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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 39 / 46 / 7 it is the complementary color CMYK 86 / 13 / 0 / 50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 39 / 46 / 7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 39 / 46 / 7: CMYK 0 / 40 / 49 / 5, CMYK 0 / 36 / 44 / 0, CMYK 0 / 29 / 37 / 0, CMYK 0 / 22 / 29 / 0 and CMYK 0 / 15 / 22 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 39 / 46 / 7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 39 / 46 / 7: CMYK 0 / 39 / 46 / 7, CMYK 0 / 42 / 50 / 14, CMYK 0 / 46 / 56 / 20, CMYK 0 / 51 / 62 / 27 and CMYK 0 / 57 / 69 / 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 46 / 7

HEX #ED9180

RGB 237 145 128

HSL 9.36, 0.75%, 0.72%

LAB 69.34, 32.94, 23.81

 

Complementary color

CMYK 86 / 13 / 0 / 50

HEX #126E7F

RGB 18 110 127

HSL 189.36, 0.75%, 0.28%

LAB 42.48, -18.76, -16.61

 

CMYK 0 / 40 / 49 / 5

HEX #F2917B

RGB 242 145 123

HSL 11.09, 0.82%, 0.72%

LAB 69.87, 34.37, 27.37

 

CMYK 0 / 36 / 44 / 0

HEX #FFA38E

RGB 255 163 142

HSL 11.15, 1%, 0.78%

LAB 75.7, 31.77, 25.13

 

CMYK 0 / 29 / 37 / 0

HEX #FFB5A1

RGB 255 181 161

HSL 12.77, 1%, 0.82%

LAB 80.11, 24.42, 20.92

 

CMYK 0 / 22 / 29 / 0

HEX #FFC7B4

RGB 255 199 180

HSL 15.2, 1%, 0.85%

LAB 84.69, 17.31, 17.15

 

CMYK 0 / 15 / 22 / 0

HEX #FFD9C7

RGB 255 217 199

HSL 19.29, 1%, 0.89%

LAB 89.4, 10.52, 13.76

 

CMYK 0 / 39 / 46 / 7

HEX #ED9180

RGB 237 145 128

HSL 9.36, 0.75%, 0.72%

LAB 69.34, 32.94, 23.81

 

CMYK 0 / 42 / 50 / 14

HEX #DC7F6D

RGB 220 127 109

HSL 9.73, 0.61%, 0.65%

LAB 62.93, 34.07, 25.41

 

CMYK 0 / 46 / 56 / 20

HEX #CB6D5A

RGB 203 109 90

HSL 10.09, 0.52%, 0.57%

LAB 56.46, 35.31, 27.23

 

CMYK 0 / 51 / 62 / 27

HEX #BA5B47

RGB 186 91 71

HSL 10.43, 0.45%, 0.5%

LAB 49.95, 36.64, 29.3

 

CMYK 0 / 57 / 69 / 34

HEX #A94934

RGB 169 73 52

HSL 10.77, 0.53%, 0.43%

LAB 43.43, 38.04, 31.7

 

CMYK 0 / 39 / 46 / 7

HEX #ED9180

RGB 237 145 128

HSL 9.36, 0.75%, 0.72%

LAB 69.34, 32.94, 23.81

 

CMYK 0 / 31 / 45 / 7

HEX #EDA382

RGB 237 163 130

HSL 18.5, 0.75%, 0.72%

LAB 73.42, 23.63, 28.19

 

CMYK 0 / 24 / 45 / 7

HEX #EDB582

RGB 237 181 130

HSL 28.6, 0.75%, 0.72%

LAB 77.68, 14.08, 33.78

 

CMYK 0 / 16 / 45 / 7

HEX #EDC782

RGB 237 199 130

HSL 38.69, 0.75%, 0.72%

LAB 82.09, 4.63, 39.47

 

CMYK 0 / 8 / 45 / 7

HEX #EDD982

RGB 237 217 130

HSL 48.79, 0.75%, 0.72%

LAB 86.62, -4.63, 45.19

 

