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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 34 / 12 / 27 it is the complementary color CMYK 48 / 0 / 31 / 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 34 / 12 / 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 34 / 12 / 27: CMYK 0 / 36 / 17 / 25, CMYK 0 / 32 / 14 / 18, CMYK 0 / 29 / 12 / 12, CMYK 0 / 27 / 11 / 5 and CMYK 0 / 24 / 8 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 34 / 12 / 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 34 / 12 / 27: CMYK 0 / 34 / 12 / 27, CMYK 0 / 38 / 14 / 34, CMYK 0 / 43 / 17 / 40, CMYK 0 / 49 / 21 / 47 and CMYK 0 / 57 / 25 / 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 12 / 27

HEX #BA7BA4

RGB 186 123 164

HSL 320.95, 0.31%, 0.61%

LAB 59.24, 30.75, -11.82

 

Complementary color

CMYK 48 / 0 / 31 / 48

HEX #45845B

RGB 69 132 91

HSL 140.95, 0.31%, 0.39%

LAB 50.12, -30.12, 16.01

 

CMYK 0 / 36 / 17 / 25

HEX #BF7B9F

RGB 191 123 159

HSL 328.24, 0.35%, 0.62%

LAB 59.66, 31.68, -8.26

 

CMYK 0 / 32 / 14 / 18

HEX #D08DB2

RGB 208 141 178

HSL 326.87, 0.42%, 0.68%

LAB 66.27, 30.92, -8.99

 

CMYK 0 / 29 / 12 / 12

HEX #E19FC5

RGB 225 159 197

HSL 325.45, 0.52%, 0.75%

LAB 72.78, 30.22, -9.66

 

CMYK 0 / 27 / 11 / 5

HEX #F2B1D8

RGB 242 177 216

HSL 324, 0.71%, 0.82%

LAB 79.2, 29.56, -10.28

 

CMYK 0 / 24 / 8 / 0

HEX #FFC3EB

RGB 255 195 235

HSL 320, 1%, 0.88%

LAB 85.14, 27.61, -11.49

 

CMYK 0 / 34 / 12 / 27

HEX #BA7BA4

RGB 186 123 164

HSL 320.95, 0.31%, 0.61%

LAB 59.24, 30.75, -11.82

 

CMYK 0 / 38 / 14 / 34

HEX #A96991

RGB 169 105 145

HSL 322.5, 0.27%, 0.54%

LAB 52.49, 31.53, -11.13

 

CMYK 0 / 43 / 17 / 40

HEX #98577E

RGB 152 87 126

HSL 324, 0.27%, 0.47%

LAB 45.63, 32.35, -10.33

 

CMYK 0 / 49 / 21 / 47

HEX #87456B

RGB 135 69 107

HSL 325.45, 0.32%, 0.4%

LAB 38.67, 33.19, -9.38

 

CMYK 0 / 57 / 25 / 54

HEX #763358

RGB 118 51 88

HSL 326.87, 0.4%, 0.33%

LAB 31.63, 33.96, -8.17

 

CMYK 0 / 34 / 12 / 27

HEX #BA7BA4

RGB 186 123 164

HSL 320.95, 0.31%, 0.61%

LAB 59.24, 30.75, -11.82

 

CMYK 0 / 33 / 17 / 27

HEX #BA7C9B

RGB 186 124 155

HSL 330, 0.31%, 0.61%

LAB 59.18, 28.7, -6.74

 

CMYK 0 / 33 / 22 / 27

HEX #BA7C91

RGB 186 124 145

HSL 339.68, 0.31%, 0.61%

LAB 58.88, 27.12, -1.42

 

CMYK 0 / 33 / 28 / 27

HEX #BA7C86

RGB 186 124 134

HSL 350.32, 0.31%, 0.61%

LAB 58.58, 25.5, 4.49

 

CMYK 0 / 33 / 33 / 27

HEX #BA7C7C

RGB 186 124 124

HSL 0, 0.31%, 0.61%

LAB 58.33, 24.14, 9.9

 

