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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 38 / 11 / 24 it is the complementary color CMYK 55 / 0 / 39 / 47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 38 / 11 / 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 38 / 11 / 24: CMYK 0 / 40 / 16 / 22, CMYK 0 / 36 / 14 / 15, CMYK 0 / 33 / 12 / 9, CMYK 0 / 30 / 10 / 2 and CMYK 0 / 25 / 5 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 38 / 11 / 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 38 / 11 / 24: CMYK 0 / 38 / 11 / 24, CMYK 0 / 42 / 14 / 31, CMYK 0 / 48 / 16 / 37, CMYK 0 / 54 / 20 / 44 and CMYK 0 / 62 / 24 / 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 11 / 24

HEX #C278AC

RGB 194 120 172

HSL 317.84, 0.38%, 0.62%

LAB 59.78, 36.49, -15.5

 

Complementary color

CMYK 55 / 0 / 39 / 47

HEX #3D8753

RGB 61 135 83

HSL 137.84, 0.38%, 0.38%

LAB 50.62, -35.29, 21.16

 

CMYK 0 / 40 / 16 / 22

HEX #C778A7

RGB 199 120 167

HSL 324.3, 0.41%, 0.63%

LAB 60.22, 37.36, -11.92

 

CMYK 0 / 36 / 14 / 15

HEX #D88ABA

RGB 216 138 186

HSL 323.08, 0.5%, 0.69%

LAB 66.76, 36.59, -12.65

 

CMYK 0 / 33 / 12 / 9

HEX #E99CCD

RGB 233 156 205

HSL 321.82, 0.64%, 0.76%

LAB 73.23, 35.85, -13.32

 

CMYK 0 / 30 / 10 / 2

HEX #FAAEE0

RGB 250 174 224

HSL 320.53, 0.88%, 0.83%

LAB 79.6, 35.15, -13.93

 

CMYK 0 / 25 / 5 / 0

HEX #FFC0F3

RGB 255 192 243

HSL 311.43, 1%, 0.88%

LAB 84.71, 30.55, -16.4

 

CMYK 0 / 38 / 11 / 24

HEX #C278AC

RGB 194 120 172

HSL 317.84, 0.38%, 0.62%

LAB 59.78, 36.49, -15.5

 

CMYK 0 / 42 / 14 / 31

HEX #B16699

RGB 177 102 153

HSL 319.2, 0.32%, 0.55%

LAB 53.11, 37.28, -14.79

 

CMYK 0 / 48 / 16 / 37

HEX #A05486

RGB 160 84 134

HSL 320.53, 0.31%, 0.48%

LAB 46.36, 38.07, -13.96

 

CMYK 0 / 54 / 20 / 44

HEX #8F4273

RGB 143 66 115

HSL 321.82, 0.37%, 0.41%

LAB 39.54, 38.81, -12.94

 

CMYK 0 / 62 / 24 / 51

HEX #7E3060

RGB 126 48 96

HSL 323.08, 0.45%, 0.34%

LAB 32.69, 39.38, -11.61

 

CMYK 0 / 38 / 11 / 24

HEX #C278AC

RGB 194 120 172

HSL 317.84, 0.38%, 0.62%

LAB 59.78, 36.49, -15.5

 

CMYK 0 / 38 / 17 / 24

HEX #C279A1

RGB 194 121 161

HSL 327.12, 0.37%, 0.62%

LAB 59.63, 34.14, -9.41

 

CMYK 0 / 38 / 23 / 24

HEX #C27995

RGB 194 121 149

HSL 336.99, 0.37%, 0.62%

LAB 59.26, 32.29, -3.05

 

CMYK 0 / 38 / 29 / 24

HEX #C27989

RGB 194 121 137

HSL 346.85, 0.37%, 0.62%

LAB 58.93, 30.58, 3.38

 

CMYK 0 / 38 / 36 / 24

HEX #C2797C

RGB 194 121 124

HSL 357.53, 0.37%, 0.62%

LAB 58.6, 28.88, 10.42

 

