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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 36 / 24 / 11 it is the complementary color CMYK 75 / 0 / 25 / 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 36 / 24 / 11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 36 / 24 / 11: CMYK 0 / 38 / 28 / 9, CMYK 0 / 35 / 25 / 2, CMYK 0 / 29 / 20 / 0, CMYK 0 / 22 / 12 / 0 and CMYK 0 / 15 / 5 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 36 / 24 / 11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 36 / 24 / 11: CMYK 0 / 36 / 24 / 11, CMYK 0 / 40 / 27 / 18, CMYK 0 / 44 / 31 / 24, CMYK 0 / 48 / 35 / 31 and CMYK 0 / 54 / 40 / 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 24 / 11

HEX #E391AC

RGB 227 145 172

HSL 340.24, 0.59%, 0.73%

LAB 69.16, 34.55, -1.12

 

Complementary color

CMYK 75 / 0 / 25 / 57

HEX #1C6E53

RGB 28 110 83

HSL 160.24, 0.59%, 0.27%

LAB 41.25, -31.22, 8.17

 

CMYK 0 / 38 / 28 / 9

HEX #E891A7

RGB 232 145 167

HSL 344.83, 0.65%, 0.74%

LAB 69.61, 35.64, 2.4

 

CMYK 0 / 35 / 25 / 2

HEX #F9A3BA

RGB 249 163 186

HSL 343.95, 0.88%, 0.81%

LAB 76, 34.82, 1.42

 

CMYK 0 / 29 / 20 / 0

HEX #FFB5CD

RGB 255 181 205

HSL 340.54, 1%, 0.85%

LAB 81.13, 30.22, -1.33

 

CMYK 0 / 22 / 12 / 0

HEX #FFC7E0

RGB 255 199 224

HSL 333.21, 1%, 0.89%

LAB 85.75, 23.7, -4.73

 

CMYK 0 / 15 / 5 / 0

HEX #FFD9F3

RGB 255 217 243

HSL 318.95, 1%, 0.93%

LAB 90.49, 17.44, -7.78

 

CMYK 0 / 36 / 24 / 11

HEX #E391AC

RGB 227 145 172

HSL 340.24, 0.59%, 0.73%

LAB 69.16, 34.55, -1.12

 

CMYK 0 / 40 / 27 / 18

HEX #D27F99

RGB 210 127 153

HSL 341.2, 0.48%, 0.66%

LAB 62.66, 35.39, -0.13

 

CMYK 0 / 44 / 31 / 24

HEX #C16D86

RGB 193 109 134

HSL 342.14, 0.4%, 0.59%

LAB 56.08, 36.27, 0.98

 

CMYK 0 / 48 / 35 / 31

HEX #B05B73

RGB 176 91 115

HSL 343.06, 0.35%, 0.52%

LAB 49.44, 37.2, 2.29

 

CMYK 0 / 54 / 40 / 38

HEX #9F4960

RGB 159 73 96

HSL 343.95, 0.37%, 0.45%

LAB 42.73, 38.12, 3.85

 

CMYK 0 / 36 / 24 / 11

HEX #E391AC

RGB 227 145 172

HSL 340.24, 0.59%, 0.73%

LAB 69.16, 34.55, -1.12

 

CMYK 0 / 36 / 30 / 11

HEX #E2919F

RGB 226 145 159

HSL 349.63, 0.58%, 0.73%

LAB 68.7, 32.41, 5.47

 

CMYK 0 / 36 / 36 / 11

HEX #E29191

RGB 226 145 145

HSL 0, 0.58%, 0.73%

LAB 68.36, 30.64, 12.82

 

CMYK 0 / 30 / 36 / 11

HEX #E29F91

RGB 226 159 145

HSL 10.37, 0.58%, 0.73%

LAB 71.56, 23.15, 17.29

 

CMYK 0 / 24 / 36 / 11

HEX #E2AC91

RGB 226 172 145

HSL 20, 0.58%, 0.73%

LAB 74.65, 16.18, 21.54

 

