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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 40 / 41 / 24 it is the complementary color CMYK 57 / 1 / 0 / 45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 40 / 41 / 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 40 / 41 / 24: CMYK 0 / 42 / 45 / 22, CMYK 0 / 38 / 41 / 15, CMYK 0 / 35 / 37 / 9, CMYK 0 / 32 / 34 / 2 and CMYK 0 / 26 / 27 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 40 / 41 / 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 40 / 41 / 24: CMYK 0 / 40 / 41 / 24, CMYK 0 / 45 / 46 / 31, CMYK 0 / 50 / 53 / 37, CMYK 0 / 57 / 60 / 44 and CMYK 0 / 65 / 70 / 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 41 / 24

HEX #C27472

RGB 194 116 114

HSL 1.5, 0.4%, 0.6%

LAB 57.25, 30.41, 14.29

 

Complementary color

CMYK 57 / 1 / 0 / 45

HEX #3D8B8D

RGB 61 139 141

HSL 181.5, 0.4%, 0.4%

LAB 53.36, -23.11, -8.32

 

CMYK 0 / 42 / 45 / 22

HEX #C7746D

RGB 199 116 109

HSL 4.67, 0.45%, 0.6%

LAB 57.79, 31.8, 18.03

 

CMYK 0 / 38 / 41 / 15

HEX #D88680

RGB 216 134 128

HSL 4.09, 0.53%, 0.67%

LAB 64.33, 30.75, 16.55

 

CMYK 0 / 35 / 37 / 9

HEX #E99893

RGB 233 152 147

HSL 3.49, 0.66%, 0.75%

LAB 70.79, 29.79, 15.23

 

CMYK 0 / 32 / 34 / 2

HEX #FAAAA6

RGB 250 170 166

HSL 2.86, 0.89%, 0.82%

LAB 77.18, 28.91, 14.05

 

CMYK 0 / 26 / 27 / 0

HEX #FFBCB9

RGB 255 188 185

HSL 2.57, 1%, 0.86%

LAB 82.23, 23.73, 11.02

 

CMYK 0 / 40 / 41 / 24

HEX #C27472

RGB 194 116 114

HSL 1.5, 0.4%, 0.6%

LAB 57.25, 30.41, 14.29

 

CMYK 0 / 45 / 46 / 31

HEX #B1625F

RGB 177 98 95

HSL 2.2, 0.34%, 0.53%

LAB 50.58, 31.51, 15.86

 

CMYK 0 / 50 / 53 / 37

HEX #A0504C

RGB 160 80 76

HSL 2.86, 0.36%, 0.46%

LAB 43.85, 32.69, 17.69

 

CMYK 0 / 57 / 60 / 44

HEX #8F3E39

RGB 143 62 57

HSL 3.49, 0.43%, 0.39%

LAB 37.08, 33.94, 19.93

 

CMYK 0 / 65 / 70 / 51

HEX #7E2C26

RGB 126 44 38

HSL 4.09, 0.54%, 0.32%

LAB 30.34, 35.13, 22.72

 

CMYK 0 / 40 / 41 / 24

HEX #C27472

RGB 194 116 114

HSL 1.5, 0.4%, 0.6%

LAB 57.25, 30.41, 14.29

 

CMYK 0 / 34 / 42 / 24

HEX #C17F70

RGB 193 127 112

HSL 11.11, 0.4%, 0.6%

LAB 59.6, 23.78, 18.67

 

CMYK 0 / 27 / 42 / 24

HEX #C18C70

RGB 193 140 112

HSL 20.74, 0.4%, 0.6%

LAB 62.73, 16.61, 22.9

 

CMYK 0 / 20 / 42 / 24

HEX #C19A70

RGB 193 154 112

HSL 31.11, 0.4%, 0.6%

LAB 66.23, 8.91, 27.55

 

CMYK 0 / 13 / 42 / 24

HEX #C1A770

RGB 193 167 112

HSL 40.74, 0.4%, 0.6%

LAB 69.57, 1.86, 31.92

 