CMYK 0 / 39 / 46 / 7

HEX #ED9180

RGB 237 145 128

HSL 9.36, 0.75%, 0.72%

LAB 69.34, 32.94, 23.81

 

CMYK 0 / 39 / 45 / 87

HEX #211412

RGB 33 20 18

HSL 8, 0.29%, 0.1%

LAB 7.83, 6.33, 3.67

 

CMYK 0 / 39 / 46 / 67

HEX #54332D

RGB 84 51 45

HSL 9.23, 0.3%, 0.25%

LAB 25.08, 14.11, 10.02

 

CMYK 0 / 39 / 46 / 47

HEX #875349

RGB 135 83 73

HSL 9.68, 0.3%, 0.41%

LAB 40.93, 20.48, 14.97

 

CMYK 0 / 39 / 46 / 27

HEX #BA7264

RGB 186 114 100

HSL 9.77, 0.38%, 0.56%

LAB 55.48, 26.84, 19.79

 

CMYK 0 / 39 / 46 / 7

HEX #ED9180

RGB 237 145 128

HSL 9.36, 0.75%, 0.72%

LAB 69.34, 32.94, 23.81

 

CMYK 16 / 0 / 45 / 7

HEX #C7ED82

RGB 199 237 130

HSL 81.31, 0.75%, 0.72%

LAB 89.07, -29.13, 47.62

 

CMYK 45 / 34 / 0 / 7

HEX #829CED

RGB 130 156 237

HSL 225.42, 0.75%, 0.72%

LAB 65.47, 11.89, -43.62

 

CMYK 0 / 39 / 46 / 7

HEX #ED9180

RGB 237 145 128

HSL 9.36, 0.75%, 0.72%

LAB 69.34, 32.94, 23.81

 

CMYK 45 / 0 / 38 / 7

HEX #82ED92

RGB 130 237 146

HSL 128.97, 0.75%, 0.72%

LAB 85.7, -49.6, 34.72

 

CMYK 38 / 45 / 0 / 7

HEX #9282ED

RGB 146 130 237

HSL 248.97, 0.75%, 0.72%

LAB 60.06, 30.95, -52.08

 

CMYK 0 / 39 / 46 / 7

HEX #ED9180

RGB 237 145 128

HSL 9.36, 0.75%, 0.72%

LAB 69.34, 32.94, 23.81

 

CMYK 16 / 0 / 45 / 7

HEX #C7ED82

RGB 199 237 130

HSL 81.31, 0.75%, 0.72%

LAB 89.07, -29.13, 47.62

 

CMYK 45 / 7 / 0 / 7

HEX #82DDED

RGB 130 221 237

HSL 188.97, 0.75%, 0.72%

LAB 83.22, -23.1, -16.32

 

CMYK 30 / 45 / 0 / 7

HEX #A782ED

RGB 167 130 237

HSL 260.75, 0.75%, 0.72%

LAB 61.91, 36.38, -49.03

 

CMYK 0 / 39 / 46 / 7

HEX #ED9180

RGB 237 145 128

HSL 9.36, 0.75%, 0.72%

LAB 69.34, 32.94, 23.81

 

CMYK 30 / 0 / 45 / 7

HEX #A7ED82

RGB 167 237 130

HSL 99.25, 0.75%, 0.72%

LAB 87.19, -40.49, 44.86

 

CMYK 45 / 7 / 0 / 7

HEX #82DDED

RGB 130 221 237

HSL 188.97, 0.75%, 0.72%

LAB 83.22, -23.1, -16.32

 

CMYK 16 / 45 / 0 / 7

HEX #C782ED

RGB 199 130 237

HSL 278.69, 0.75%, 0.72%

LAB 65.14, 45.15, -43.72

 

Description

Color code: CMYK 0 / 39 / 46 / 7 | qconv.com Color code: CMYK 0 / 39 / 46 / 7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 145 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 145 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 46 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 46% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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