 35.36, 2.42

 

CMYK 0 / 46 / 42 / 31

HEX #AF5E66

RGB 175 94 102

HSL 354.07, 0.34%, 0.53%

LAB 49.59, 33.66, 10.28

 

CMYK 0 / 46 / 11 / 31

HEX #B05F9D

RGB 176 95 157

HSL 314.07, 0.34%, 0.53%

LAB 51.67, 41.36, -19.35

 

CMYK 0 / 46 / 11 / 11

HEX #E37BCA

RGB 227 123 202

HSL 314.42, 0.65%, 0.69%

LAB 65.56, 50.51, -23.33

 

CMYK 0 / 48 / 9 / 91

HEX #170C15

RGB 23 12 21

HSL 310.91, 0.31%, 0.07%

LAB 4.51, 5.97, -3.28

 

CMYK 0 / 46 / 11 / 71

HEX #4A2842

RGB 74 40 66

HSL 314.12, 0.3%, 0.22%

LAB 21.46, 20.31, -9.63

 

CMYK 0 / 46 / 10 / 51

HEX #7D4370

RGB 125 67 112

HSL 313.45, 0.3%, 0.38%

LAB 37.01, 31.66, -15.16

 

CMYK 0 / 46 / 11 / 31

HEX #B05F9D

RGB 176 95 157

HSL 314.07, 0.34%, 0.53%

LAB 51.67, 41.36, -19.35

 

CMYK 0 / 26 / 46 / 31

HEX #AF815E

RGB 175 129 94

HSL 25.93, 0.34%, 0.53%

LAB 57.68, 13.33, 25.88

 

CMYK 46 / 0 / 7 / 31

HEX #5EAFA2

RGB 94 175 162

HSL 170.37, 0.34%, 0.53%

LAB 66.25, -28.02, -1.03

 

CMYK 0 / 46 / 11 / 31

HEX #B05F9D

RGB 176 95 157

HSL 314.07, 0.34%, 0.53%

LAB 51.67, 41.36, -19.35

 

CMYK 11 / 0 / 46 / 31

HEX #9CAF5E

RGB 156 175 94

HSL 74.07, 0.34%, 0.53%

LAB 68.41, -19.45, 39.15

 

CMYK 46 / 11 / 0 / 31

HEX #5E9CAF

RGB 94 156 175

HSL 194.07, 0.34%, 0.53%

LAB 61, -14.82, -16.13

 

CMYK 0 / 46 / 11 / 31

HEX #B05F9D

RGB 176 95 157

HSL 314.07, 0.34%, 0.53%

LAB 51.67, 41.36, -19.35

 

CMYK 0 / 26 / 46 / 31

HEX #AF815E

RGB 175 129 94

HSL 25.93, 0.34%, 0.53%

LAB 57.68, 13.33, 25.88

 

CMYK 46 / 0 / 35 / 31

HEX #5EAF71

RGB 94 175 113

HSL 134.07, 0.34%, 0.53%

LAB 65.15, -38.52, 24.31

 

CMYK 46 / 20 / 0 / 31

HEX #5E8CAF

RGB 94 140 175

HSL 205.93, 0.34%, 0.53%

LAB 56.32, -5.97, -23.28

 

CMYK 0 / 46 / 11 / 31

HEX #B05F9D

RGB 176 95 157

HSL 314.07, 0.34%, 0.53%

LAB 51.67, 41.36, -19.35

 

CMYK 0 / 12 / 46 / 31

HEX #AF9A5E

RGB 175 154 94

HSL 44.44, 0.34%, 0.53%

LAB 64.19, -0.52, 34.24

 

CMYK 46 / 0 / 35 / 31

HEX #5EAF71

RGB 94 175 113

HSL 134.07, 0.34%, 0.53%

LAB 65.15, -38.52, 24.31

 

CMYK 46 / 34 / 0 / 31

HEX #5E74AF

RGB 94 116 175

HSL 223.7, 0.34%, 0.53%

LAB 49.45, 8.15, -33.93

 

Description

Color code: CMYK 0 / 46 / 11 / 31 | qconv.com Color code: CMYK 0 / 46 / 11 / 31 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 95 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 95 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 11 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 11% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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