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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 32 / 68 / 28 it is the complementary color CMYK 64 / 34 / 0 / 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 32 / 68 / 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 32 / 68 / 28: CMYK 0 / 34 / 71 / 26, CMYK 0 / 31 / 65 / 19, CMYK 0 / 28 / 59 / 13, CMYK 0 / 25 / 54 / 6 and CMYK 0 / 23 / 49 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 32 / 68 / 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 32 / 68 / 28: CMYK 0 / 32 / 68 / 28, CMYK 0 / 36 / 76 / 35, CMYK 0 / 41 / 86 / 41, CMYK 0 / 47 / 98 / 48 and CMYK 0 / 54 / 100 / 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 68 / 28

HEX #B87D3B

RGB 184 125 59

HSL 31.68, 0.51%, 0.48%

LAB 57.24, 16.55, 44.2

 

Complementary color

CMYK 64 / 34 / 0 / 23

HEX #4782C4

RGB 71 130 196

HSL 211.68, 0.51%, 0.52%

LAB 53.27, 1.51, -40.1

 

CMYK 0 / 34 / 71 / 26

HEX #BD7D36

RGB 189 125 54

HSL 31.56, 0.56%, 0.48%

LAB 57.8, 18.44, 47.38

 

CMYK 0 / 31 / 65 / 19

HEX #CE8F49

RGB 206 143 73

HSL 31.58, 0.58%, 0.55%

LAB 64.36, 16.98, 45.98

 

CMYK 0 / 28 / 59 / 13

HEX #DFA15C

RGB 223 161 92

HSL 31.6, 0.67%, 0.62%

LAB 70.84, 15.71, 44.52

 

CMYK 0 / 25 / 54 / 6

HEX #F0B36F

RGB 240 179 111

HSL 31.63, 0.81%, 0.69%

LAB 77.23, 14.62, 43.09

 

CMYK 0 / 23 / 49 / 0

HEX #FFC582

RGB 255 197 130

HSL 32.16, 1%, 0.75%

LAB 83.34, 12.86, 41.42

 

CMYK 0 / 32 / 68 / 28

HEX #B87D3B

RGB 184 125 59

HSL 31.68, 0.51%, 0.48%

LAB 57.24, 16.55, 44.2

 

CMYK 0 / 36 / 76 / 35

HEX #A76B28

RGB 167 107 40

HSL 31.65, 0.61%, 0.41%

LAB 50.55, 18.16, 45.52

 

CMYK 0 / 41 / 86 / 41

HEX #965915

RGB 150 89 21

HSL 31.63, 0.75%, 0.34%

LAB 43.77, 20.06, 46.27

 

CMYK 0 / 47 / 98 / 48

HEX #854702

RGB 133 71 2

HSL 31.6, 0.97%, 0.26%

LAB 36.92, 22.27, 45.99

 

CMYK 0 / 54 / 100 / 55

HEX #743500

RGB 116 53 0

HSL 27.41, 1%, 0.23%

LAB 30.06, 24.86, 40.93

 

CMYK 0 / 32 / 68 / 28

HEX #B87D3B

RGB 184 125 59

HSL 31.68, 0.51%, 0.48%

LAB 57.24, 16.55, 44.2

 

CMYK 0 / 21 / 68 / 28

HEX #B8913B

RGB 184 145 59

HSL 41.28, 0.51%, 0.48%

LAB 62.3, 5.48, 49.67

 

CMYK 0 / 10 / 68 / 28

HEX #B8A63B

RGB 184 166 59

HSL 51.36, 0.51%, 0.48%

LAB 67.86, -5.85, 55.48

 

CMYK 1 / 0 / 68 / 28

HEX #B6B83B

RGB 182 184 59

HSL 60.96, 0.51%, 0.48%

LAB 72.59, -16.04, 60.24

 

CMYK 13 / 0 / 68 / 28

HEX #A1B83B

RGB 161 184 59

HSL 71.04, 0.51%, 0.48%

LAB 70.99, -24.86, 58.1

 

