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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 36 / 58 / 10 it is the complementary color CMYK 84 / 32 / 0 / 38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 36 / 58 / 10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 36 / 58 / 10: CMYK 0 / 37 / 61 / 8, CMYK 0 / 35 / 56 / 1, CMYK 0 / 28 / 49 / 0, CMYK 0 / 21 / 42 / 0 and CMYK 0 / 14 / 35 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 36 / 58 / 10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 36 / 58 / 10: CMYK 0 / 36 / 58 / 10, CMYK 0 / 39 / 64 / 16, CMYK 0 / 43 / 70 / 23, CMYK 0 / 48 / 78 / 30 and CMYK 0 / 54 / 88 / 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 58 / 10

HEX #E69360

RGB 230 147 96

HSL 22.84, 0.73%, 0.64%

LAB 68.41, 26.36, 39.73

 

Complementary color

CMYK 84 / 32 / 0 / 38

HEX #196C9F

RGB 25 108 159

HSL 202.84, 0.73%, 0.36%

LAB 43.41, -5.1, -34.26

 

CMYK 0 / 37 / 61 / 8

HEX #EB935B

RGB 235 147 91

HSL 23.33, 0.78%, 0.64%

LAB 68.96, 28.02, 43.13

 

CMYK 0 / 35 / 56 / 1

HEX #FCA56E

RGB 252 165 110

HSL 23.24, 0.96%, 0.71%

LAB 75.28, 26.73, 41.5

 

CMYK 0 / 28 / 49 / 0

HEX #FFB781

RGB 255 183 129

HSL 25.71, 1%, 0.75%

LAB 80.02, 20.08, 37.7

 

CMYK 0 / 21 / 42 / 0

HEX #FFC994

RGB 255 201 148

HSL 29.72, 1%, 0.79%

LAB 84.57, 12.53, 33.78

 

CMYK 0 / 14 / 35 / 0

HEX #FFDBA7

RGB 255 219 167

HSL 35.45, 1%, 0.83%

LAB 89.26, 5.33, 30.22

 

CMYK 0 / 36 / 58 / 10

HEX #E69360

RGB 230 147 96

HSL 22.84, 0.73%, 0.64%

LAB 68.41, 26.36, 39.73

 

CMYK 0 / 39 / 64 / 16

HEX #D5814D

RGB 213 129 77

HSL 22.94, 0.62%, 0.57%

LAB 61.98, 27.73, 41.43

 

CMYK 0 / 43 / 70 / 23

HEX #C46F3A

RGB 196 111 58

HSL 23.04, 0.54%, 0.5%

LAB 55.49, 29.27, 43.21

 

CMYK 0 / 48 / 78 / 30

HEX #B35D27

RGB 179 93 39

HSL 23.14, 0.64%, 0.43%

LAB 48.96, 31.01, 44.94

 

CMYK 0 / 54 / 88 / 36

HEX #A24B14

RGB 162 75 20

HSL 23.24, 0.78%, 0.36%

LAB 42.41, 32.93, 46.22

 

CMYK 0 / 36 / 58 / 10

HEX #E69360

RGB 230 147 96

HSL 22.84, 0.73%, 0.64%

LAB 68.41, 26.36, 39.73

 

CMYK 0 / 27 / 58 / 10

HEX #E6A760

RGB 230 167 96

HSL 31.79, 0.73%, 0.64%

LAB 73.09, 15.71, 45.38

 

CMYK 0 / 17 / 58 / 10

HEX #E6BE60

RGB 230 190 96

HSL 42.09, 0.73%, 0.64%

LAB 78.75, 3.55, 52.03

 

CMYK 0 / 8 / 58 / 10

HEX #E6D460

RGB 230 212 96

HSL 51.94, 0.73%, 0.64%

LAB 84.36, -7.77, 58.41

 

CMYK 2 / 0 / 58 / 10

HEX #E1E660

RGB 225 230 96

HSL 62.24, 0.73%, 0.64%

LAB 88.66, -18.75, 63.08

 

