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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 33 / 56 / 33 it is the complementary color CMYK 53 / 22 / 0 / 29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 33 / 56 / 33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 33 / 56 / 33: CMYK 0 / 35 / 60 / 31, CMYK 0 / 32 / 54 / 24, CMYK 0 / 29 / 49 / 18, CMYK 0 / 26 / 44 / 11 and CMYK 0 / 24 / 40 / 4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 33 / 56 / 33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 33 / 56 / 33: CMYK 0 / 33 / 56 / 33, CMYK 0 / 38 / 64 / 40, CMYK 0 / 43 / 73 / 46, CMYK 0 / 50 / 85 / 53 and CMYK 0 / 59 / 100 / 60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 56 / 33

HEX #AB724B

RGB 171 114 75

HSL 24.38, 0.39%, 0.48%

LAB 53.17, 18.25, 30.61

 

Complementary color

CMYK 53 / 22 / 0 / 29

HEX #548DB4

RGB 84 141 180

HSL 204.38, 0.39%, 0.52%

LAB 56.32, -7.44, -26.17

 

CMYK 0 / 35 / 60 / 31

HEX #B07246

RGB 176 114 70

HSL 24.91, 0.43%, 0.48%

LAB 53.71, 19.98, 34.17

 

CMYK 0 / 32 / 54 / 24

HEX #C18459

RGB 193 132 89

HSL 24.81, 0.46%, 0.55%

LAB 60.39, 18.73, 32.54

 

CMYK 0 / 29 / 49 / 18

HEX #D2966C

RGB 210 150 108

HSL 24.71, 0.53%, 0.62%

LAB 66.97, 17.65, 31.04

 

CMYK 0 / 26 / 44 / 11

HEX #E3A87F

RGB 227 168 127

HSL 24.6, 0.64%, 0.69%

LAB 73.46, 16.71, 29.65

 

CMYK 0 / 24 / 40 / 4

HEX #F4BA92

RGB 244 186 146

HSL 24.49, 0.82%, 0.76%

LAB 79.86, 15.88, 28.37

 

CMYK 0 / 33 / 56 / 33

HEX #AB724B

RGB 171 114 75

HSL 24.38, 0.39%, 0.48%

LAB 53.17, 18.25, 30.61

 

CMYK 0 / 38 / 64 / 40

HEX #9A6038

RGB 154 96 56

HSL 24.49, 0.47%, 0.41%

LAB 46.34, 19.61, 32.33

 

CMYK 0 / 43 / 73 / 46

HEX #894E25

RGB 137 78 37

HSL 24.6, 0.57%, 0.34%

LAB 39.41, 21.22, 34.15

 

CMYK 0 / 50 / 85 / 53

HEX #783C12

RGB 120 60 18

HSL 24.71, 0.74%, 0.27%

LAB 32.41, 23.14, 35.78

 

CMYK 0 / 59 / 100 / 60

HEX #672A00

RGB 103 42 0

HSL 24.47, 1%, 0.2%

LAB 25.38, 25.28, 36.07

 

CMYK 0 / 33 / 56 / 33

HEX #AB724B

RGB 171 114 75

HSL 24.38, 0.39%, 0.48%

LAB 53.17, 18.25, 30.61

 

CMYK 0 / 25 / 56 / 33

HEX #AA804A

RGB 170 128 74

HSL 33.75, 0.39%, 0.48%

LAB 56.56, 9.84, 35.31

 

CMYK 0 / 15 / 56 / 33

HEX #AA904A

RGB 170 144 74

HSL 43.75, 0.39%, 0.48%

LAB 60.77, 0.94, 40.33

 

CMYK 0 / 6 / 56 / 33

HEX #AAA04A

RGB 170 160 74

HSL 53.75, 0.39%, 0.48%

LAB 65.11, -7.72, 45.37

 

CMYK 4 / 0 / 56 / 33

HEX #A3AA4A

RGB 163 170 74

HSL 64.38, 0.39%, 0.48%

LAB 67.3, -15.94, 47.71

 

