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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 42 / 52 / 39 it is the complementary color CMYK 45 / 8 / 0 / 29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 42 / 52 / 39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 42 / 52 / 39: CMYK 0 / 44 / 57 / 37, CMYK 0 / 39 / 50 / 30, CMYK 0 / 35 / 45 / 24, CMYK 0 / 32 / 40 / 17 and CMYK 0 / 29 / 36 / 10

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 42 / 52 / 39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 42 / 52 / 39: CMYK 0 / 42 / 52 / 39, CMYK 0 / 48 / 60 / 45, CMYK 0 / 56 / 70 / 52, CMYK 0 / 66 / 83 / 59 and CMYK 0 / 80 / 100 / 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 52 / 39

HEX #9C5A4B

RGB 156 90 75

HSL 11.11, 0.35%, 0.45%

LAB 45.48, 25.47, 20.36

 

Complementary color

CMYK 45 / 8 / 0 / 29

HEX #63A5B4

RGB 99 165 180

HSL 191.11, 0.35%, 0.55%

LAB 64.05, -17, -14.32

 

CMYK 0 / 44 / 57 / 37

HEX #A15A46

RGB 161 90 70

HSL 13.19, 0.39%, 0.45%

LAB 46.09, 27.08, 24.24

 

CMYK 0 / 39 / 50 / 30

HEX #B26C59

RGB 178 108 89

HSL 12.81, 0.37%, 0.52%

LAB 52.85, 25.81, 22.44

 

CMYK 0 / 35 / 45 / 24

HEX #C37E6C

RGB 195 126 108

HSL 12.41, 0.42%, 0.59%

LAB 59.53, 24.69, 20.88

 

CMYK 0 / 32 / 40 / 17

HEX #D4907F

RGB 212 144 127

HSL 12, 0.5%, 0.66%

LAB 66.12, 23.7, 19.49

 

CMYK 0 / 29 / 36 / 10

HEX #E5A292

RGB 229 162 146

HSL 11.57, 0.61%, 0.74%

LAB 72.61, 22.82, 18.24

 

CMYK 0 / 42 / 52 / 39

HEX #9C5A4B

RGB 156 90 75

HSL 11.11, 0.35%, 0.45%

LAB 45.48, 25.47, 20.36

 

CMYK 0 / 48 / 60 / 45

HEX #8B4838

RGB 139 72 56

HSL 11.57, 0.43%, 0.38%

LAB 38.57, 26.82, 22.32

 

CMYK 0 / 56 / 70 / 52

HEX #7A3625

RGB 122 54 37

HSL 12, 0.53%, 0.31%

LAB 31.6, 28.32, 24.67

 

CMYK 0 / 66 / 83 / 59

HEX #692412

RGB 105 36 18

HSL 12.41, 0.71%, 0.24%

LAB 24.67, 29.87, 27.44

 

CMYK 0 / 80 / 100 / 65

HEX #581200

RGB 88 18 0

HSL 12.27, 1%, 0.17%

LAB 17.95, 31, 27.23

 

CMYK 0 / 42 / 52 / 39

HEX #9C5A4B

RGB 156 90 75

HSL 11.11, 0.35%, 0.45%

LAB 45.48, 25.47, 20.36

 

CMYK 0 / 34 / 52 / 40

HEX #9A664A

RGB 154 102 74

HSL 21, 0.35%, 0.45%

LAB 48.09, 17.69, 24.31

 

CMYK 0 / 25 / 52 / 40

HEX #9A744A

RGB 154 116 74

HSL 31.5, 0.35%, 0.45%

LAB 51.67, 9.65, 28.87

 

CMYK 0 / 16 / 52 / 40

HEX #9A814A

RGB 154 129 74

HSL 41.25, 0.35%, 0.45%

LAB 55.14, 2.27, 33.18

 

CMYK 0 / 8 / 52 / 40

HEX #9A8E4A

RGB 154 142 74

HSL 51, 0.35%, 0.45%

LAB 58.71, -4.95, 37.51

 

