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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 43 / 18 / 37 it is the complementary color CMYK 42 / 0 / 25 / 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 43 / 18 / 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 43 / 18 / 37: CMYK 0 / 45 / 23 / 35, CMYK 0 / 40 / 20 / 28, CMYK 0 / 36 / 18 / 22, CMYK 0 / 33 / 15 / 15 and CMYK 0 / 30 / 13 / 8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 43 / 18 / 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 43 / 18 / 37: CMYK 0 / 43 / 18 / 37, CMYK 0 / 49 / 22 / 44, CMYK 0 / 56 / 26 / 50, CMYK 0 / 65 / 32 / 57 and CMYK 0 / 78 / 40 / 64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 18 / 37

HEX #A15C84

RGB 161 92 132

HSL 325.22, 0.27%, 0.5%

LAB 48.13, 33.75, -10.07

 

Complementary color

CMYK 42 / 0 / 25 / 36

HEX #5EA37B

RGB 94 163 123

HSL 145.22, 0.27%, 0.5%

LAB 61.66, -31.08, 14.08

 

CMYK 0 / 45 / 23 / 35

HEX #A65C7F

RGB 166 92 127

HSL 331.62, 0.29%, 0.51%

LAB 48.63, 34.73, -6.26

 

CMYK 0 / 40 / 20 / 28

HEX #B76E92

RGB 183 110 146

HSL 330.41, 0.34%, 0.57%

LAB 55.37, 33.89, -7.22

 

CMYK 0 / 36 / 18 / 22

HEX #C880A5

RGB 200 128 165

HSL 329.17, 0.4%, 0.64%

LAB 62.03, 33.08, -8.05

 

CMYK 0 / 33 / 15 / 15

HEX #D992B8

RGB 217 146 184

HSL 327.89, 0.48%, 0.71%

LAB 68.58, 32.32, -8.8

 

CMYK 0 / 30 / 13 / 8

HEX #EAA4CB

RGB 234 164 203

HSL 326.57, 0.63%, 0.78%

LAB 75.05, 31.62, -9.48

 

CMYK 0 / 43 / 18 / 37

HEX #A15C84

RGB 161 92 132

HSL 325.22, 0.27%, 0.5%

LAB 48.13, 33.75, -10.07

 

CMYK 0 / 49 / 22 / 44

HEX #904A71

RGB 144 74 113

HSL 326.57, 0.32%, 0.43%

LAB 41.25, 34.58, -9.1

 

CMYK 0 / 56 / 26 / 50

HEX #7F385E

RGB 127 56 94

HSL 327.89, 0.39%, 0.36%

LAB 34.29, 35.36, -7.89

 

CMYK 0 / 65 / 32 / 57

HEX #6E264B

RGB 110 38 75

HSL 329.17, 0.49%, 0.29%

LAB 27.32, 35.92, -6.26

 

CMYK 0 / 78 / 40 / 64

HEX #5D1438

RGB 93 20 56

HSL 330.41, 0.65%, 0.22%

LAB 20.49, 35.85, -3.87

 

CMYK 0 / 43 / 18 / 37

HEX #A15C84

RGB 161 92 132

HSL 325.22, 0.27%, 0.5%

LAB 48.13, 33.75, -10.07

 

CMYK 0 / 42 / 25 / 37

HEX #A15D79

RGB 161 93 121

HSL 335.29, 0.27%, 0.5%

LAB 47.99, 31.47, -3.68

 

CMYK 0 / 42 / 32 / 37

HEX #A15D6E

RGB 161 93 110

HSL 345, 0.27%, 0.5%

LAB 47.66, 29.89, 2.47

 

CMYK 0 / 42 / 39 / 37

HEX #A15D62

RGB 161 93 98

HSL 355.59, 0.27%, 0.5%

LAB 47.35, 28.33, 9.24

 

CMYK 0 / 39 / 42 / 37

HEX #A1625D

RGB 161 98 93

HSL 4.41, 0.27%, 0.5%

LAB 48.39, 24.93, 13.69

 