CMYK 0 / 33 / 56 / 33

HEX #AB724B

RGB 171 114 75

HSL 24.38, 0.39%, 0.48%

LAB 53.17, 18.25, 30.61

 

CMYK 0 / 33 / 56 / 13

HEX #DE9461

RGB 222 148 97

HSL 24.48, 0.65%, 0.63%

LAB 67.7, 22.66, 38.12

 

CMYK 0 / 33 / 56 / 93

HEX #120C08

RGB 18 12 8

HSL 24, 0.38%, 0.05%

LAB 3.7, 1.47, 2.28

 

CMYK 0 / 33 / 57 / 73

HEX #452E1E

RGB 69 46 30

HSL 24.62, 0.39%, 0.19%

LAB 21.26, 8.34, 14.5

 

CMYK 0 / 33 / 56 / 53

HEX #785035

RGB 120 80 53

HSL 24.18, 0.39%, 0.34%

LAB 37.82, 13.56, 22.62

 

CMYK 0 / 33 / 56 / 33

HEX #AB724B

RGB 171 114 75

HSL 24.38, 0.39%, 0.48%

LAB 53.17, 18.25, 30.61

 

CMYK 34 / 0 / 56 / 33

HEX #70AA4A

RGB 112 170 74

HSL 96.25, 0.39%, 0.48%

LAB 63.91, -36.08, 42.92

 

CMYK 56 / 56 / 0 / 33

HEX #4A4AAA

RGB 74 74 170

HSL 240, 0.39%, 0.48%

LAB 36.47, 28.29, -51.76

 

CMYK 0 / 33 / 56 / 33

HEX #AB724B

RGB 171 114 75

HSL 24.38, 0.39%, 0.48%

LAB 53.17, 18.25, 30.61

 

CMYK 56 / 0 / 34 / 33

HEX #4AAA70

RGB 74 170 112

HSL 143.75, 0.39%, 0.48%

LAB 62.82, -41.75, 21.6

 

CMYK 34 / 56 / 0 / 33

HEX #704AAA

RGB 112 74 170

HSL 263.75, 0.39%, 0.48%

LAB 39.99, 36.95, -45.91

 

CMYK 0 / 33 / 56 / 33

HEX #AB724B

RGB 171 114 75

HSL 24.38, 0.39%, 0.48%

LAB 53.17, 18.25, 30.61

 

CMYK 34 / 0 / 56 / 33

HEX #70AA4A

RGB 112 170 74

HSL 96.25, 0.39%, 0.48%

LAB 63.91, -36.08, 42.92

 

CMYK 56 / 23 / 0 / 33

HEX #4A83AA

RGB 74 131 170

HSL 204.38, 0.39%, 0.48%

LAB 52.5, -7.08, -26.38

 

CMYK 23 / 56 / 0 / 33

HEX #834AAA

RGB 131 74 170

HSL 275.63, 0.39%, 0.48%

LAB 42.19, 41.85, -42.26

 

CMYK 0 / 33 / 56 / 33

HEX #AB724B

RGB 171 114 75

HSL 24.38, 0.39%, 0.48%

LAB 53.17, 18.25, 30.61

 

CMYK 51 / 0 / 56 / 33

HEX #54AA4A

RGB 84 170 74

HSL 113.75, 0.39%, 0.48%

LAB 62.62, -45.15, 41.08

 

CMYK 56 / 23 / 0 / 33

HEX #4A83AA

RGB 74 131 170

HSL 204.38, 0.39%, 0.48%

LAB 52.5, -7.08, -26.38

 

CMYK 6 / 56 / 0 / 33

HEX #A04AAA

RGB 160 74 170

HSL 293.75, 0.39%, 0.48%

LAB 46.01, 49.64, -35.98

 

Description

Color code: CMYK 0 / 33 / 56 / 33 | qconv.com Color code: CMYK 0 / 33 / 56 / 33 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 114 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 114 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 56 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 56% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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