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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 33 / 46 / 9 it is the complementary color CMYK 82 / 23 / 0 / 49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 33 / 46 / 9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 33 / 46 / 9: CMYK 0 / 35 / 49 / 7, CMYK 0 / 32 / 45 / 0, CMYK 0 / 25 / 38 / 0, CMYK 0 / 18 / 31 / 0 and CMYK 0 / 11 / 23 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 33 / 46 / 9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 33 / 46 / 9: CMYK 0 / 33 / 46 / 9, CMYK 0 / 36 / 51 / 16, CMYK 0 / 40 / 56 / 22, CMYK 0 / 44 / 62 / 29 and CMYK 0 / 49 / 70 / 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 46 / 9

HEX #E89B7D

RGB 232 155 125

HSL 16.82, 0.7%, 0.7%

LAB 70.93, 25.42, 27.47

 

Complementary color

CMYK 82 / 23 / 0 / 49

HEX #176482

RGB 23 100 130

HSL 196.82, 0.7%, 0.3%

LAB 39.43, -11.52, -23.12

 

CMYK 0 / 35 / 49 / 7

HEX #ED9B78

RGB 237 155 120

HSL 17.95, 0.76%, 0.7%

LAB 71.42, 26.91, 30.94

 

CMYK 0 / 32 / 45 / 0

HEX #FEAD8B

RGB 254 173 139

HSL 17.74, 0.98%, 0.77%

LAB 77.77, 25.87, 29.49

 

CMYK 0 / 25 / 38 / 0

HEX #FFBF9E

RGB 255 191 158

HSL 20.41, 1%, 0.81%

LAB 82.37, 18.83, 25.61

 

CMYK 0 / 18 / 31 / 0

HEX #FFD1B1

RGB 255 209 177

HSL 24.62, 1%, 0.85%

LAB 87.01, 11.72, 21.96

 

CMYK 0 / 11 / 23 / 0

HEX #FFE3C4

RGB 255 227 196

HSL 31.53, 1%, 0.88%

LAB 91.77, 4.95, 18.66

 

CMYK 0 / 33 / 46 / 9

HEX #E89B7D

RGB 232 155 125

HSL 16.82, 0.7%, 0.7%

LAB 70.93, 25.42, 27.47

 

CMYK 0 / 36 / 51 / 16

HEX #D7896A

RGB 215 137 106

HSL 17.06, 0.58%, 0.63%

LAB 64.47, 26.51, 28.98

 

CMYK 0 / 40 / 56 / 22

HEX #C67757

RGB 198 119 87

HSL 17.3, 0.49%, 0.56%

LAB 57.93, 27.74, 30.66

 

CMYK 0 / 44 / 62 / 29

HEX #B56544

RGB 181 101 68

HSL 17.52, 0.45%, 0.49%

LAB 51.32, 29.12, 32.53

 

CMYK 0 / 49 / 70 / 36

HEX #A45331

RGB 164 83 49

HSL 17.74, 0.54%, 0.42%

LAB 44.66, 30.66, 34.6

 

CMYK 0 / 33 / 46 / 9

HEX #E89B7D

RGB 232 155 125

HSL 16.82, 0.7%, 0.7%

LAB 70.93, 25.42, 27.47

 

CMYK 0 / 26 / 47 / 9

HEX #E8AB7C

RGB 232 171 124

HSL 26.11, 0.7%, 0.7%

LAB 74.66, 16.8, 32.92

 

CMYK 0 / 19 / 47 / 9

HEX #E8BD7C

RGB 232 189 124

HSL 36.11, 0.7%, 0.7%

LAB 79.04, 7.27, 38.56

 

CMYK 0 / 11 / 47 / 9

HEX #E8CF7C

RGB 232 207 124

HSL 46.11, 0.7%, 0.7%

LAB 83.57, -2.09, 44.25

 

CMYK 0 / 3 / 47 / 9

HEX #E8E07C

RGB 232 224 124

HSL 55.56, 0.7%, 0.7%

LAB 87.93, -10.71, 49.63

 