CMYK 0 / 36 / 58 / 10

HEX #E69360

RGB 230 147 96

HSL 22.84, 0.73%, 0.64%

LAB 68.41, 26.36, 39.73

 

CMYK 0 / 35 / 58 / 90

HEX #1A110B

RGB 26 17 11

HSL 24, 0.41%, 0.07%

LAB 5.82, 3.04, 4.25

 

CMYK 0 / 36 / 58 / 70

HEX #4D3120

RGB 77 49 32

HSL 22.67, 0.41%, 0.21%

LAB 23.27, 10.55, 15.99

 

CMYK 0 / 36 / 59 / 50

HEX #805235

RGB 128 82 53

HSL 23.2, 0.41%, 0.35%

LAB 39.38, 15.99, 24.8

 

CMYK 0 / 36 / 58 / 30

HEX #B3724B

RGB 179 114 75

HSL 22.5, 0.41%, 0.5%

LAB 54.16, 21.65, 32.06

 

CMYK 0 / 36 / 58 / 10

HEX #E69360

RGB 230 147 96

HSL 22.84, 0.73%, 0.64%

LAB 68.41, 26.36, 39.73

 

CMYK 33 / 0 / 58 / 10

HEX #9AE660

RGB 154 230 96

HSL 94.03, 0.73%, 0.64%

LAB 84.13, -45.57, 56.76

 

CMYK 58 / 57 / 0 / 10

HEX #6064E6

RGB 96 100 230

HSL 238.21, 0.73%, 0.64%

LAB 48.65, 35.87, -66.68

 

CMYK 0 / 36 / 58 / 10

HEX #E69360

RGB 230 147 96

HSL 22.84, 0.73%, 0.64%

LAB 68.41, 26.36, 39.73

 

CMYK 58 / 0 / 37 / 10

HEX #60E691

RGB 96 230 145

HSL 141.94, 0.73%, 0.64%

LAB 82.45, -55.25, 30.71

 

CMYK 37 / 58 / 0 / 10

HEX #9160E6

RGB 145 96 230

HSL 261.94, 0.73%, 0.64%

LAB 51.95, 48.09, -61.15

 

CMYK 0 / 36 / 58 / 10

HEX #E69360

RGB 230 147 96

HSL 22.84, 0.73%, 0.64%

LAB 68.41, 26.36, 39.73

 

CMYK 33 / 0 / 58 / 10

HEX #9AE660

RGB 154 230 96

HSL 94.03, 0.73%, 0.64%

LAB 84.13, -45.57, 56.76

 

CMYK 58 / 21 / 0 / 10

HEX #60B5E6

RGB 96 181 230

HSL 201.94, 0.73%, 0.64%

LAB 70.35, -11.67, -32.3

 

CMYK 25 / 58 / 0 / 10

HEX #AC60E6

RGB 172 96 230

HSL 274.03, 0.73%, 0.64%

LAB 54.92, 54.33, -56.23

 

CMYK 0 / 36 / 58 / 10

HEX #E69360

RGB 230 147 96

HSL 22.84, 0.73%, 0.64%

LAB 68.41, 26.36, 39.73

 

CMYK 50 / 0 / 58 / 10

HEX #72E660

RGB 114 230 96

HSL 111.94, 0.73%, 0.64%

LAB 82.39, -57.86, 54.31

 

CMYK 58 / 21 / 0 / 10

HEX #60B5E6

RGB 96 181 230

HSL 201.94, 0.73%, 0.64%

LAB 70.35, -11.67, -32.3

 

CMYK 8 / 58 / 0 / 10

HEX #D460E6

RGB 212 96 230

HSL 291.94, 0.73%, 0.64%

LAB 59.96, 64.07, -47.9

 

Description

Color code: CMYK 0 / 36 / 58 / 10 | qconv.com Color code: CMYK 0 / 36 / 58 / 10 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 147 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 147 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 58 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 58% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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