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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 35 / 61 / 1 it is the complementary color CMYK 98 / 42 / 0 / 38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 35 / 61 / 1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 35 / 61 / 1: CMYK 0 / 36 / 64 / 0, CMYK 0 / 29 / 56 / 0, CMYK 0 / 22 / 49 / 0, CMYK 0 / 15 / 41 / 0 and CMYK 0 / 7 / 34 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 35 / 61 / 1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 35 / 61 / 1: CMYK 0 / 35 / 61 / 1, CMYK 0 / 38 / 66 / 8, CMYK 0 / 41 / 72 / 15, CMYK 0 / 45 / 80 / 21 and CMYK 0 / 50 / 88 / 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 61 / 1

HEX #FCA462

RGB 252 164 98

HSL 25.71, 0.96%, 0.69%

LAB 74.91, 26.39, 47.14

 

Complementary color

CMYK 98 / 42 / 0 / 38

HEX #035B9D

RGB 3 91 157

HSL 205.71, 0.96%, 0.31%

LAB 37.73, 3.39, -42.11

 

CMYK 0 / 36 / 64 / 0

HEX #FFA45D

RGB 255 164 93

HSL 26.3, 1%, 0.68%

LAB 75.2, 27.27, 50.06

 

CMYK 0 / 29 / 56 / 0

HEX #FFB670

RGB 255 182 112

HSL 29.37, 1%, 0.72%

LAB 79.55, 19.19, 45.79

 

CMYK 0 / 22 / 49 / 0

HEX #FFC883

RGB 255 200 131

HSL 33.39, 1%, 0.76%

LAB 84.07, 11.39, 41.84

 

CMYK 0 / 15 / 41 / 0

HEX #FFDA96

RGB 255 218 150

HSL 38.86, 1%, 0.79%

LAB 88.74, 3.96, 38.21

 

CMYK 0 / 7 / 34 / 0

HEX #FFECA9

RGB 255 236 169

HSL 46.74, 1%, 0.83%

LAB 93.5, -3.07, 34.87

 

CMYK 0 / 35 / 61 / 1

HEX #FCA462

RGB 252 164 98

HSL 25.71, 0.96%, 0.69%

LAB 74.91, 26.39, 47.14

 

CMYK 0 / 38 / 66 / 8

HEX #EB924F

RGB 235 146 79

HSL 25.77, 0.8%, 0.62%

LAB 68.59, 27.79, 48.75

 

CMYK 0 / 41 / 72 / 15

HEX #DA803C

RGB 218 128 60

HSL 25.82, 0.68%, 0.55%

LAB 62.23, 29.36, 50.34

 

CMYK 0 / 45 / 80 / 21

HEX #C96E29

RGB 201 110 41

HSL 25.88, 0.66%, 0.47%

LAB 55.82, 31.12, 51.76

 

CMYK 0 / 50 / 88 / 28

HEX #B85C16

RGB 184 92 22

HSL 25.93, 0.79%, 0.4%

LAB 49.38, 33.08, 52.56

 

CMYK 0 / 35 / 61 / 1

HEX #FCA462

RGB 252 164 98

HSL 25.71, 0.96%, 0.69%

LAB 74.91, 26.39, 47.14

 

CMYK 0 / 25 / 60 / 2

HEX #FBBC64

RGB 251 188 100

HSL 34.97, 0.95%, 0.69%

LAB 80.4, 13.55, 52.58

 

CMYK 0 / 15 / 60 / 2

HEX #FBD564

RGB 251 213 100

HSL 44.9, 0.95%, 0.69%

LAB 86.51, 0.63, 59.55

 

CMYK 0 / 5 / 60 / 2

HEX #FBEF64

RGB 251 239 100

HSL 55.23, 0.95%, 0.69%

LAB 93.09, -12.41, 66.82

 

CMYK 5 / 0 / 60 / 2

HEX #EFFB64

RGB 239 251 100

HSL 64.77, 0.95%, 0.69%

LAB 95.27, -23, 68.93

 

