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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 34 / 41 / 8 it is the complementary color CMYK 83 / 15 / 0 / 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 34 / 41 / 8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 34 / 41 / 8: CMYK 0 / 35 / 45 / 6, CMYK 0 / 32 / 40 / 0, CMYK 0 / 25 / 33 / 0, CMYK 0 / 18 / 25 / 0 and CMYK 0 / 11 / 18 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 34 / 41 / 8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 34 / 41 / 8: CMYK 0 / 34 / 41 / 8, CMYK 0 / 37 / 45 / 15, CMYK 0 / 41 / 50 / 21, CMYK 0 / 45 / 56 / 28 and CMYK 0 / 50 / 63 / 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 41 / 8

HEX #EB9B8A

RGB 235 155 138

HSL 10.52, 0.71%, 0.73%

LAB 71.51, 27.94, 21.23

 

Complementary color

CMYK 83 / 15 / 0 / 54

HEX #146475

RGB 20 100 117

HSL 190.52, 0.71%, 0.27%

LAB 38.81, -16.6, -16.16

 

CMYK 0 / 35 / 45 / 6

HEX #F09B85

RGB 240 155 133

HSL 12.34, 0.78%, 0.73%

LAB 72, 29.33, 24.72

 

CMYK 0 / 32 / 40 / 0

HEX #FFAD98

RGB 255 173 152

HSL 12.23, 1%, 0.8%

LAB 78.12, 27.6, 23.02

 

CMYK 0 / 25 / 33 / 0

HEX #FFBFAB

RGB 255 191 171

HSL 14.29, 1%, 0.84%

LAB 82.63, 20.36, 19.06

 

CMYK 0 / 18 / 25 / 0

HEX #FFD1BE

RGB 255 209 190

HSL 17.54, 1%, 0.87%

LAB 87.28, 13.42, 15.5

 

CMYK 0 / 11 / 18 / 0

HEX #FFE3D1

RGB 255 227 209

HSL 23.48, 1%, 0.91%

LAB 92.04, 6.81, 12.29

 

CMYK 0 / 34 / 41 / 8

HEX #EB9B8A

RGB 235 155 138

HSL 10.52, 0.71%, 0.73%

LAB 71.51, 27.94, 21.23

 

CMYK 0 / 37 / 45 / 15

HEX #DA8977

RGB 218 137 119

HSL 10.91, 0.57%, 0.66%

LAB 65.06, 28.95, 22.64

 

CMYK 0 / 41 / 50 / 21

HEX #C97764

RGB 201 119 100

HSL 11.29, 0.48%, 0.59%

LAB 58.54, 30.08, 24.22

 

CMYK 0 / 45 / 56 / 28

HEX #B86551

RGB 184 101 81

HSL 11.65, 0.42%, 0.52%

LAB 51.94, 31.34, 26.02

 

CMYK 0 / 50 / 63 / 35

HEX #A7533E

RGB 167 83 62

HSL 12, 0.46%, 0.45%

LAB 45.29, 32.71, 28.09

 

CMYK 0 / 34 / 41 / 8

HEX #EB9B8A

RGB 235 155 138

HSL 10.52, 0.71%, 0.73%

LAB 71.51, 27.94, 21.23

 

CMYK 0 / 28 / 42 / 8

HEX #EBA989

RGB 235 169 137

HSL 19.59, 0.71%, 0.73%

LAB 74.73, 20.39, 26.12

 

CMYK 0 / 21 / 42 / 8

HEX #EBBA89

RGB 235 186 137

HSL 30, 0.71%, 0.73%

LAB 78.8, 11.37, 31.55

 

CMYK 0 / 14 / 42 / 8

HEX #EBCA89

RGB 235 202 137

HSL 39.8, 0.71%, 0.73%

LAB 82.76, 2.99, 36.72

 

CMYK 0 / 7 / 42 / 8

HEX #EBDA89

RGB 235 218 137

HSL 49.59, 0.71%, 0.73%

LAB 86.81, -5.23, 41.91

 

