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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 35 / 46 / 60 it is the complementary color CMYK 24 / 5 / 0 / 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 35 / 46 / 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 35 / 46 / 60: CMYK 0 / 38 / 53 / 58, CMYK 0 / 32 / 44 / 51, CMYK 0 / 28 / 38 / 45, CMYK 0 / 24 / 32 / 38 and CMYK 0 / 21 / 28 / 31

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 35 / 46 / 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 35 / 46 / 60: CMYK 0 / 35 / 46 / 60, CMYK 0 / 44 / 58 / 67, CMYK 0 / 56 / 75 / 73, CMYK 0 / 76 / 100 / 80 and CMYK 0 / 100 / 100 / 87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 46 / 60

HEX #664237

RGB 102 66 55

HSL 14.04, 0.3%, 0.31%

LAB 31.8, 14.15, 13.08

 

Complementary color

CMYK 24 / 5 / 0 / 22

HEX #99BDC8

RGB 153 189 200

HSL 194.04, 0.3%, 0.69%

LAB 74.41, -9.57, -9.52

 

CMYK 0 / 38 / 53 / 58

HEX #6B4232

RGB 107 66 50

HSL 16.84, 0.36%, 0.31%

LAB 32.37, 15.85, 17.11

 

CMYK 0 / 32 / 44 / 51

HEX #7C5445

RGB 124 84 69

HSL 16.36, 0.28%, 0.38%

LAB 39.67, 14.68, 15.48

 

CMYK 0 / 28 / 38 / 45

HEX #8D6658

RGB 141 102 88

HSL 15.85, 0.23%, 0.45%

LAB 46.8, 13.73, 14.09

 

CMYK 0 / 24 / 32 / 38

HEX #9E786B

RGB 158 120 107

HSL 15.29, 0.21%, 0.52%

LAB 53.78, 12.93, 12.88

 

CMYK 0 / 21 / 28 / 31

HEX #AF8A7E

RGB 175 138 126

HSL 14.69, 0.23%, 0.59%

LAB 60.6, 12.26, 11.79

 

CMYK 0 / 35 / 46 / 60

HEX #664237

RGB 102 66 55

HSL 14.04, 0.3%, 0.31%

LAB 31.8, 14.15, 13.08

 

CMYK 0 / 44 / 58 / 67

HEX #553024

RGB 85 48 36

HSL 14.69, 0.4%, 0.24%

LAB 24.23, 15.43, 14.86

 

CMYK 0 / 56 / 75 / 73

HEX #441E11

RGB 68 30 17

HSL 15.29, 0.6%, 0.17%

LAB 16.49, 17.06, 17.01

 

CMYK 0 / 76 / 100 / 80

HEX #330C00

RGB 51 12 0

HSL 14.12, 1%, 0.1%

LAB 8.71, 18.81, 13.48

 

CMYK 0 / 100 / 100 / 87

HEX #220000

RGB 34 0 0

HSL 0, 1%, 0.07%

LAB 3.07, 13.78, 4.85

 

CMYK 0 / 35 / 46 / 60

HEX #664237

RGB 102 66 55

HSL 14.04, 0.3%, 0.31%

LAB 31.8, 14.15, 13.08

 

CMYK 0 / 27 / 46 / 60

HEX #664A37

RGB 102 74 55

HSL 24.26, 0.3%, 0.31%

LAB 33.98, 9.2, 15.99

 

CMYK 0 / 20 / 46 / 60

HEX #665237

RGB 102 82 55

HSL 34.47, 0.3%, 0.31%

LAB 36.24, 4.27, 18.97

 

CMYK 0 / 12 / 46 / 60

HEX #665A37

RGB 102 90 55

HSL 44.68, 0.3%, 0.31%

LAB 38.57, -0.57, 21.97

 

CMYK 0 / 4 / 46 / 60

HEX #666237

RGB 102 98 55

HSL 54.89, 0.3%, 0.31%

LAB 40.95, -5.3, 24.97

 

CMYK 0 / 35 / 46 / 60

HEX #664237

RGB 102 66 55

HSL 14.04, 0.3%, 0.31%

LAB 31.8, 14.15, 13.08

 

CMYK 0 / 35 / 46 / 40

HEX #996353

RGB 153 99 83

HSL 13.71, 0.3%, 0.46%

LAB 47.39, 19.93, 18.1

 

CMYK 0 / 35 / 46 / 20

HEX #CC846E

RGB 204 132 110

HSL 14.04, 0.48%, 0.62%

LAB 62.05, 25.22, 23.33

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 35 / 45 / 80

HEX #33211C

RGB 51 33 28

HSL 13.04, 0.29%, 0.15%

LAB 14.82, 7.88, 6.86

 

CMYK 0 / 35 / 46 / 60

HEX #664237

RGB 102 66 55

HSL 14.04, 0.3%, 0.31%

LAB 31.8, 14.15, 13.08

 

CMYK 20 / 0 / 46 / 60

HEX #526637

RGB 82 102 55

HSL 85.53, 0.3%, 0.31%

LAB 40.53, -16.43, 24.08

 

CMYK 46 / 38 / 0 / 60

HEX #373F66

RGB 55 63 102

HSL 229.79, 0.3%, 0.31%

LAB 27.65, 8.17, -23.97

 

CMYK 0 / 35 / 46 / 60

HEX #664237

RGB 102 66 55

HSL 14.04, 0.3%, 0.31%

LAB 31.8, 14.15, 13.08

 

CMYK 46 / 0 / 35 / 60

HEX #376642

RGB 55 102 66

HSL 134.04, 0.3%, 0.31%

LAB 39.08, -24.8, 15.48

 

CMYK 35 / 46 / 0 / 60

HEX #423766

RGB 66 55 102

HSL 254.04, 0.3%, 0.31%

LAB 26.3, 16.87, -26.02

 

CMYK 0 / 35 / 46 / 60

HEX #664237

RGB 102 66 55

HSL 14.04, 0.3%, 0.31%

LAB 31.8, 14.15, 13.08

 

CMYK 20 / 0 / 46 / 60

HEX #526637

RGB 82 102 55

HSL 85.53, 0.3%, 0.31%

LAB 40.53, -16.43, 24.08

 

CMYK 46 / 11 / 0 / 60

HEX #375B66

RGB 55 91 102

HSL 194.04, 0.3%, 0.31%

LAB 36.47, -9.67, -10.36

 

CMYK 26 / 46 / 0 / 60

HEX #4B3766

RGB 75 55 102

HSL 265.53, 0.3%, 0.31%

LAB 27.26, 19.72, -24.44

 

CMYK 0 / 35 / 46 / 60

HEX #664237

RGB 102 66 55

HSL 14.04, 0.3%, 0.31%

LAB 31.8, 14.15, 13.08

 

CMYK 34 / 0 / 46 / 60

HEX #436637

RGB 67 102 55

HSL 104.68, 0.3%, 0.31%

LAB 39.53, -22.5, 22.61

 

CMYK 46 / 11 / 0 / 60

HEX #375B66

RGB 55 91 102

HSL 194.04, 0.3%, 0.31%

LAB 36.47, -9.67, -10.36

 

CMYK 12 / 46 / 0 / 60

HEX #5A3766

RGB 90 55 102

HSL 284.68, 0.3%, 0.31%

LAB 29.07, 24.68, -21.48

 

Description

Color code: CMYK 0 / 35 / 46 / 60 | qconv.com Color code: CMYK 0 / 35 / 46 / 60 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 66 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 66 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 46 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 46% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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