CMYK 0 / 34 / 12 / 27

HEX #BA7BA4

RGB 186 123 164

HSL 320.95, 0.31%, 0.61%

LAB 59.24, 30.75, -11.82

 

CMYK 0 / 34 / 12 / 7

HEX #ED9DD1

RGB 237 157 209

HSL 321, 0.69%, 0.77%

LAB 74.01, 37.31, -14.29

 

CMYK 0 / 33 / 12 / 87

HEX #21161D

RGB 33 22 29

HSL 321.82, 0.2%, 0.11%

LAB 8.87, 7.1, -2.74

 

CMYK 0 / 33 / 12 / 67

HEX #54384A

RGB 84 56 74

HSL 321.43, 0.2%, 0.27%

LAB 27.32, 15.7, -6.01

 

CMYK 0 / 34 / 12 / 47

HEX #875977

RGB 135 89 119

HSL 320.87, 0.21%, 0.44%

LAB 43.69, 23.82, -9.22

 

CMYK 0 / 34 / 12 / 27

HEX #BA7BA4

RGB 186 123 164

HSL 320.95, 0.31%, 0.61%

LAB 59.24, 30.75, -11.82

 

CMYK 0 / 16 / 33 / 27

HEX #BA9D7C

RGB 186 157 124

HSL 31.94, 0.31%, 0.61%

LAB 66.53, 5.86, 21.26

 

CMYK 33 / 0 / 2 / 27

HEX #7CBAB6

RGB 124 186 182

HSL 176.13, 0.31%, 0.61%

LAB 71.41, -20.72, -4.32

 

CMYK 0 / 34 / 12 / 27

HEX #BA7BA4

RGB 186 123 164

HSL 320.95, 0.31%, 0.61%

LAB 59.24, 30.75, -11.82

 

CMYK 11 / 0 / 33 / 27

HEX #A5BA7C

RGB 165 186 124

HSL 80.32, 0.31%, 0.61%

LAB 72.61, -17.8, 29.11

 

CMYK 33 / 11 / 0 / 27

HEX #7CA5BA

RGB 124 165 186

HSL 200.32, 0.31%, 0.61%

LAB 65.55, -8.69, -15.28

 

CMYK 0 / 34 / 12 / 27

HEX #BA7BA4

RGB 186 123 164

HSL 320.95, 0.31%, 0.61%

LAB 59.24, 30.75, -11.82

 

CMYK 0 / 16 / 33 / 27

HEX #BA9D7C

RGB 186 157 124

HSL 31.94, 0.31%, 0.61%

LAB 66.53, 5.86, 21.26

 

CMYK 33 / 0 / 22 / 27

HEX #7CBA91

RGB 124 186 145

HSL 140.32, 0.31%, 0.61%

LAB 70.49, -28.69, 14.56

 

CMYK 33 / 18 / 0 / 27

HEX #7C99BA

RGB 124 153 186

HSL 211.94, 0.31%, 0.61%

LAB 62.18, -2.06, -20.39

 

CMYK 0 / 34 / 12 / 27

HEX #BA7BA4

RGB 186 123 164

HSL 320.95, 0.31%, 0.61%

LAB 59.24, 30.75, -11.82

 

CMYK 0 / 5 / 33 / 27

HEX #BAB07C

RGB 186 176 124

HSL 50.32, 0.31%, 0.61%

LAB 71.52, -4.38, 27.97

 

CMYK 33 / 0 / 22 / 27

HEX #7CBA91

RGB 124 186 145

HSL 140.32, 0.31%, 0.61%

LAB 70.49, -28.69, 14.56

 

CMYK 33 / 28 / 0 / 27

HEX #7C86BA

RGB 124 134 186

HSL 230.32, 0.31%, 0.61%

LAB 56.96, 8.85, -28.41

 

Description

Color code: CMYK 0 / 34 / 12 / 27 | qconv.com Color code: CMYK 0 / 34 / 12 / 27 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 123 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 123 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 12 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 12% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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