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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 42 / 82 / 5 it is the complementary color CMYK 94 / 46 / 0 / 17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 42 / 82 / 5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 42 / 82 / 5: CMYK 0 / 43 / 84 / 3, CMYK 0 / 38 / 77 / 0, CMYK 0 / 31 / 70 / 0, CMYK 0 / 24 / 62 / 0 and CMYK 0 / 16 / 55 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 42 / 82 / 5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 42 / 82 / 5: CMYK 0 / 42 / 82 / 5, CMYK 0 / 45 / 89 / 12, CMYK 0 / 50 / 97 / 18, CMYK 0 / 54 / 100 / 25 and CMYK 0 / 60 / 100 / 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 82 / 5

HEX #F28D2C

RGB 242 141 44

HSL 29.39, 0.88%, 0.56%

LAB 68.1, 31.75, 63.82

 

Complementary color

CMYK 94 / 46 / 0 / 17

HEX #0D72D3

RGB 13 114 211

HSL 209.39, 0.88%, 0.44%

LAB 48.04, 10.8, -57.06

 

CMYK 0 / 43 / 84 / 3

HEX #F78D27

RGB 247 141 39

HSL 29.42, 0.93%, 0.56%

LAB 68.73, 33.64, 66.35

 

CMYK 0 / 38 / 77 / 0

HEX #FF9F3A

RGB 255 159 58

HSL 30.76, 1%, 0.61%

LAB 73.78, 28.16, 64.3

 

CMYK 0 / 31 / 70 / 0

HEX #FFB14D

RGB 255 177 77

HSL 33.71, 1%, 0.65%

LAB 78.02, 19.59, 60.61

 

CMYK 0 / 24 / 62 / 0

HEX #FFC360

RGB 255 195 96

HSL 37.36, 1%, 0.69%

LAB 82.45, 11.28, 56.91

 

CMYK 0 / 16 / 55 / 0

HEX #FFD573

RGB 255 213 115

HSL 42, 1%, 0.73%

LAB 87.04, 3.34, 53.32

 

CMYK 0 / 42 / 82 / 5

HEX #F28D2C

RGB 242 141 44

HSL 29.39, 0.88%, 0.56%

LAB 68.1, 31.75, 63.82

 

CMYK 0 / 45 / 89 / 12

HEX #E17B19

RGB 225 123 25

HSL 29.4, 0.8%, 0.49%

LAB 61.86, 33.72, 63.9

 

CMYK 0 / 50 / 97 / 18

HEX #D06906

RGB 208 105 6

HSL 29.41, 0.94%, 0.42%

LAB 55.61, 35.87, 62.56

 

CMYK 0 / 54 / 100 / 25

HEX #BF5700

RGB 191 87 0

HSL 27.33, 1%, 0.37%

LAB 49.37, 38.16, 58.71

 

CMYK 0 / 60 / 100 / 32

HEX #AE4500

RGB 174 69 0

HSL 23.79, 1%, 0.34%

LAB 43.14, 40.38, 53.75

 

CMYK 0 / 42 / 82 / 5

HEX #F28D2C

RGB 242 141 44

HSL 29.39, 0.88%, 0.56%

LAB 68.1, 31.75, 63.82

 

CMYK 0 / 29 / 82 / 5

HEX #F1AC2C

RGB 241 172 44

HSL 38.98, 0.88%, 0.56%

LAB 75.07, 15.04, 69.86

 

CMYK 0 / 15 / 82 / 5

HEX #F1CD2C

RGB 241 205 44

HSL 49.04, 0.88%, 0.56%

LAB 83.2, -2.13, 76.86

 

CMYK 0 / 1 / 82 / 5

HEX #F1EE2C

RGB 241 238 44

HSL 59.09, 0.88%, 0.56%

LAB 91.7, -18.56, 84.07

 

CMYK 12 / 0 / 82 / 5

HEX #D3F12C

RGB 211 241 44

HSL 69.14, 0.88%, 0.56%

LAB 90.29, -32.19, 81.99

 

