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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 36 / 32 / 10 it is the complementary color CMYK 77 / 0 / 8 / 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 36 / 32 / 10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 36 / 32 / 10: CMYK 0 / 37 / 36 / 8, CMYK 0 / 35 / 33 / 1, CMYK 0 / 28 / 26 / 0, CMYK 0 / 21 / 18 / 0 and CMYK 0 / 14 / 11 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 36 / 32 / 10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 36 / 32 / 10: CMYK 0 / 36 / 32 / 10, CMYK 0 / 39 / 36 / 16, CMYK 0 / 43 / 40 / 23, CMYK 0 / 48 / 45 / 30 and CMYK 0 / 54 / 51 / 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 32 / 10

HEX #E6939C

RGB 230 147 156

HSL 353.49, 0.62%, 0.74%

LAB 69.53, 32.42, 8.41

 

Complementary color

CMYK 77 / 0 / 8 / 58

HEX #196C63

RGB 25 108 99

HSL 173.49, 0.62%, 0.26%

LAB 40.95, -26.2, -1.95

 

CMYK 0 / 37 / 36 / 8

HEX #EB9397

RGB 235 147 151

HSL 357.27, 0.69%, 0.75%

LAB 70.01, 33.65, 11.95

 

CMYK 0 / 35 / 33 / 1

HEX #FCA5AA

RGB 252 165 170

HSL 356.55, 0.94%, 0.82%

LAB 76.38, 32.76, 10.77

 

CMYK 0 / 28 / 26 / 0

HEX #FFB7BD

RGB 255 183 189

HSL 355, 1%, 0.86%

LAB 81.18, 26.89, 7.37

 

CMYK 0 / 21 / 18 / 0

HEX #FFC9D0

RGB 255 201 208

HSL 352.22, 1%, 0.89%

LAB 85.8, 20.17, 3.86

 

CMYK 0 / 14 / 11 / 0

HEX #FFDBE3

RGB 255 219 227

HSL 346.67, 1%, 0.93%

LAB 90.54, 13.73, 0.7

 

CMYK 0 / 36 / 32 / 10

HEX #E6939C

RGB 230 147 156

HSL 353.49, 0.62%, 0.74%

LAB 69.53, 32.42, 8.41

 

CMYK 0 / 39 / 36 / 16

HEX #D58189

RGB 213 129 137

HSL 354.29, 0.5%, 0.67%

LAB 63.05, 33.33, 9.61

 

CMYK 0 / 43 / 40 / 23

HEX #C46F76

RGB 196 111 118

HSL 355.06, 0.42%, 0.6%

LAB 56.5, 34.32, 10.97

 

CMYK 0 / 48 / 45 / 30

HEX #B35D63

RGB 179 93 99

HSL 355.81, 0.36%, 0.53%

LAB 49.87, 35.38, 12.55

 

CMYK 0 / 54 / 51 / 36

HEX #A24B50

RGB 162 75 80

HSL 356.55, 0.37%, 0.46%

LAB 43.2, 36.48, 14.43

 

CMYK 0 / 36 / 32 / 10

HEX #E6939C

RGB 230 147 156

HSL 353.49, 0.62%, 0.74%

LAB 69.53, 32.42, 8.41

 

CMYK 0 / 34 / 36 / 10

HEX #E59793

RGB 229 151 147

HSL 2.93, 0.61%, 0.74%

LAB 70.1, 28.81, 14.2

 

CMYK 0 / 28 / 36 / 10

HEX #E5A593

RGB 229 165 147

HSL 13.17, 0.61%, 0.74%

LAB 73.33, 21.33, 18.7

 

CMYK 0 / 22 / 36 / 10

HEX #E5B393

RGB 229 179 147

HSL 23.41, 0.61%, 0.74%

LAB 76.68, 13.86, 23.29

 

CMYK 0 / 16 / 36 / 10

HEX #E5C093

RGB 229 192 147

HSL 32.93, 0.61%, 0.74%

LAB 79.88, 6.97, 27.62

 

