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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 40 / 61 / 54 it is the complementary color CMYK 34 / 11 / 0 / 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 40 / 61 / 54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 40 / 61 / 54: CMYK 0 / 43 / 66 / 52, CMYK 0 / 37 / 57 / 45, CMYK 0 / 32 / 49 / 39, CMYK 0 / 28 / 43 / 32 and CMYK 0 / 25 / 38 / 25

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 40 / 61 / 54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 40 / 61 / 54: CMYK 0 / 40 / 61 / 54, CMYK 0 / 48 / 73 / 61, CMYK 0 / 59 / 90 / 67, CMYK 0 / 76 / 100 / 74 and CMYK 0 / 100 / 100 / 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 61 / 54

HEX #75462E

RGB 117 70 46

HSL 20.28, 0.44%, 0.32%

LAB 34.72, 17.57, 22.84

 

Complementary color

CMYK 34 / 11 / 0 / 18

HEX #8AB9D1

RGB 138 185 209

HSL 200.28, 0.44%, 0.68%

LAB 72.7, -9.7, -17.08

 

CMYK 0 / 43 / 66 / 52

HEX #7A4629

RGB 122 70 41

HSL 21.48, 0.5%, 0.32%

LAB 35.36, 19.43, 26.74

 

CMYK 0 / 37 / 57 / 45

HEX #8B583C

RGB 139 88 60

HSL 21.27, 0.4%, 0.39%

LAB 42.45, 17.97, 24.86

 

CMYK 0 / 32 / 49 / 39

HEX #9C6A4F

RGB 156 106 79

HSL 21.04, 0.33%, 0.46%

LAB 49.42, 16.76, 23.2

 

CMYK 0 / 28 / 43 / 32

HEX #AD7C62

RGB 173 124 98

HSL 20.8, 0.31%, 0.53%

LAB 56.27, 15.74, 21.73

 

CMYK 0 / 25 / 38 / 25

HEX #BE8E75

RGB 190 142 117

HSL 20.55, 0.36%, 0.6%

LAB 62.99, 14.87, 20.41

 

CMYK 0 / 40 / 61 / 54

HEX #75462E

RGB 117 70 46

HSL 20.28, 0.44%, 0.32%

LAB 34.72, 17.57, 22.84

 

CMYK 0 / 48 / 73 / 61

HEX #64341B

RGB 100 52 27

HSL 20.55, 0.57%, 0.25%

LAB 27.42, 19.2, 24.9

 

CMYK 0 / 59 / 90 / 67

HEX #532208

RGB 83 34 8

HSL 20.8, 0.82%, 0.18%

LAB 20.05, 21.16, 26.15

 

CMYK 0 / 76 / 100 / 74

HEX #421000

RGB 66 16 0

HSL 14.55, 1%, 0.13%

LAB 12.79, 23.24, 19.66

 

CMYK 0 / 100 / 100 / 81

HEX #310000

RGB 49 0 0

HSL 0, 1%, 0.1%

LAB 5.9, 24.15, 9.32

 

CMYK 0 / 40 / 61 / 54

HEX #75462E

RGB 117 70 46

HSL 20.28, 0.44%, 0.32%

LAB 34.72, 17.57, 22.84

 

CMYK 0 / 31 / 62 / 54

HEX #75512D

RGB 117 81 45

HSL 30, 0.44%, 0.32%

LAB 37.58, 10.86, 26.92

 

CMYK 0 / 21 / 62 / 54

HEX #755D2D

RGB 117 93 45

HSL 40, 0.44%, 0.32%

LAB 40.9, 3.65, 30.83

 

CMYK 0 / 10 / 62 / 54

HEX #75692D

RGB 117 105 45

HSL 50, 0.44%, 0.32%

LAB 44.34, -3.39, 34.78

 

CMYK 0 / 0 / 62 / 54

HEX #75752D

RGB 117 117 45

HSL 60, 0.44%, 0.32%

LAB 47.87, -10.18, 38.71

 