CMYK 0 / 33 / 46 / 9

HEX #E89B7D

RGB 232 155 125

HSL 16.82, 0.7%, 0.7%

LAB 70.93, 25.42, 27.47

 

CMYK 0 / 32 / 46 / 89

HEX #1C130F

RGB 28 19 15

HSL 18.46, 0.3%, 0.08%

LAB 6.75, 3.6, 3.71

 

CMYK 0 / 33 / 46 / 69

HEX #4F352B

RGB 79 53 43

HSL 16.67, 0.3%, 0.24%

LAB 24.9, 10.23, 10.98

 

CMYK 0 / 33 / 46 / 49

HEX #825746

RGB 130 87 70

HSL 17, 0.3%, 0.39%

LAB 41.22, 15.63, 17.09

 

CMYK 0 / 33 / 46 / 29

HEX #B57962

RGB 181 121 98

HSL 16.63, 0.36%, 0.55%

LAB 56.47, 20.72, 22.16

 

CMYK 0 / 33 / 46 / 9

HEX #E89B7D

RGB 232 155 125

HSL 16.82, 0.7%, 0.7%

LAB 70.93, 25.42, 27.47

 

CMYK 22 / 0 / 47 / 9

HEX #B6E87C

RGB 182 232 124

HSL 87.78, 0.7%, 0.7%

LAB 86.56, -33.69, 47.15

 

CMYK 47 / 40 / 0 / 9

HEX #7C8BE8

RGB 124 139 232

HSL 231.67, 0.7%, 0.7%

LAB 60.41, 18.9, -48.86

 

CMYK 0 / 33 / 46 / 9

HEX #E89B7D

RGB 232 155 125

HSL 16.82, 0.7%, 0.7%

LAB 70.93, 25.42, 27.47

 

CMYK 47 / 0 / 34 / 9

HEX #7CE899

RGB 124 232 153

HSL 136.11, 0.7%, 0.7%

LAB 84.12, -47.96, 29.04

 

CMYK 34 / 47 / 0 / 9

HEX #997CE8

RGB 153 124 232

HSL 256.11, 0.7%, 0.7%

LAB 58.99, 34.85, -50.97

 

CMYK 0 / 33 / 46 / 9

HEX #E89B7D

RGB 232 155 125

HSL 16.82, 0.7%, 0.7%

LAB 70.93, 25.42, 27.47

 

CMYK 22 / 0 / 47 / 9

HEX #B6E87C

RGB 182 232 124

HSL 87.78, 0.7%, 0.7%

LAB 86.56, -33.69, 47.15

 

CMYK 47 / 13 / 0 / 9

HEX #7CCBE8

RGB 124 203 232

HSL 196.11, 0.7%, 0.7%

LAB 77.77, -16.71, -21.91

 

CMYK 25 / 47 / 0 / 9

HEX #AE7CE8

RGB 174 124 232

HSL 267.78, 0.7%, 0.7%

LAB 60.99, 40.4, -47.66

 

CMYK 0 / 33 / 46 / 9

HEX #E89B7D

RGB 232 155 125

HSL 16.82, 0.7%, 0.7%

LAB 70.93, 25.42, 27.47

 

CMYK 36 / 0 / 47 / 9

HEX #95E87C

RGB 149 232 124

HSL 106.11, 0.7%, 0.7%

LAB 84.77, -44.98, 44.54

 

CMYK 47 / 13 / 0 / 9

HEX #7CCBE8

RGB 124 203 232

HSL 196.11, 0.7%, 0.7%

LAB 77.77, -16.71, -21.91

 

CMYK 11 / 47 / 0 / 9

HEX #CF7CE8

RGB 207 124 232

HSL 286.11, 0.7%, 0.7%

LAB 64.57, 49.52, -41.79

 

Description

Color code: CMYK 0 / 33 / 46 / 9 | qconv.com Color code: CMYK 0 / 33 / 46 / 9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 155 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 155 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 46 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 46% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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