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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 44 / 10 / 57 it is the complementary color CMYK 25 / 0 / 20 / 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 44 / 10 / 57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 44 / 10 / 57: CMYK 0 / 47 / 18 / 55, CMYK 0 / 40 / 14 / 48, CMYK 0 / 35 / 11 / 42, CMYK 0 / 31 / 9 / 35 and CMYK 0 / 27 / 7 / 28

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 44 / 10 / 57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 44 / 10 / 57: CMYK 0 / 45 / 10 / 57, CMYK 0 / 54 / 14 / 64, CMYK 0 / 67 / 20 / 70, CMYK 0 / 88 / 29 / 77 and CMYK 0 / 100 / 45 / 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 10 / 57

HEX #6E3D63

RGB 110 61 99

HSL 313.47, 0.29%, 0.34%

LAB 33.03, 27.42, -13.22

 

Complementary color

CMYK 25 / 0 / 20 / 24

HEX #91C29C

RGB 145 194 156

HSL 133.47, 0.29%, 0.66%

LAB 74.19, -23.78, 13.98

 

CMYK 0 / 47 / 18 / 55

HEX #733D5E

RGB 115 61 94

HSL 323.33, 0.31%, 0.35%

LAB 33.54, 28.33, -9.19

 

CMYK 0 / 40 / 14 / 48

HEX #844F71

RGB 132 79 113

HSL 321.51, 0.25%, 0.41%

LAB 40.72, 27.47, -10.06

 

CMYK 0 / 35 / 11 / 42

HEX #956184

RGB 149 97 132

HSL 319.62, 0.21%, 0.48%

LAB 47.76, 26.65, -10.78

 

CMYK 0 / 31 / 9 / 35

HEX #A67397

RGB 166 115 151

HSL 317.65, 0.22%, 0.55%

LAB 54.66, 25.9, -11.41

 

CMYK 0 / 27 / 7 / 28

HEX #B785AA

RGB 183 133 170

HSL 315.6, 0.26%, 0.62%

LAB 61.43, 25.2, -11.99

 

CMYK 0 / 45 / 10 / 57

HEX #6E3D63

RGB 110 61 99

HSL 313.47, 0.29%, 0.34%

LAB 33.03, 27.42, -13.22

 

CMYK 0 / 54 / 14 / 64

HEX #5D2B50

RGB 93 43 80

HSL 315.6, 0.37%, 0.27%

LAB 25.67, 28.24, -12.36

 

CMYK 0 / 67 / 20 / 70

HEX #4C193D

RGB 76 25 61

HSL 317.65, 0.5%, 0.2%

LAB 18.23, 28.83, -11.1

 

CMYK 0 / 88 / 29 / 77

HEX #3B072A

RGB 59 7 42

HSL 319.62, 0.79%, 0.13%

LAB 10.91, 28.56, -8.97

 

CMYK 0 / 100 / 45 / 84

HEX #2A0017

RGB 42 0 23

HSL 327.14, 1%, 0.08%

LAB 5.01, 22.88, -3.66

 

CMYK 0 / 45 / 10 / 57

HEX #6E3D63

RGB 110 61 99

HSL 313.47, 0.29%, 0.34%

LAB 33.03, 27.42, -13.22

 

CMYK 0 / 45 / 17 / 56

HEX #6F3D5C

RGB 111 61 92

HSL 322.8, 0.29%, 0.34%

LAB 32.9, 26.5, -8.94

 

CMYK 0 / 45 / 24 / 56

HEX #6F3D54

RGB 111 61 84

HSL 332.4, 0.29%, 0.34%

LAB 32.61, 25.14, -4.24

 

CMYK 0 / 45 / 32 / 56

HEX #6F3D4B

RGB 111 61 75

HSL 343.2, 0.29%, 0.34%

LAB 32.31, 23.75, 1.13

 

CMYK 0 / 45 / 40 / 56

HEX #6F3D43

RGB 111 61 67

HSL 352.8, 0.29%, 0.34%

LAB 32.08, 22.63, 5.97

 