CMYK 0 / 38 / 11 / 24

HEX #C278AC

RGB 194 120 172

HSL 317.84, 0.38%, 0.62%

LAB 59.78, 36.49, -15.5

 

CMYK 0 / 38 / 11 / 4

HEX #F598D9

RGB 245 152 217

HSL 318.06, 0.82%, 0.78%

LAB 74.11, 43.83, -18.44

 

CMYK 0 / 39 / 12 / 84

HEX #291924

RGB 41 25 36

HSL 318.75, 0.24%, 0.13%

LAB 11.23, 10.23, -4.33

 

CMYK 0 / 38 / 11 / 64

HEX #5C3952

RGB 92 57 82

HSL 317.14, 0.23%, 0.29%

LAB 28.93, 19.84, -8.72

 

CMYK 0 / 38 / 11 / 44

HEX #8F587F

RGB 143 88 127

HSL 317.45, 0.24%, 0.45%

LAB 44.73, 28.76, -12.41

 

CMYK 0 / 38 / 11 / 24

HEX #C278AC

RGB 194 120 172

HSL 317.84, 0.38%, 0.62%

LAB 59.78, 36.49, -15.5

 

CMYK 0 / 20 / 38 / 24

HEX #C29C79

RGB 194 156 121

HSL 28.77, 0.37%, 0.62%

LAB 67, 9.26, 23.68

 

CMYK 38 / 0 / 4 / 24

HEX #79C2BA

RGB 121 194 186

HSL 173.42, 0.37%, 0.62%

LAB 73.67, -24.62, -3.19

 

CMYK 0 / 38 / 11 / 24

HEX #C278AC

RGB 194 120 172

HSL 317.84, 0.38%, 0.62%

LAB 59.78, 36.49, -15.5

 

CMYK 10 / 0 / 38 / 24

HEX #AEC279

RGB 174 194 121

HSL 76.44, 0.37%, 0.62%

LAB 75.43, -18.77, 34.48

 

CMYK 38 / 10 / 0 / 24

HEX #79AEC2

RGB 121 174 194

HSL 196.44, 0.37%, 0.62%

LAB 68.19, -12.33, -15.74

 

CMYK 0 / 38 / 11 / 24

HEX #C278AC

RGB 194 120 172

HSL 317.84, 0.38%, 0.62%

LAB 59.78, 36.49, -15.5

 

CMYK 0 / 20 / 38 / 24

HEX #C29C79

RGB 194 156 121

HSL 28.77, 0.37%, 0.62%

LAB 67, 9.26, 23.68

 

CMYK 38 / 0 / 27 / 24

HEX #79C28E

RGB 121 194 142

HSL 137.26, 0.37%, 0.62%

LAB 72.63, -33.97, 19.13

 

CMYK 38 / 18 / 0 / 24

HEX #799FC2

RGB 121 159 194

HSL 208.77, 0.37%, 0.62%

LAB 63.96, -4.16, -22.16

 

CMYK 0 / 38 / 11 / 24

HEX #C278AC

RGB 194 120 172

HSL 317.84, 0.38%, 0.62%

LAB 59.78, 36.49, -15.5

 

CMYK 0 / 8 / 38 / 24

HEX #C2B279

RGB 194 178 121

HSL 46.85, 0.37%, 0.62%

LAB 72.69, -2.59, 31.23

 

CMYK 38 / 0 / 27 / 24

HEX #79C28E

RGB 121 194 142

HSL 137.26, 0.37%, 0.62%

LAB 72.63, -33.97, 19.13

 

CMYK 38 / 29 / 0 / 24

HEX #7989C2

RGB 121 137 194

HSL 226.85, 0.37%, 0.62%

LAB 57.9, 8.41, -31.52

 

Description

Color code: CMYK 0 / 38 / 11 / 24 | qconv.com Color code: CMYK 0 / 38 / 11 / 24 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 120 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 120 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 11 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 11% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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