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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 42 / 34 / 48 it is the complementary color CMYK 31 / 0 / 6 / 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 42 / 34 / 48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 42 / 34 / 48: CMYK 0 / 44 / 40 / 46, CMYK 0 / 39 / 34 / 39, CMYK 0 / 34 / 30 / 33, CMYK 0 / 31 / 26 / 26 and CMYK 0 / 28 / 23 / 19

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 42 / 34 / 48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 42 / 34 / 48: CMYK 0 / 42 / 34 / 48, CMYK 0 / 49 / 41 / 55, CMYK 0 / 59 / 49 / 61, CMYK 0 / 72 / 62 / 68 and CMYK 0 / 92 / 82 / 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 34 / 48

HEX #854D58

RGB 133 77 88

HSL 348.21, 0.27%, 0.41%

LAB 39.58, 25.05, 3.78

 

Complementary color

CMYK 31 / 0 / 6 / 30

HEX #7AB2A7

RGB 122 178 167

HSL 168.21, 0.27%, 0.59%

LAB 68.58, -20.7, -0.23

 

CMYK 0 / 44 / 40 / 46

HEX #8A4D53

RGB 138 77 83

HSL 354.1, 0.28%, 0.42%

LAB 40.14, 26.38, 7.79

 

CMYK 0 / 39 / 34 / 39

HEX #9B5F66

RGB 155 95 102

HSL 353, 0.24%, 0.49%

LAB 47.12, 25.36, 6.4

 

CMYK 0 / 34 / 30 / 33

HEX #AC7179

RGB 172 113 121

HSL 351.86, 0.26%, 0.56%

LAB 53.99, 24.44, 5.23

 

CMYK 0 / 31 / 26 / 26

HEX #BD838C

RGB 189 131 140

HSL 350.69, 0.31%, 0.63%

LAB 60.73, 23.62, 4.19

 

CMYK 0 / 28 / 23 / 19

HEX #CE959F

RGB 206 149 159

HSL 349.47, 0.37%, 0.7%

LAB 67.37, 22.88, 3.26

 

CMYK 0 / 42 / 34 / 48

HEX #854D58

RGB 133 77 88

HSL 348.21, 0.27%, 0.41%

LAB 39.58, 25.05, 3.78

 

CMYK 0 / 49 / 41 / 55

HEX #743B45

RGB 116 59 69

HSL 349.47, 0.33%, 0.34%

LAB 32.42, 26.1, 5.25

 

CMYK 0 / 59 / 49 / 61

HEX #632932

RGB 99 41 50

HSL 350.69, 0.41%, 0.27%

LAB 25.16, 27.19, 7.16

 

CMYK 0 / 72 / 62 / 68

HEX #52171F

RGB 82 23 31

HSL 351.86, 0.56%, 0.21%

LAB 17.94, 28.09, 9.87

 

CMYK 0 / 92 / 82 / 75

HEX #41050C

RGB 65 5 12

HSL 353, 0.86%, 0.14%

LAB 10.98, 28.32, 12.22

 

CMYK 0 / 42 / 34 / 48

HEX #854D58

RGB 133 77 88

HSL 348.21, 0.27%, 0.41%

LAB 39.58, 25.05, 3.78

 

CMYK 0 / 42 / 41 / 48

HEX #844C4E

RGB 132 76 78

HSL 357.86, 0.27%, 0.41%

LAB 38.94, 23.9, 9.09

 

CMYK 0 / 37 / 42 / 48

HEX #84534C

RGB 132 83 76

HSL 7.5, 0.27%, 0.41%

LAB 40.6, 19.57, 12.62

 

CMYK 0 / 30 / 42 / 48

HEX #845D4C

RGB 132 93 76

HSL 18.21, 0.27%, 0.41%

LAB 43.15, 13.66, 16.1

 

CMYK 0 / 23 / 42 / 48

HEX #84664C

RGB 132 102 76

HSL 27.86, 0.27%, 0.41%

LAB 45.54, 8.34, 19.31

 

