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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 45 / 60 / 42 it is the complementary color CMYK 45 / 11 / 0 / 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 45 / 60 / 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 45 / 60 / 42: CMYK 0 / 47 / 65 / 40, CMYK 0 / 42 / 57 / 33, CMYK 0 / 37 / 51 / 27, CMYK 0 / 34 / 46 / 20 and CMYK 0 / 31 / 41 / 13

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 45 / 60 / 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 45 / 60 / 42: CMYK 0 / 45 / 60 / 42, CMYK 0 / 52 / 69 / 49, CMYK 0 / 61 / 82 / 55, CMYK 0 / 72 / 98 / 62 and CMYK 0 / 89 / 100 / 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 60 / 42

HEX #94513B

RGB 148 81 59

HSL 14.83, 0.43%, 0.41%

LAB 41.99, 25.78, 25.13

 

Complementary color

CMYK 45 / 11 / 0 / 23

HEX #6BAEC4

RGB 107 174 196

HSL 194.83, 0.43%, 0.59%

LAB 67.56, -15.41, -17.86

 

CMYK 0 / 47 / 65 / 40

HEX #995136

RGB 153 81 54

HSL 16.36, 0.48%, 0.41%

LAB 42.65, 27.51, 29.01

 

CMYK 0 / 42 / 57 / 33

HEX #AA6349

RGB 170 99 73

HSL 16.08, 0.4%, 0.48%

LAB 49.44, 26.06, 27.02

 

CMYK 0 / 37 / 51 / 27

HEX #BB755C

RGB 187 117 92

HSL 15.79, 0.41%, 0.55%

LAB 56.15, 24.8, 25.28

 

CMYK 0 / 34 / 46 / 20

HEX #CC876F

RGB 204 135 111

HSL 15.48, 0.48%, 0.62%

LAB 62.77, 23.68, 23.73

 

CMYK 0 / 31 / 41 / 13

HEX #DD9982

RGB 221 153 130

HSL 15.16, 0.57%, 0.69%

LAB 69.3, 22.7, 22.34

 

CMYK 0 / 45 / 60 / 42

HEX #94513B

RGB 148 81 59

HSL 14.83, 0.43%, 0.41%

LAB 41.99, 25.78, 25.13

 

CMYK 0 / 52 / 69 / 49

HEX #833F28

RGB 131 63 40

HSL 15.16, 0.53%, 0.34%

LAB 35.07, 27.32, 27.33

 

CMYK 0 / 61 / 82 / 55

HEX #722D15

RGB 114 45 21

HSL 15.48, 0.69%, 0.26%

LAB 28.14, 29, 29.8

 

CMYK 0 / 72 / 98 / 62

HEX #611B02

RGB 97 27 2

HSL 15.79, 0.96%, 0.19%

LAB 21.32, 30.56, 30.76

 

CMYK 0 / 89 / 100 / 69

HEX #500900

RGB 80 9 0

HSL 6.75, 1%, 0.16%

LAB 14.96, 31.4, 23.11

 

CMYK 0 / 45 / 60 / 42

HEX #94513B

RGB 148 81 59

HSL 14.83, 0.43%, 0.41%

LAB 41.99, 25.78, 25.13

 

CMYK 0 / 36 / 60 / 42

HEX #955F3B

RGB 149 95 59

HSL 24, 0.43%, 0.41%

LAB 45.48, 18.22, 29.47

 

CMYK 0 / 26 / 60 / 42

HEX #956E3B

RGB 149 110 59

HSL 34, 0.43%, 0.41%

LAB 49.32, 9.55, 34.08

 

CMYK 0 / 16 / 60 / 42

HEX #957D3B

RGB 149 125 59

HSL 44, 0.43%, 0.41%

LAB 53.35, 0.99, 38.77

 

CMYK 0 / 6 / 60 / 42

HEX #958C3B

RGB 149 140 59

HSL 54, 0.43%, 0.41%

LAB 57.52, -7.32, 43.48

 