CMYK 0 / 45 / 10 / 57

HEX #6E3D63

RGB 110 61 99

HSL 313.47, 0.29%, 0.34%

LAB 33.03, 27.42, -13.22

 

CMYK 0 / 45 / 10 / 37

HEX #A15991

RGB 161 89 145

HSL 313.33, 0.29%, 0.49%

LAB 47.96, 37.58, -18.09

 

CMYK 0 / 44 / 10 / 17

HEX #D476BF

RGB 212 118 191

HSL 313.4, 0.52%, 0.65%

LAB 62.27, 46.58, -22.34

 

CMYK 0 / 50 / 13 / 97

HEX #080407

RGB 8 4 7

HSL 315, 0.33%, 0.02%

LAB 1.39, 1.46, -0.77

 

CMYK 0 / 44 / 10 / 77

HEX #3B2135

RGB 59 33 53

HSL 313.85, 0.28%, 0.18%

LAB 16.87, 16.17, -7.82

 

CMYK 0 / 45 / 10 / 57

HEX #6E3D63

RGB 110 61 99

HSL 313.47, 0.29%, 0.34%

LAB 33.03, 27.42, -13.22

 

CMYK 0 / 26 / 45 / 56

HEX #6F523D

RGB 111 82 61

HSL 25.2, 0.29%, 0.34%

LAB 37.39, 9.13, 17.03

 

CMYK 45 / 0 / 8 / 56

HEX #3D6F66

RGB 61 111 102

HSL 169.2, 0.29%, 0.34%

LAB 43.24, -19.25, -0.26

 

CMYK 0 / 45 / 10 / 57

HEX #6E3D63

RGB 110 61 99

HSL 313.47, 0.29%, 0.34%

LAB 33.03, 27.42, -13.22

 

CMYK 10 / 0 / 45 / 56

HEX #646F3D

RGB 100 111 61

HSL 73.2, 0.29%, 0.34%

LAB 44.82, -12.86, 26.4

 

CMYK 45 / 10 / 0 / 56

HEX #3D646F

RGB 61 100 111

HSL 193.2, 0.29%, 0.34%

LAB 40.01, -10.58, -10.54

 

CMYK 0 / 45 / 10 / 57

HEX #6E3D63

RGB 110 61 99

HSL 313.47, 0.29%, 0.34%

LAB 33.03, 27.42, -13.22

 

CMYK 0 / 26 / 45 / 56

HEX #6F523D

RGB 111 82 61

HSL 25.2, 0.29%, 0.34%

LAB 37.39, 9.13, 17.03

 

CMYK 45 / 0 / 35 / 56

HEX #3D6F48

RGB 61 111 72

HSL 133.2, 0.29%, 0.34%

LAB 42.5, -26.16, 16.6

 

CMYK 45 / 19 / 0 / 56

HEX #3D5A6F

RGB 61 90 111

HSL 205.2, 0.29%, 0.34%

LAB 36.84, -4.61, -15.35

 

CMYK 0 / 45 / 10 / 57

HEX #6E3D63

RGB 110 61 99

HSL 313.47, 0.29%, 0.34%

LAB 33.03, 27.42, -13.22

 

CMYK 0 / 13 / 45 / 56

HEX #6F613D

RGB 111 97 61

HSL 43.2, 0.29%, 0.34%

LAB 41.64, 0.1, 22.56

 

CMYK 45 / 0 / 35 / 56

HEX #3D6F48

RGB 61 111 72

HSL 133.2, 0.29%, 0.34%

LAB 42.5, -26.16, 16.6

 

CMYK 45 / 32 / 0 / 56

HEX #3D4B6F

RGB 61 75 111

HSL 223.2, 0.29%, 0.34%

LAB 32.2, 4.89, -22.53

 

Description

Color code: CMYK 0 / 44 / 10 / 57 | qconv.com Color code: CMYK 0 / 44 / 10 / 57 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 61 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 61 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 10 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 10% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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