CMYK 0 / 40 / 61 / 54

HEX #75462E

RGB 117 70 46

HSL 20.28, 0.44%, 0.32%

LAB 34.72, 17.57, 22.84

 

CMYK 0 / 40 / 61 / 34

HEX #A86542

RGB 168 101 66

HSL 20.59, 0.44%, 0.46%

LAB 49.53, 23.55, 31.05

 

CMYK 0 / 40 / 61 / 14

HEX #DB8356

RGB 219 131 86

HSL 20.3, 0.65%, 0.6%

LAB 63.31, 29.71, 38.47

 

CMYK 0 / 40 / 60 / 94

HEX #0F0906

RGB 15 9 6

HSL 20, 0.43%, 0.04%

LAB 2.8, 1.35, 1.76

 

CMYK 0 / 41 / 61 / 74

HEX #42271A

RGB 66 39 26

HSL 19.5, 0.43%, 0.18%

LAB 18.73, 11.05, 13.83

 

CMYK 0 / 40 / 61 / 54

HEX #75462E

RGB 117 70 46

HSL 20.28, 0.44%, 0.32%

LAB 34.72, 17.57, 22.84

 

CMYK 32 / 0 / 62 / 54

HEX #4F752D

RGB 79 117 45

HSL 91.67, 0.44%, 0.32%

LAB 45.05, -26.62, 34.77

 

CMYK 62 / 57 / 0 / 54

HEX #2D3275

RGB 45 50 117

HSL 235.83, 0.44%, 0.32%

LAB 24.08, 19.88, -39.31

 

CMYK 0 / 40 / 61 / 54

HEX #75462E

RGB 117 70 46

HSL 20.28, 0.44%, 0.32%

LAB 34.72, 17.57, 22.84

 

CMYK 62 / 0 / 41 / 54

HEX #2D7545

RGB 45 117 69

HSL 140, 0.44%, 0.32%

LAB 43.81, -34.07, 19.97

 

CMYK 41 / 62 / 0 / 54

HEX #452D75

RGB 69 45 117

HSL 260, 0.44%, 0.32%

LAB 25.03, 28.68, -37.65

 

CMYK 0 / 40 / 61 / 54

HEX #75462E

RGB 117 70 46

HSL 20.28, 0.44%, 0.32%

LAB 34.72, 17.57, 22.84

 

CMYK 32 / 0 / 62 / 54

HEX #4F752D

RGB 79 117 45

HSL 91.67, 0.44%, 0.32%

LAB 45.05, -26.62, 34.77

 

CMYK 62 / 21 / 0 / 54

HEX #2D5D75

RGB 45 93 117

HSL 200, 0.44%, 0.32%

LAB 37.25, -8.51, -18.5

 

CMYK 29 / 62 / 0 / 54

HEX #532D75

RGB 83 45 117

HSL 271.67, 0.44%, 0.32%

LAB 26.74, 32.3, -34.83

 

CMYK 0 / 40 / 61 / 54

HEX #75462E

RGB 117 70 46

HSL 20.28, 0.44%, 0.32%

LAB 34.72, 17.57, 22.84

 

CMYK 51 / 0 / 62 / 54

HEX #39752D

RGB 57 117 45

HSL 110, 0.44%, 0.32%

LAB 43.92, -34.48, 33.18

 

CMYK 62 / 21 / 0 / 54

HEX #2D5D75

RGB 45 93 117

HSL 200, 0.44%, 0.32%

LAB 37.25, -8.51, -18.5

 

CMYK 10 / 62 / 0 / 54

HEX #692D75

RGB 105 45 117

HSL 290, 0.44%, 0.32%

LAB 29.82, 38.33, -29.72

 

Description

Color code: CMYK 0 / 40 / 61 / 54 | qconv.com Color code: CMYK 0 / 40 / 61 / 54 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 70 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 70 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 61 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 61% 54% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

14% - Patee.ru – самые вку...
Link: http://www.patee.ru

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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