CMYK 0 / 43 / 18 / 37

HEX #A15C84

RGB 161 92 132

HSL 325.22, 0.27%, 0.5%

LAB 48.13, 33.75, -10.07

 

CMYK 0 / 43 / 18 / 17

HEX #D479AE

RGB 212 121 174

HSL 325.05, 0.51%, 0.65%

LAB 62.28, 42.31, -12.66

 

CMYK 0 / 37 / 13 / 97

HEX #080507

RGB 8 5 7

HSL 320, 0.23%, 0.03%

LAB 1.59, 1.06, -0.48

 

CMYK 0 / 42 / 19 / 77

HEX #3B2230

RGB 59 34 48

HSL 326.4, 0.27%, 0.18%

LAB 16.93, 14.47, -4.2

 

CMYK 0 / 43 / 18 / 57

HEX #6E3F5A

RGB 110 63 90

HSL 325.53, 0.27%, 0.34%

LAB 33.15, 24.59, -7.29

 

CMYK 0 / 43 / 18 / 37

HEX #A15C84

RGB 161 92 132

HSL 325.22, 0.27%, 0.5%

LAB 48.13, 33.75, -10.07

 

CMYK 0 / 16 / 42 / 37

HEX #A1875D

RGB 161 135 93

HSL 37.06, 0.27%, 0.5%

LAB 57.75, 3.92, 26.25

 

CMYK 42 / 1 / 0 / 37

HEX #5DA0A1

RGB 93 160 161

HSL 180.88, 0.27%, 0.5%

LAB 61.69, -20.97, -7.2

 

CMYK 0 / 43 / 18 / 37

HEX #A15C84

RGB 161 92 132

HSL 325.22, 0.27%, 0.5%

LAB 48.13, 33.75, -10.07

 

CMYK 17 / 0 / 42 / 37

HEX #85A15D

RGB 133 161 93

HSL 84.71, 0.27%, 0.5%

LAB 62.73, -21.61, 32.21

 

CMYK 42 / 17 / 0 / 37

HEX #5D85A1

RGB 93 133 161

HSL 204.71, 0.27%, 0.5%

LAB 53.68, -6.29, -19.28

 

CMYK 0 / 43 / 18 / 37

HEX #A15C84

RGB 161 92 132

HSL 325.22, 0.27%, 0.5%

LAB 48.13, 33.75, -10.07

 

CMYK 0 / 16 / 42 / 37

HEX #A1875D

RGB 161 135 93

HSL 37.06, 0.27%, 0.5%

LAB 57.75, 3.92, 26.25

 

CMYK 42 / 0 / 25 / 37

HEX #5DA179

RGB 93 161 121

HSL 144.71, 0.27%, 0.5%

LAB 60.96, -30.83, 14.21

 

CMYK 42 / 26 / 0 / 37

HEX #5D77A1

RGB 93 119 161

HSL 217.06, 0.27%, 0.5%

LAB 49.61, 1.89, -25.54

 

CMYK 0 / 43 / 18 / 37

HEX #A15C84

RGB 161 92 132

HSL 325.22, 0.27%, 0.5%

LAB 48.13, 33.75, -10.07

 

CMYK 0 / 3 / 42 / 37

HEX #A19C5D

RGB 161 156 93

HSL 55.59, 0.27%, 0.5%

LAB 63.46, -7.6, 33.58

 

CMYK 42 / 0 / 25 / 37

HEX #5DA179

RGB 93 161 121

HSL 144.71, 0.27%, 0.5%

LAB 60.96, -30.83, 14.21

 

CMYK 42 / 39 / 0 / 37

HEX #5D62A1

RGB 93 98 161

HSL 235.59, 0.27%, 0.5%

LAB 43.71, 14.73, -34.77

 

Description

Color code: CMYK 0 / 43 / 18 / 37 | qconv.com Color code: CMYK 0 / 43 / 18 / 37 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 92 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 92 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 18 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 18% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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