CMYK 0 / 36 / 24 / 11

HEX #E391AC

RGB 227 145 172

HSL 340.24, 0.59%, 0.73%

LAB 69.16, 34.55, -1.12

 

CMYK 0 / 35 / 26 / 91

HEX #170F11

RGB 23 15 17

HSL 345, 0.21%, 0.07%

LAB 5.1, 3.65, 0.12

 

CMYK 0 / 36 / 24 / 71

HEX #4A2F38

RGB 74 47 56

HSL 340, 0.22%, 0.24%

LAB 22.91, 13.89, -0.65

 

CMYK 0 / 36 / 24 / 51

HEX #7D505F

RGB 125 80 95

HSL 340, 0.22%, 0.4%

LAB 39.45, 21.16, -0.89

 

CMYK 0 / 36 / 24 / 31

HEX #B07085

RGB 176 112 133

HSL 340.31, 0.29%, 0.56%

LAB 54.57, 28.26, -0.91

 

CMYK 0 / 36 / 24 / 11

HEX #E391AC

RGB 227 145 172

HSL 340.24, 0.59%, 0.73%

LAB 69.16, 34.55, -1.12

 

CMYK 0 / 5 / 36 / 11

HEX #E2D791

RGB 226 215 145

HSL 51.85, 0.58%, 0.73%

LAB 85.41, -6.35, 35.93

 

CMYK 36 / 9 / 0 / 11

HEX #91CDE2

RGB 145 205 226

HSL 195.56, 0.58%, 0.73%

LAB 79.14, -14.04, -16.52

 

CMYK 0 / 36 / 24 / 11

HEX #E391AC

RGB 227 145 172

HSL 340.24, 0.59%, 0.73%

LAB 69.16, 34.55, -1.12

 

CMYK 24 / 0 / 36 / 11

HEX #ACE291

RGB 172 226 145

HSL 100, 0.58%, 0.73%

LAB 84.59, -31.79, 34.15

 

CMYK 36 / 24 / 0 / 11

HEX #91ACE2

RGB 145 172 226

HSL 220, 0.58%, 0.73%

LAB 70.19, 3.69, -30.17

 

CMYK 0 / 36 / 24 / 11

HEX #E391AC

RGB 227 145 172

HSL 340.24, 0.59%, 0.73%

LAB 69.16, 34.55, -1.12

 

CMYK 0 / 5 / 36 / 11

HEX #E2D791

RGB 226 215 145

HSL 51.85, 0.58%, 0.73%

LAB 85.41, -6.35, 35.93

 

CMYK 36 / 0 / 12 / 11

HEX #91E2C7

RGB 145 226 199

HSL 160, 0.58%, 0.73%

LAB 84.24, -30.67, 5.39

 

CMYK 36 / 31 / 0 / 11

HEX #919CE2

RGB 145 156 226

HSL 231.85, 0.58%, 0.73%

LAB 65.97, 12.72, -36.7

 

CMYK 0 / 36 / 24 / 11

HEX #E391AC

RGB 227 145 172

HSL 340.24, 0.59%, 0.73%

LAB 69.16, 34.55, -1.12

 

CMYK 6 / 0 / 36 / 11

HEX #D5E291

RGB 213 226 145

HSL 69.63, 0.58%, 0.73%

LAB 87.28, -16.87, 38.18

 

CMYK 36 / 0 / 12 / 11

HEX #91E2C7

RGB 145 226 199

HSL 160, 0.58%, 0.73%

LAB 84.24, -30.67, 5.39

 

CMYK 30 / 36 / 0 / 11

HEX #9F91E2

RGB 159 145 226

HSL 250.37, 0.58%, 0.73%

LAB 64.25, 22.92, -39.3

 

Description

Color code: CMYK 0 / 36 / 24 / 11 | qconv.com Color code: CMYK 0 / 36 / 24 / 11 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 145 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 145 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 24 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 24% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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