CMYK 0 / 42 / 52 / 39

HEX #9C5A4B

RGB 156 90 75

HSL 11.11, 0.35%, 0.45%

LAB 45.48, 25.47, 20.36

 

CMYK 0 / 43 / 52 / 19

HEX #CF7764

RGB 207 119 100

HSL 10.65, 0.53%, 0.6%

LAB 59.32, 32.44, 25.4

 

CMYK 0 / 33 / 67 / 99

HEX #030201

RGB 3 2 1

HSL 30, 0.5%, 0.01%

LAB 0.59, 0.12, 0.47

 

CMYK 0 / 43 / 52 / 79

HEX #361F1A

RGB 54 31 26

HSL 10.71, 0.35%, 0.16%

LAB 14.62, 10.47, 8.08

 

CMYK 0 / 42 / 52 / 59

HEX #693D32

RGB 105 61 50

HSL 12, 0.35%, 0.3%

LAB 30.81, 18, 15

 

CMYK 0 / 42 / 52 / 39

HEX #9C5A4B

RGB 156 90 75

HSL 11.11, 0.35%, 0.45%

LAB 45.48, 25.47, 20.36

 

CMYK 19 / 0 / 52 / 40

HEX #7C9A4A

RGB 124 154 74

HSL 82.5, 0.35%, 0.45%

LAB 59.79, -23.91, 38.24

 

CMYK 52 / 41 / 0 / 40

HEX #4A5B9A

RGB 74 91 154

HSL 227.25, 0.35%, 0.45%

LAB 40.03, 12.05, -36.49

 

CMYK 0 / 42 / 52 / 39

HEX #9C5A4B

RGB 156 90 75

HSL 11.11, 0.35%, 0.45%

LAB 45.48, 25.47, 20.36

 

CMYK 52 / 0 / 42 / 40

HEX #4A9A59

RGB 74 154 89

HSL 131.25, 0.35%, 0.45%

LAB 57.36, -39.06, 26.8

 

CMYK 42 / 52 / 0 / 40

HEX #594A9A

RGB 89 74 154

HSL 251.25, 0.35%, 0.45%

LAB 36.66, 26.62, -41.8

 

CMYK 0 / 42 / 52 / 39

HEX #9C5A4B

RGB 156 90 75

HSL 11.11, 0.35%, 0.45%

LAB 45.48, 25.47, 20.36

 

CMYK 19 / 0 / 52 / 40

HEX #7C9A4A

RGB 124 154 74

HSL 82.5, 0.35%, 0.45%

LAB 59.79, -23.91, 38.24

 

CMYK 52 / 9 / 0 / 40

HEX #4A8C9A

RGB 74 140 154

HSL 190.5, 0.35%, 0.45%

LAB 54.6, -17, -13.93

 

CMYK 32 / 52 / 0 / 40

HEX #694A9A

RGB 105 74 154

HSL 263.25, 0.35%, 0.45%

LAB 38.26, 30.86, -39.15

 

CMYK 0 / 42 / 52 / 39

HEX #9C5A4B

RGB 156 90 75

HSL 11.11, 0.35%, 0.45%

LAB 45.48, 25.47, 20.36

 

CMYK 35 / 0 / 52 / 40

HEX #649A4A

RGB 100 154 74

HSL 100.5, 0.35%, 0.45%

LAB 58.33, -33.03, 36.14

 

CMYK 52 / 9 / 0 / 40

HEX #4A8C9A

RGB 74 140 154

HSL 190.5, 0.35%, 0.45%

LAB 54.6, -17, -13.93

 

CMYK 16 / 52 / 0 / 40

HEX #814A9A

RGB 129 74 154

HSL 281.25, 0.35%, 0.45%

LAB 41.05, 37.63, -34.54

 

Description

Color code: CMYK 0 / 42 / 52 / 39 | qconv.com Color code: CMYK 0 / 42 / 52 / 39 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 90 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 90 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 52 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 52% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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