CMYK 0 / 34 / 41 / 8

HEX #EB9B8A

RGB 235 155 138

HSL 10.52, 0.71%, 0.73%

LAB 71.51, 27.94, 21.23

 

CMYK 0 / 35 / 42 / 88

HEX #1F1412

RGB 31 20 18

HSL 9.23, 0.27%, 0.1%

LAB 7.55, 5.24, 3.21

 

CMYK 0 / 34 / 41 / 68

HEX #523630

RGB 82 54 48

HSL 10.59, 0.26%, 0.25%

LAB 25.7, 11.67, 8.84

 

CMYK 0 / 34 / 41 / 48

HEX #85584E

RGB 133 88 78

HSL 10.91, 0.26%, 0.41%

LAB 42.02, 17.29, 13.38

 

CMYK 0 / 34 / 41 / 28

HEX #B8796C

RGB 184 121 108

HSL 10.26, 0.35%, 0.57%

LAB 57.02, 23.05, 17.25

 

CMYK 0 / 34 / 41 / 8

HEX #EB9B8A

RGB 235 155 138

HSL 10.52, 0.71%, 0.73%

LAB 71.51, 27.94, 21.23

 

CMYK 15 / 0 / 42 / 8

HEX #C7EB89

RGB 199 235 137

HSL 82.04, 0.71%, 0.73%

LAB 88.62, -27.4, 43.66

 

CMYK 42 / 32 / 0 / 8

HEX #89A0EB

RGB 137 160 235

HSL 225.92, 0.71%, 0.73%

LAB 66.87, 10.77, -40.29

 

CMYK 0 / 34 / 41 / 8

HEX #EB9B8A

RGB 235 155 138

HSL 10.52, 0.71%, 0.73%

LAB 71.51, 27.94, 21.23

 

CMYK 42 / 0 / 35 / 8

HEX #89EB99

RGB 137 235 153

HSL 129.8, 0.71%, 0.73%

LAB 85.52, -45.67, 31.01

 

CMYK 35 / 42 / 0 / 8

HEX #9989EB

RGB 153 137 235

HSL 249.8, 0.71%, 0.73%

LAB 62.22, 28.18, -47.51

 

CMYK 0 / 34 / 41 / 8

HEX #EB9B8A

RGB 235 155 138

HSL 10.52, 0.71%, 0.73%

LAB 71.51, 27.94, 21.23

 

CMYK 15 / 0 / 42 / 8

HEX #C7EB89

RGB 199 235 137

HSL 82.04, 0.71%, 0.73%

LAB 88.62, -27.4, 43.66

 

CMYK 42 / 7 / 0 / 8

HEX #89DAEB

RGB 137 218 235

HSL 190.41, 0.71%, 0.73%

LAB 82.63, -20.45, -16.12

 

CMYK 26 / 42 / 0 / 8

HEX #AD89EB

RGB 173 137 235

HSL 262.04, 0.71%, 0.73%

LAB 63.98, 33.6, -44.63

 

CMYK 0 / 34 / 41 / 8

HEX #EB9B8A

RGB 235 155 138

HSL 10.52, 0.71%, 0.73%

LAB 71.51, 27.94, 21.23

 

CMYK 28 / 0 / 42 / 8

HEX #A9EB89

RGB 169 235 137

HSL 100.41, 0.71%, 0.73%

LAB 86.83, -38.03, 41.01

 

CMYK 42 / 7 / 0 / 8

HEX #89DAEB

RGB 137 218 235

HSL 190.41, 0.71%, 0.73%

LAB 82.63, -20.45, -16.12

 

CMYK 14 / 42 / 0 / 8

HEX #CA89EB

RGB 202 137 235

HSL 279.8, 0.71%, 0.73%

LAB 66.86, 41.84, -39.9

 

Description

Color code: CMYK 0 / 34 / 41 / 8 | qconv.com Color code: CMYK 0 / 34 / 41 / 8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 155 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 155 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 41 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 41% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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