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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 32 / 83 / 1 it is the complementary color CMYK 99 / 61 / 0 / 17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 32 / 83 / 1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 32 / 83 / 1: CMYK 0 / 33 / 85 / 0, CMYK 0 / 25 / 78 / 0, CMYK 0 / 18 / 70 / 0, CMYK 0 / 11 / 63 / 0 and CMYK 0 / 4 / 55 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 32 / 83 / 1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 32 / 83 / 1: CMYK 0 / 32 / 83 / 1, CMYK 0 / 34 / 90 / 8, CMYK 0 / 38 / 98 / 15, CMYK 0 / 41 / 100 / 21 and CMYK 0 / 46 / 100 / 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 83 / 1

HEX #FCAC2B

RGB 252 172 43

HSL 37.03, 0.97%, 0.58%

LAB 76.3, 19.66, 71.72

 

Complementary color

CMYK 99 / 61 / 0 / 17

HEX #0353D4

RGB 3 83 212

HSL 217.03, 0.97%, 0.42%

LAB 39.51, 31.01, -71.48

 

CMYK 0 / 33 / 85 / 0

HEX #FFAC26

RGB 255 172 38

HSL 37.05, 1%, 0.57%

LAB 76.62, 20.79, 73.58

 

CMYK 0 / 25 / 78 / 0

HEX #FFBE39

RGB 255 190 57

HSL 40.3, 1%, 0.61%

LAB 80.95, 11.96, 71.38

 

CMYK 0 / 18 / 70 / 0

HEX #FFD04C

RGB 255 208 76

HSL 44.25, 1%, 0.65%

LAB 85.45, 3.46, 68.68

 

CMYK 0 / 11 / 63 / 0

HEX #FFE25F

RGB 255 226 95

HSL 49.13, 1%, 0.69%

LAB 90.08, -4.64, 65.77

 

CMYK 0 / 4 / 55 / 0

HEX #FFF472

RGB 255 244 114

HSL 55.32, 1%, 0.72%

LAB 94.81, -12.29, 62.81

 

CMYK 0 / 32 / 83 / 1

HEX #FCAC2B

RGB 252 172 43

HSL 37.03, 0.97%, 0.58%

LAB 76.3, 19.66, 71.72

 

CMYK 0 / 34 / 90 / 8

HEX #EB9A18

RGB 235 154 24

HSL 36.97, 0.84%, 0.51%

LAB 70.06, 21.55, 70.93

 

CMYK 0 / 38 / 98 / 15

HEX #DA8805

RGB 218 136 5

HSL 36.9, 0.96%, 0.44%

LAB 63.77, 23.66, 68.74

 

CMYK 0 / 41 / 100 / 21

HEX #C97600

RGB 201 118 0

HSL 35.22, 1%, 0.39%

LAB 57.44, 26.01, 64.35

 

CMYK 0 / 46 / 100 / 28

HEX #B86400

RGB 184 100 0

HSL 32.61, 1%, 0.36%

LAB 51.04, 28.47, 59.17

 

CMYK 0 / 32 / 83 / 1

HEX #FCAC2B

RGB 252 172 43

HSL 37.03, 0.97%, 0.58%

LAB 76.3, 19.66, 71.72

 

CMYK 0 / 18 / 82 / 2

HEX #FBCE2C

RGB 251 206 44

HSL 46.96, 0.96%, 0.58%

LAB 84.4, 1.6, 78.25

 

CMYK 0 / 4 / 82 / 2

HEX #FBF12C

RGB 251 241 44

HSL 57.1, 0.96%, 0.58%

LAB 93.28, -15.88, 85.71

 

CMYK 10 / 0 / 82 / 2

HEX #E3FB2C

RGB 227 251 44

HSL 66.96, 0.96%, 0.58%

LAB 94.1, -30.41, 85.68

 

CMYK 24 / 0 / 82 / 2

HEX #C0FB2C

RGB 192 251 44

HSL 77.1, 0.96%, 0.58%

LAB 91.86, -44.02, 82.87

 