CMYK 0 / 36 / 32 / 10

HEX #E6939C

RGB 230 147 156

HSL 353.49, 0.62%, 0.74%

LAB 69.53, 32.42, 8.41

 

CMYK 0 / 35 / 31 / 90

HEX #1A1112

RGB 26 17 18

HSL 353.33, 0.21%, 0.08%

LAB 6, 4.27, 0.88

 

CMYK 0 / 36 / 32 / 70

HEX #4D3134

RGB 77 49 52

HSL 353.57, 0.22%, 0.25%

LAB 23.75, 13.23, 3.32

 

CMYK 0 / 36 / 32 / 50

HEX #805257

RGB 128 82 87

HSL 353.48, 0.22%, 0.41%

LAB 40.1, 19.96, 5.07

 

CMYK 0 / 36 / 32 / 30

HEX #B37279

RGB 179 114 121

HSL 353.54, 0.3%, 0.57%

LAB 55.07, 26.58, 6.89

 

CMYK 0 / 36 / 32 / 10

HEX #E6939C

RGB 230 147 156

HSL 353.49, 0.62%, 0.74%

LAB 69.53, 32.42, 8.41

 

CMYK 3 / 0 / 36 / 10

HEX #DEE593

RGB 222 229 147

HSL 65.12, 0.61%, 0.74%

LAB 88.77, -14.69, 39.23

 

CMYK 36 / 17 / 0 / 10

HEX #93BEE5

RGB 147 190 229

HSL 208.54, 0.61%, 0.74%

LAB 75.26, -4.84, -24.01

 

CMYK 0 / 36 / 32 / 10

HEX #E6939C

RGB 230 147 156

HSL 353.49, 0.62%, 0.74%

LAB 69.53, 32.42, 8.41

 

CMYK 31 / 0 / 36 / 10

HEX #9DE593

RGB 157 229 147

HSL 112.68, 0.61%, 0.74%

LAB 84.64, -37.89, 33.06

 

CMYK 36 / 31 / 0 / 10

HEX #939DE5

RGB 147 157 229

HSL 232.68, 0.61%, 0.74%

LAB 66.5, 13.49, -37.52

 

CMYK 0 / 36 / 32 / 10

HEX #E6939C

RGB 230 147 156

HSL 353.49, 0.62%, 0.74%

LAB 69.53, 32.42, 8.41

 

CMYK 3 / 0 / 36 / 10

HEX #DEE593

RGB 222 229 147

HSL 65.12, 0.61%, 0.74%

LAB 88.77, -14.69, 39.23

 

CMYK 36 / 0 / 4 / 10

HEX #93E5DC

RGB 147 229 220

HSL 173.41, 0.61%, 0.74%

LAB 85.71, -26.94, -3.54

 

CMYK 33 / 36 / 0 / 10

HEX #9A93E5

RGB 154 147 229

HSL 245.12, 0.61%, 0.74%

LAB 64.48, 21.14, -40.64

 

CMYK 0 / 36 / 32 / 10

HEX #E6939C

RGB 230 147 156

HSL 353.49, 0.62%, 0.74%

LAB 69.53, 32.42, 8.41

 

CMYK 14 / 0 / 36 / 10

HEX #C6E593

RGB 198 229 147

HSL 82.68, 0.61%, 0.74%

LAB 87.07, -23.68, 36.7

 

CMYK 36 / 0 / 4 / 10

HEX #93E5DC

RGB 147 229 220

HSL 173.41, 0.61%, 0.74%

LAB 85.71, -26.94, -3.54

 

CMYK 22 / 36 / 0 / 10

HEX #B393E5

RGB 179 147 229

HSL 263.41, 0.61%, 0.74%

LAB 66.6, 28.29, -37.16

 

Description

Color code: CMYK 0 / 36 / 32 / 10 | qconv.com Color code: CMYK 0 / 36 / 32 / 10 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 147 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 147 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 32 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 32% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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