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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 39 / 45 / 32 it is the complementary color CMYK 49 / 7 / 0 / 37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 39 / 45 / 32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 39 / 45 / 32: CMYK 0 / 40 / 49 / 30, CMYK 0 / 36 / 44 / 24, CMYK 0 / 33 / 40 / 17, CMYK 0 / 30 / 36 / 10 and CMYK 0 / 28 / 33 / 4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 39 / 45 / 32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 39 / 45 / 32: CMYK 0 / 39 / 45 / 32, CMYK 0 / 44 / 51 / 39, CMYK 0 / 50 / 59 / 45, CMYK 0 / 57 / 69 / 52 and CMYK 0 / 68 / 82 / 59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 45 / 32

HEX #AD6A5F

RGB 173 106 95

HSL 8.46, 0.32%, 0.53%

LAB 51.86, 25.51, 17.51

 

Complementary color

CMYK 49 / 7 / 0 / 37

HEX #5295A0

RGB 82 149 160

HSL 188.46, 0.32%, 0.47%

LAB 57.87, -18.21, -12.4

 

CMYK 0 / 40 / 49 / 30

HEX #B26A5A

RGB 178 106 90

HSL 10.91, 0.36%, 0.53%

LAB 52.41, 27.02, 21.28

 

CMYK 0 / 36 / 44 / 24

HEX #C37C6D

RGB 195 124 109

HSL 10.47, 0.42%, 0.6%

LAB 59.09, 25.89, 19.71

 

CMYK 0 / 33 / 40 / 17

HEX #D48E80

RGB 212 142 128

HSL 10, 0.49%, 0.67%

LAB 65.67, 24.9, 18.33

 

CMYK 0 / 30 / 36 / 10

HEX #E5A093

RGB 229 160 147

HSL 9.51, 0.61%, 0.74%

LAB 72.17, 24.01, 17.08

 

CMYK 0 / 28 / 33 / 4

HEX #F6B2A6

RGB 246 178 166

HSL 9, 0.82%, 0.81%

LAB 78.57, 23.21, 15.94

 

CMYK 0 / 39 / 45 / 32

HEX #AD6A5F

RGB 173 106 95

HSL 8.46, 0.32%, 0.53%

LAB 51.86, 25.51, 17.51

 

CMYK 0 / 44 / 51 / 39

HEX #9C584C

RGB 156 88 76

HSL 9, 0.34%, 0.45%

LAB 45.04, 26.69, 19.18

 

CMYK 0 / 50 / 59 / 45

HEX #8B4639

RGB 139 70 57

HSL 9.51, 0.42%, 0.38%

LAB 38.14, 28.02, 21.16

 

CMYK 0 / 57 / 69 / 52

HEX #7A3426

RGB 122 52 38

HSL 10, 0.53%, 0.31%

LAB 31.19, 29.47, 23.57

 

CMYK 0 / 68 / 82 / 59

HEX #692213

RGB 105 34 19

HSL 10.47, 0.69%, 0.24%

LAB 24.3, 30.91, 26.49

 

CMYK 0 / 39 / 45 / 32

HEX #AD6A5F

RGB 173 106 95

HSL 8.46, 0.32%, 0.53%

LAB 51.86, 25.51, 17.51

 

CMYK 0 / 31 / 45 / 32

HEX #AD7760

RGB 173 119 96

HSL 17.92, 0.32%, 0.53%

LAB 54.99, 18.33, 21.16

 

CMYK 0 / 24 / 45 / 32

HEX #AD8460

RGB 173 132 96

HSL 28.05, 0.32%, 0.53%

LAB 58.26, 11.02, 25.49

 

CMYK 0 / 16 / 45 / 32

HEX #AD9160

RGB 173 145 96

HSL 38.18, 0.32%, 0.53%

LAB 61.64, 3.78, 29.88

 

CMYK 0 / 9 / 45 / 32

HEX #AD9E60

RGB 173 158 96

HSL 48.31, 0.32%, 0.53%

LAB 65.11, -3.32, 34.3

 