CMYK 0 / 32 / 83 / 1

HEX #FCAC2B

RGB 252 172 43

HSL 37.03, 0.97%, 0.58%

LAB 76.3, 19.66, 71.72

 

CMYK 0 / 31 / 83 / 81

HEX #302108

RGB 48 33 8

HSL 37.5, 0.71%, 0.11%

LAB 14.02, 4.03, 17.47

 

CMYK 0 / 31 / 83 / 61

HEX #634411

RGB 99 68 17

HSL 37.32, 0.71%, 0.23%

LAB 31.41, 8.31, 34.2

 

CMYK 0 / 32 / 83 / 41

HEX #96661A

RGB 150 102 26

HSL 36.77, 0.7%, 0.35%

LAB 47.05, 12.74, 47.29

 

CMYK 0 / 32 / 83 / 21

HEX #C98922

RGB 201 137 34

HSL 37.01, 0.71%, 0.46%

LAB 62.02, 16.27, 60.01

 

CMYK 0 / 32 / 83 / 1

HEX #FCAC2B

RGB 252 172 43

HSL 37.03, 0.97%, 0.58%

LAB 76.3, 19.66, 71.72

 

CMYK 67 / 0 / 82 / 2

HEX #52FB2C

RGB 82 251 44

HSL 108.99, 0.96%, 0.58%

LAB 87.47, -76.26, 77.32

 

CMYK 65 / 82 / 0 / 2

HEX #592CFB

RGB 89 44 251

HSL 253.04, 0.96%, 0.58%

LAB 39.39, 70.22, -93.7

 

CMYK 0 / 32 / 83 / 1

HEX #FCAC2B

RGB 252 172 43

HSL 37.03, 0.97%, 0.58%

LAB 76.3, 19.66, 71.72

 

CMYK 82 / 0 / 31 / 2

HEX #2CFBAC

RGB 44 251 172

HSL 157.1, 0.96%, 0.58%

LAB 88.21, -65.41, 24.6

 

CMYK 31 / 82 / 0 / 2

HEX #AC2CFB

RGB 172 44 251

HSL 277.1, 0.96%, 0.58%

LAB 48.93, 79.62, -77.67

 

CMYK 0 / 32 / 83 / 1

HEX #FCAC2B

RGB 252 172 43

HSL 37.03, 0.97%, 0.58%

LAB 76.3, 19.66, 71.72

 

CMYK 67 / 0 / 82 / 2

HEX #52FB2C

RGB 82 251 44

HSL 108.99, 0.96%, 0.58%

LAB 87.47, -76.26, 77.32

 

CMYK 82 / 51 / 0 / 2

HEX #2C7BFB

RGB 44 123 251

HSL 217.1, 0.96%, 0.58%

LAB 53.67, 22.32, -70.38

 

CMYK 15 / 82 / 0 / 2

HEX #D52CFB

RGB 213 44 251

HSL 288.99, 0.96%, 0.58%

LAB 54.98, 85.9, -67.57

 

CMYK 0 / 32 / 83 / 1

HEX #FCAC2B

RGB 252 172 43

HSL 37.03, 0.97%, 0.58%

LAB 76.3, 19.66, 71.72

 

CMYK 82 / 0 / 73 / 2

HEX #2CFB44

RGB 44 251 68

HSL 126.96, 0.96%, 0.58%

LAB 86.97, -80.15, 69.75

 

CMYK 82 / 51 / 0 / 2

HEX #2C7BFB

RGB 44 123 251

HSL 217.1, 0.96%, 0.58%

LAB 53.67, 22.32, -70.38

 

CMYK 0 / 82 / 10 / 2

HEX #FB2CE3

RGB 251 44 227

HSL 306.96, 0.96%, 0.58%

LAB 59.76, 88.97, -46.15

 

Description

Color code: CMYK 0 / 32 / 83 / 1 | qconv.com Color code: CMYK 0 / 32 / 83 / 1 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 172 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 172 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 83 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 83% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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