CMYK 0 / 42 / 82 / 5

HEX #F28D2C

RGB 242 141 44

HSL 29.39, 0.88%, 0.56%

LAB 68.1, 31.75, 63.82

 

CMYK 0 / 42 / 82 / 85

HEX #261607

RGB 38 22 7

HSL 29.03, 0.69%, 0.09%

LAB 9, 6.17, 10.73

 

CMYK 0 / 42 / 82 / 65

HEX #593410

RGB 89 52 16

HSL 29.59, 0.7%, 0.21%

LAB 25.62, 13.33, 28.59

 

CMYK 0 / 41 / 82 / 45

HEX #8C5219

RGB 140 82 25

HSL 29.74, 0.7%, 0.32%

LAB 40.7, 19.7, 41.41

 

CMYK 0 / 42 / 82 / 25

HEX #BF6F23

RGB 191 111 35

HSL 29.23, 0.69%, 0.44%

LAB 54.62, 26.19, 52.63

 

CMYK 0 / 42 / 82 / 5

HEX #F28D2C

RGB 242 141 44

HSL 29.39, 0.88%, 0.56%

LAB 68.1, 31.75, 63.82

 

CMYK 56 / 0 / 82 / 5

HEX #6AF12C

RGB 106 241 44

HSL 101.12, 0.88%, 0.56%

LAB 85.08, -67.8, 75.39

 

CMYK 75 / 82 / 0 / 5

HEX #3C2CF1

RGB 60 44 241

HSL 244.87, 0.88%, 0.56%

LAB 36.2, 65.5, -93.43

 

CMYK 0 / 42 / 82 / 5

HEX #F28D2C

RGB 242 141 44

HSL 29.39, 0.88%, 0.56%

LAB 68.1, 31.75, 63.82

 

CMYK 82 / 0 / 42 / 5

HEX #2CF18B

RGB 44 241 139

HSL 148.93, 0.88%, 0.56%

LAB 84.64, -68.22, 36.42

 

CMYK 42 / 82 / 0 / 5

HEX #8B2CF1

RGB 139 44 241

HSL 268.93, 0.88%, 0.56%

LAB 43.71, 73.01, -80.77

 

CMYK 0 / 42 / 82 / 5

HEX #F28D2C

RGB 242 141 44

HSL 29.39, 0.88%, 0.56%

LAB 68.1, 31.75, 63.82

 

CMYK 56 / 0 / 82 / 5

HEX #6AF12C

RGB 106 241 44

HSL 101.12, 0.88%, 0.56%

LAB 85.08, -67.8, 75.39

 

CMYK 82 / 39 / 0 / 5

HEX #2C92F1

RGB 44 146 241

HSL 208.93, 0.88%, 0.56%

LAB 59.38, 4.54, -55.68

 

CMYK 26 / 82 / 0 / 5

HEX #B32CF1

RGB 179 44 241

HSL 281.12, 0.88%, 0.56%

LAB 49.17, 78.71, -71.63

 

CMYK 0 / 42 / 82 / 5

HEX #F28D2C

RGB 242 141 44

HSL 29.39, 0.88%, 0.56%

LAB 68.1, 31.75, 63.82

 

CMYK 80 / 0 / 82 / 5

HEX #2FF12C

RGB 47 241 44

HSL 119.09, 0.88%, 0.56%

LAB 83.81, -78.49, 73.77

 

CMYK 82 / 39 / 0 / 5

HEX #2C92F1

RGB 44 146 241

HSL 208.93, 0.88%, 0.56%

LAB 59.38, 4.54, -55.68

 

CMYK 1 / 82 / 0 / 5

HEX #EE2CF1

RGB 238 44 241

HSL 299.09, 0.88%, 0.56%

LAB 58.35, 88.57, -56.37

 

Description

Color code: CMYK 0 / 42 / 82 / 5 | qconv.com Color code: CMYK 0 / 42 / 82 / 5 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 141 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 141 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 82 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 82% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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