CMYK 0 / 42 / 34 / 48

HEX #854D58

RGB 133 77 88

HSL 348.21, 0.27%, 0.41%

LAB 39.58, 25.05, 3.78

 

CMYK 0 / 42 / 34 / 28

HEX #B86B7A

RGB 184 107 122

HSL 348.31, 0.35%, 0.57%

LAB 54.14, 32.46, 5.06

 

CMYK 0 / 42 / 34 / 8

HEX #EB889B

RGB 235 136 155

HSL 348.48, 0.71%, 0.73%

LAB 67.75, 39.87, 6.5

 

CMYK 0 / 42 / 32 / 88

HEX #1F1215

RGB 31 18 21

HSL 346.15, 0.27%, 0.1%

LAB 7.03, 7.17, 0.51

 

CMYK 0 / 43 / 34 / 68

HEX #522F36

RGB 82 47 54

HSL 348, 0.27%, 0.25%

LAB 23.98, 17.03, 2.4

 

CMYK 0 / 42 / 34 / 48

HEX #854D58

RGB 133 77 88

HSL 348.21, 0.27%, 0.41%

LAB 39.58, 25.05, 3.78

 

CMYK 0 / 0 / 42 / 48

HEX #84844C

RGB 132 132 76

HSL 60, 0.27%, 0.41%

LAB 53.95, -8.8, 30.18

 

CMYK 42 / 17 / 0 / 48

HEX #4C6E84

RGB 76 110 132

HSL 203.57, 0.27%, 0.41%

LAB 44.74, -6.04, -15.98

 

CMYK 0 / 42 / 34 / 48

HEX #854D58

RGB 133 77 88

HSL 348.21, 0.27%, 0.41%

LAB 39.58, 25.05, 3.78

 

CMYK 34 / 0 / 42 / 48

HEX #57844C

RGB 87 132 76

HSL 108.21, 0.27%, 0.41%

LAB 50.75, -26.91, 25.44

 

CMYK 42 / 34 / 0 / 48

HEX #4C5784

RGB 76 87 132

HSL 228.21, 0.27%, 0.41%

LAB 37.88, 8.09, -26.58

 

CMYK 0 / 42 / 34 / 48

HEX #854D58

RGB 133 77 88

HSL 348.21, 0.27%, 0.41%

LAB 39.58, 25.05, 3.78

 

CMYK 0 / 0 / 42 / 48

HEX #84844C

RGB 132 132 76

HSL 60, 0.27%, 0.41%

LAB 53.95, -8.8, 30.18

 

CMYK 42 / 0 / 8 / 48

HEX #4C8479

RGB 76 132 121

HSL 168.21, 0.27%, 0.41%

LAB 51.17, -21.26, 0.15

 

CMYK 42 / 42 / 0 / 48

HEX #4C4C84

RGB 76 76 132

HSL 240, 0.27%, 0.41%

LAB 34.74, 15.17, -31.5

 

CMYK 0 / 42 / 34 / 48

HEX #854D58

RGB 133 77 88

HSL 348.21, 0.27%, 0.41%

LAB 39.58, 25.05, 3.78

 

CMYK 13 / 0 / 42 / 48

HEX #73844C

RGB 115 132 76

HSL 78.21, 0.27%, 0.41%

LAB 52.59, -16, 28.16

 

CMYK 42 / 0 / 8 / 48

HEX #4C8479

RGB 76 132 121

HSL 168.21, 0.27%, 0.41%

LAB 51.17, -21.26, 0.15

 

CMYK 30 / 42 / 0 / 48

HEX #5D4C84

RGB 93 76 132

HSL 258.21, 0.27%, 0.41%

LAB 36.29, 20.19, -28.96

 

Description

Color code: CMYK 0 / 42 / 34 / 48 | qconv.com Color code: CMYK 0 / 42 / 34 / 48 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 77 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 77 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 34 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 34% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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