CMYK 0 / 45 / 60 / 42

HEX #94513B

RGB 148 81 59

HSL 14.83, 0.43%, 0.41%

LAB 41.99, 25.78, 25.13

 

CMYK 0 / 45 / 60 / 22

HEX #C76D4F

RGB 199 109 79

HSL 15, 0.52%, 0.55%

LAB 55.73, 32.88, 32.38

 

CMYK 0 / 45 / 60 / 2

HEX #FA8964

RGB 250 137 100

HSL 14.8, 0.94%, 0.69%

LAB 68.85, 39.69, 38.72

 

CMYK 0 / 46 / 61 / 82

HEX #2E1912

RGB 46 25 18

HSL 15, 0.44%, 0.13%

LAB 11.41, 9.54, 9.04

 

CMYK 0 / 45 / 60 / 62

HEX #613527

RGB 97 53 39

HSL 14.48, 0.43%, 0.27%

LAB 27.39, 18.16, 17.34

 

CMYK 0 / 45 / 60 / 42

HEX #94513B

RGB 148 81 59

HSL 14.83, 0.43%, 0.41%

LAB 41.99, 25.78, 25.13

 

CMYK 26 / 0 / 60 / 42

HEX #6E953B

RGB 110 149 59

HSL 86, 0.43%, 0.41%

LAB 57.2, -28.55, 42.29

 

CMYK 60 / 50 / 0 / 42

HEX #3B4A95

RGB 59 74 149

HSL 230, 0.43%, 0.41%

LAB 33.98, 18.06, -43.2

 

CMYK 0 / 45 / 60 / 42

HEX #94513B

RGB 148 81 59

HSL 14.83, 0.43%, 0.41%

LAB 41.99, 25.78, 25.13

 

CMYK 60 / 0 / 46 / 42

HEX #3B9550

RGB 59 149 80

HSL 134, 0.43%, 0.41%

LAB 55.08, -42.31, 28.58

 

CMYK 46 / 60 / 0 / 42

HEX #503B95

RGB 80 59 149

HSL 254, 0.43%, 0.41%

LAB 31.81, 32.26, -46.6

 

CMYK 0 / 45 / 60 / 42

HEX #94513B

RGB 148 81 59

HSL 14.83, 0.43%, 0.41%

LAB 41.99, 25.78, 25.13

 

CMYK 26 / 0 / 60 / 42

HEX #6E953B

RGB 110 149 59

HSL 86, 0.43%, 0.41%

LAB 57.2, -28.55, 42.29

 

CMYK 60 / 14 / 0 / 42

HEX #3B8095

RGB 59 128 149

HSL 194, 0.43%, 0.41%

LAB 50.14, -15.21, -17.85

 

CMYK 34 / 60 / 0 / 42

HEX #623B95

RGB 98 59 149

HSL 266, 0.43%, 0.41%

LAB 33.76, 36.52, -43.36

 

CMYK 0 / 45 / 60 / 42

HEX #94513B

RGB 148 81 59

HSL 14.83, 0.43%, 0.41%

LAB 41.99, 25.78, 25.13

 

CMYK 44 / 0 / 60 / 42

HEX #53953B

RGB 83 149 59

HSL 104, 0.43%, 0.41%

LAB 55.74, -38.38, 40.24

 

CMYK 60 / 14 / 0 / 42

HEX #3B8095

RGB 59 128 149

HSL 194, 0.43%, 0.41%

LAB 50.14, -15.21, -17.85

 

CMYK 16 / 60 / 0 / 42

HEX #7D3B95

RGB 125 59 149

HSL 284, 0.43%, 0.41%

LAB 37.22, 43.45, -37.63

 

Description

Color code: CMYK 0 / 45 / 60 / 42 | qconv.com Color code: CMYK 0 / 45 / 60 / 42 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 81 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 81 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 60 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 60% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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