CMYK 0 / 35 / 61 / 1

HEX #FCA462

RGB 252 164 98

HSL 25.71, 0.96%, 0.69%

LAB 74.91, 26.39, 47.14

 

CMYK 0 / 35 / 60 / 81

HEX #301F13

RGB 48 31 19

HSL 24.83, 0.43%, 0.13%

LAB 13.56, 6.5, 11.38

 

CMYK 0 / 35 / 61 / 61

HEX #634027

RGB 99 64 39

HSL 25, 0.43%, 0.27%

LAB 30.56, 12.29, 21.38

 

CMYK 0 / 35 / 61 / 41

HEX #96623A

RGB 150 98 58

HSL 26.09, 0.44%, 0.41%

LAB 46.34, 16.85, 31.1

 

CMYK 0 / 35 / 61 / 21

HEX #C9834E

RGB 201 131 78

HSL 25.85, 0.53%, 0.55%

LAB 60.96, 21.75, 39.33

 

CMYK 0 / 35 / 61 / 1

HEX #FCA462

RGB 252 164 98

HSL 25.71, 0.96%, 0.69%

LAB 74.91, 26.39, 47.14

 

CMYK 37 / 0 / 60 / 2

HEX #9EFB64

RGB 158 251 100

HSL 96.95, 0.95%, 0.69%

LAB 90.41, -52.62, 62.19

 

CMYK 59 / 60 / 0 / 2

HEX #6664FB

RGB 102 100 251

HSL 240.79, 0.95%, 0.69%

LAB 50.57, 43.54, -75.29

 

CMYK 0 / 35 / 61 / 1

HEX #FCA462

RGB 252 164 98

HSL 25.71, 0.96%, 0.69%

LAB 74.91, 26.39, 47.14

 

CMYK 60 / 0 / 35 / 2

HEX #64FBA3

RGB 100 251 163

HSL 145.03, 0.95%, 0.69%

LAB 89.09, -59.37, 30.51

 

CMYK 35 / 60 / 0 / 2

HEX #A364FB

RGB 163 100 251

HSL 265.03, 0.95%, 0.69%

LAB 55.95, 55.18, -66.33

 

CMYK 0 / 35 / 61 / 1

HEX #FCA462

RGB 252 164 98

HSL 25.71, 0.96%, 0.69%

LAB 74.91, 26.39, 47.14

 

CMYK 37 / 0 / 60 / 2

HEX #9EFB64

RGB 158 251 100

HSL 96.95, 0.95%, 0.69%

LAB 90.41, -52.62, 62.19

 

CMYK 60 / 25 / 0 / 2

HEX #64BCFB

RGB 100 188 251

HSL 205.03, 0.95%, 0.69%

LAB 73.31, -8.25, -39.07

 

CMYK 23 / 60 / 0 / 2

HEX #C164FB

RGB 193 100 251

HSL 276.95, 0.95%, 0.69%

LAB 59.36, 61.86, -60.67

 

CMYK 0 / 35 / 61 / 1

HEX #FCA462

RGB 252 164 98

HSL 25.71, 0.96%, 0.69%

LAB 74.91, 26.39, 47.14

 

CMYK 55 / 0 / 60 / 2

HEX #70FB64

RGB 112 251 100

HSL 115.23, 0.95%, 0.69%

LAB 88.62, -65.68, 59.69

 

CMYK 60 / 25 / 0 / 2

HEX #64BCFB

RGB 100 188 251

HSL 205.03, 0.95%, 0.69%

LAB 73.31, -8.25, -39.07

 

CMYK 5 / 60 / 0 / 2

HEX #EF64FB

RGB 239 100 251

HSL 295.23, 0.95%, 0.69%

LAB 65.3, 72.6, -50.85

 

Description

Color code: CMYK 0 / 35 / 61 / 1 | qconv.com Color code: CMYK 0 / 35 / 61 / 1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 164 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 164 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 61 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 61% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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