CMYK 0 / 39 / 45 / 32

HEX #AD6A5F

RGB 173 106 95

HSL 8.46, 0.32%, 0.53%

LAB 51.86, 25.51, 17.51

 

CMYK 0 / 39 / 45 / 12

HEX #E0897B

RGB 224 137 123

HSL 8.32, 0.62%, 0.68%

LAB 65.88, 31.68, 21.64

 

CMYK 0 / 40 / 45 / 92

HEX #140C0B

RGB 20 12 11

HSL 6.67, 0.29%, 0.06%

LAB 3.94, 2.71, 1.42

 

CMYK 0 / 38 / 45 / 72

HEX #472C27

RGB 71 44 39

HSL 9.37, 0.29%, 0.22%

LAB 21.16, 11.77, 8.38

 

CMYK 0 / 39 / 45 / 52

HEX #7A4B43

RGB 122 75 67

HSL 8.73, 0.29%, 0.37%

LAB 37.07, 18.95, 13.13

 

CMYK 0 / 39 / 45 / 32

HEX #AD6A5F

RGB 173 106 95

HSL 8.46, 0.32%, 0.53%

LAB 51.86, 25.51, 17.51

 

CMYK 15 / 0 / 45 / 32

HEX #93AD60

RGB 147 173 96

HSL 80.26, 0.32%, 0.53%

LAB 67.23, -21.8, 36.52

 

CMYK 45 / 32 / 0 / 32

HEX #6075AD

RGB 96 117 173

HSL 223.64, 0.32%, 0.53%

LAB 49.77, 7.46, -32.27

 

CMYK 0 / 39 / 45 / 32

HEX #AD6A5F

RGB 173 106 95

HSL 8.46, 0.32%, 0.53%

LAB 51.86, 25.51, 17.51

 

CMYK 45 / 0 / 38 / 32

HEX #60AD6B

RGB 96 173 107

HSL 128.57, 0.32%, 0.53%

LAB 64.51, -38.09, 26.7

 

CMYK 38 / 45 / 0 / 32

HEX #6B60AD

RGB 107 96 173

HSL 248.57, 0.32%, 0.53%

LAB 44.95, 23.27, -39.8

 

CMYK 0 / 39 / 45 / 32

HEX #AD6A5F

RGB 173 106 95

HSL 8.46, 0.32%, 0.53%

LAB 51.86, 25.51, 17.51

 

CMYK 15 / 0 / 45 / 32

HEX #93AD60

RGB 147 173 96

HSL 80.26, 0.32%, 0.53%

LAB 67.23, -21.8, 36.52

 

CMYK 45 / 6 / 0 / 32

HEX #60A3AD

RGB 96 163 173

HSL 187.79, 0.32%, 0.53%

LAB 63.09, -18.59, -11.84

 

CMYK 29 / 45 / 0 / 32

HEX #7A60AD

RGB 122 96 173

HSL 260.26, 0.32%, 0.53%

LAB 46.34, 27.46, -37.52

 

CMYK 0 / 39 / 45 / 32

HEX #AD6A5F

RGB 173 106 95

HSL 8.46, 0.32%, 0.53%

LAB 51.86, 25.51, 17.51

 

CMYK 28 / 0 / 45 / 32

HEX #7CAD60

RGB 124 173 96

HSL 98.18, 0.32%, 0.53%

LAB 65.76, -30.5, 34.37

 

CMYK 45 / 6 / 0 / 32

HEX #60A3AD

RGB 96 163 173

HSL 187.79, 0.32%, 0.53%

LAB 63.09, -18.59, -11.84

 

CMYK 16 / 45 / 0 / 32

HEX #9160AD

RGB 145 96 173

HSL 278.18, 0.32%, 0.53%

LAB 48.76, 34.23, -33.53

 

Description

Color code: CMYK 0 / 39 / 45 / 32 | qconv.com Color code: CMYK 0 / 39 / 45 / 32 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 106 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 106 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 45 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 45% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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