CMYK 0 / 32 / 68 / 28

HEX #B87D3B

RGB 184 125 59

HSL 31.68, 0.51%, 0.48%

LAB 57.24, 16.55, 44.2

 

CMYK 0 / 32 / 68 / 8

HEX #EBA04B

RGB 235 160 75

HSL 31.88, 0.8%, 0.61%

LAB 71.77, 20.15, 54.17

 

CMYK 0 / 32 / 68 / 88

HEX #1F150A

RGB 31 21 10

HSL 31.43, 0.51%, 0.08%

LAB 7.67, 3.27, 7.45

 

CMYK 0 / 32 / 68 / 68

HEX #52381A

RGB 82 56 26

HSL 32.14, 0.52%, 0.21%

LAB 25.85, 7.94, 23.01

 

CMYK 0 / 32 / 68 / 48

HEX #855A2B

RGB 133 90 43

HSL 31.33, 0.51%, 0.35%

LAB 41.96, 12.75, 33.62

 

CMYK 0 / 32 / 68 / 28

HEX #B87D3B

RGB 184 125 59

HSL 31.68, 0.51%, 0.48%

LAB 57.24, 16.55, 44.2

 

CMYK 48 / 0 / 68 / 28

HEX #5FB83B

RGB 95 184 59

HSL 102.72, 0.51%, 0.48%

LAB 67.3, -49.06, 53.11

 

CMYK 60 / 68 / 0 / 28

HEX #4A3BB8

RGB 74 59 184

HSL 247.2, 0.51%, 0.48%

LAB 34.08, 42.04, -63.97

 

CMYK 0 / 32 / 68 / 28

HEX #B87D3B

RGB 184 125 59

HSL 31.68, 0.51%, 0.48%

LAB 57.24, 16.55, 44.2

 

CMYK 68 / 0 / 33 / 28

HEX #3BB87C

RGB 59 184 124

HSL 151.2, 0.51%, 0.48%

LAB 67.03, -48.19, 20.75

 

CMYK 33 / 68 / 0 / 28

HEX #7C3BB8

RGB 124 59 184

HSL 271.2, 0.51%, 0.48%

LAB 39.37, 51.26, -55.12

 

CMYK 0 / 32 / 68 / 28

HEX #B87D3B

RGB 184 125 59

HSL 31.68, 0.51%, 0.48%

LAB 57.24, 16.55, 44.2

 

CMYK 48 / 0 / 68 / 28

HEX #5FB83B

RGB 95 184 59

HSL 102.72, 0.51%, 0.48%

LAB 67.3, -49.06, 53.11

 

CMYK 68 / 35 / 0 / 28

HEX #3B78B8

RGB 59 120 184

HSL 210.72, 0.51%, 0.48%

LAB 49.28, 1.27, -39.54

 

CMYK 19 / 68 / 0 / 28

HEX #953BB8

RGB 149 59 184

HSL 283.2, 0.51%, 0.48%

LAB 42.73, 56.66, -49.53

 

CMYK 0 / 32 / 68 / 28

HEX #B87D3B

RGB 184 125 59

HSL 31.68, 0.51%, 0.48%

LAB 57.24, 16.55, 44.2

 

CMYK 68 / 0 / 66 / 28

HEX #3BB83E

RGB 59 184 62

HSL 121.44, 0.51%, 0.48%

LAB 66.18, -57.76, 50.34

 

CMYK 68 / 35 / 0 / 28

HEX #3B78B8

RGB 59 120 184

HSL 210.72, 0.51%, 0.48%

LAB 49.28, 1.27, -39.54

 

CMYK 0 / 68 / 1 / 28

HEX #B83BB6

RGB 184 59 182

HSL 300.96, 0.51%, 0.48%

LAB 47.87, 64.26, -39.84

 

Description

Color code: CMYK 0 / 32 / 68 / 28 | qconv.com Color code: CMYK 0 / 32 / 68 / 28 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 125 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 125 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 68 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 68% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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