CMYK 0 / 40 / 41 / 24

HEX #C27472

RGB 194 116 114

HSL 1.5, 0.4%, 0.6%

LAB 57.25, 30.41, 14.29

 

CMYK 0 / 40 / 41 / 4

HEX #F59290

RGB 245 146 144

HSL 1.19, 0.83%, 0.76%

LAB 70.86, 37.07, 17.21

 

CMYK 0 / 39 / 41 / 84

HEX #291918

RGB 41 25 24

HSL 3.53, 0.26%, 0.13%

LAB 10.8, 7.85, 3.94

 

CMYK 0 / 40 / 41 / 64

HEX #5C3736

RGB 92 55 54

HSL 1.58, 0.26%, 0.29%

LAB 27.5, 16.39, 7.6

 

CMYK 0 / 40 / 41 / 44

HEX #8F5654

RGB 143 86 84

HSL 2.03, 0.26%, 0.45%

LAB 42.97, 23.37, 11.23

 

CMYK 0 / 40 / 41 / 24

HEX #C27472

RGB 194 116 114

HSL 1.5, 0.4%, 0.6%

LAB 57.25, 30.41, 14.29

 

CMYK 9 / 0 / 42 / 24

HEX #B0C170

RGB 176 193 112

HSL 72.59, 0.4%, 0.6%

LAB 75.16, -18.57, 38.77

 

CMYK 42 / 26 / 0 / 24

HEX #708FC1

RGB 112 143 193

HSL 217.04, 0.4%, 0.6%

LAB 58.92, 2.19, -29.41

 

CMYK 0 / 40 / 41 / 24

HEX #C27472

RGB 194 116 114

HSL 1.5, 0.4%, 0.6%

LAB 57.25, 30.41, 14.29

 

CMYK 42 / 0 / 41 / 24

HEX #70C171

RGB 112 193 113

HSL 120.74, 0.4%, 0.6%

LAB 71.4, -41.17, 32.69

 

CMYK 41 / 42 / 0 / 24

HEX #7170C1

RGB 113 112 193

HSL 240.74, 0.4%, 0.6%

LAB 50.63, 20.87, -42.39

 

CMYK 0 / 40 / 41 / 24

HEX #C27472

RGB 194 116 114

HSL 1.5, 0.4%, 0.6%

LAB 57.25, 30.41, 14.29

 

CMYK 9 / 0 / 42 / 24

HEX #B0C170

RGB 176 193 112

HSL 72.59, 0.4%, 0.6%

LAB 75.16, -18.57, 38.77

 

CMYK 42 / 1 / 0 / 24

HEX #70C0C1

RGB 112 192 193

HSL 180.74, 0.4%, 0.6%

LAB 72.89, -24.22, -8.2

 

CMYK 33 / 42 / 0 / 24

HEX #8170C1

RGB 129 112 193

HSL 252.59, 0.4%, 0.6%

LAB 51.96, 25.18, -40.2

 

CMYK 0 / 40 / 41 / 24

HEX #C27472

RGB 194 116 114

HSL 1.5, 0.4%, 0.6%

LAB 57.25, 30.41, 14.29

 

CMYK 22 / 0 / 42 / 24

HEX #97C170

RGB 151 193 112

HSL 91.11, 0.4%, 0.6%

LAB 73.47, -28.11, 36.28

 

CMYK 42 / 1 / 0 / 24

HEX #70C0C1

RGB 112 192 193

HSL 180.74, 0.4%, 0.6%

LAB 72.89, -24.22, -8.2

 

CMYK 20 / 42 / 0 / 24

HEX #9A70C1

RGB 154 112 193

HSL 271.11, 0.4%, 0.6%

LAB 54.35, 32.38, -36.27

 

Description

Color code: CMYK 0 / 40 / 41 / 24 | qconv.com Color code: CMYK 0 / 40 / 41 / 24 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 116 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 116 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 41 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 41% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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