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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 32 / 39 / 24 it is the complementary color CMYK 55 / 10 / 0 / 46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 32 / 39 / 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 32 / 39 / 24: CMYK 0 / 34 / 43 / 22, CMYK 0 / 31 / 39 / 15, CMYK 0 / 28 / 35 / 9, CMYK 0 / 26 / 32 / 2 and CMYK 0 / 20 / 26 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 32 / 39 / 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 32 / 39 / 24: CMYK 0 / 32 / 39 / 24, CMYK 0 / 36 / 44 / 31, CMYK 0 / 40 / 50 / 37, CMYK 0 / 45 / 57 / 44 and CMYK 0 / 52 / 67 / 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 39 / 24

HEX #C28476

RGB 194 132 118

HSL 11.05, 0.38%, 0.61%

LAB 61.03, 22.12, 17.23

 

Complementary color

CMYK 55 / 10 / 0 / 46

HEX #3D7B89

RGB 61 123 137

HSL 191.05, 0.38%, 0.39%

LAB 48.21, -15.76, -13.73

 

CMYK 0 / 34 / 43 / 22

HEX #C78471

RGB 199 132 113

HSL 13.26, 0.43%, 0.61%

LAB 61.51, 23.54, 20.82

 

CMYK 0 / 31 / 39 / 15

HEX #D89684

RGB 216 150 132

HSL 12.86, 0.52%, 0.68%

LAB 68.08, 22.59, 19.48

 

CMYK 0 / 28 / 35 / 9

HEX #E9A897

RGB 233 168 151

HSL 12.44, 0.65%, 0.75%

LAB 74.55, 21.75, 18.26

 

CMYK 0 / 26 / 32 / 2

HEX #FABAAA

RGB 250 186 170

HSL 12, 0.89%, 0.82%

LAB 80.93, 20.99, 17.15

 

CMYK 0 / 20 / 26 / 0

HEX #FFCCBD

RGB 255 204 189

HSL 13.64, 1%, 0.87%

LAB 86.07, 15.89, 14.32

 

CMYK 0 / 32 / 39 / 24

HEX #C28476

RGB 194 132 118

HSL 11.05, 0.38%, 0.61%

LAB 61.03, 22.12, 17.23

 

CMYK 0 / 36 / 44 / 31

HEX #B17263

RGB 177 114 99

HSL 11.54, 0.33%, 0.54%

LAB 54.33, 23.11, 18.62

 

CMYK 0 / 40 / 50 / 37

HEX #A06050

RGB 160 96 80

HSL 12, 0.33%, 0.47%

LAB 47.52, 24.24, 20.2

 

CMYK 0 / 45 / 57 / 44

HEX #8F4E3D

RGB 143 78 61

HSL 12.44, 0.4%, 0.4%

LAB 40.61, 25.54, 22.04

 

CMYK 0 / 52 / 67 / 51

HEX #7E3C2A

RGB 126 60 42

HSL 12.86, 0.5%, 0.33%

LAB 33.64, 27.01, 24.23

 

CMYK 0 / 32 / 39 / 24

HEX #C28476

RGB 194 132 118

HSL 11.05, 0.38%, 0.61%

LAB 61.03, 22.12, 17.23

 

CMYK 0 / 25 / 39 / 24

HEX #C19075

RGB 193 144 117

HSL 21.32, 0.38%, 0.61%

LAB 63.81, 14.98, 21.57

 

CMYK 0 / 19 / 39 / 24

HEX #C19C75

RGB 193 156 117

HSL 30.79, 0.38%, 0.61%

LAB 66.82, 8.39, 25.62

 

CMYK 0 / 12 / 39 / 24

HEX #C1A975

RGB 193 169 117

HSL 41.05, 0.38%, 0.61%

LAB 70.17, 1.34, 30.04

 

CMYK 0 / 6 / 39 / 24

HEX #C1B675

RGB 193 182 117

HSL 51.32, 0.38%, 0.61%

LAB 73.6, -5.56, 34.48

 

CMYK 0 / 32 / 39 / 24

HEX #C28476

RGB 194 132 118

HSL 11.05, 0.38%, 0.61%

LAB 61.03, 22.12, 17.23

 

CMYK 0 / 32 / 39 / 4

HEX #F5A795

RGB 245 167 149

HSL 11.25, 0.83%, 0.77%

LAB 75.59, 26.62, 20.99

 

CMYK 0 / 32 / 39 / 84

HEX #291C19

RGB 41 28 25

HSL 11.25, 0.24%, 0.13%

LAB 11.77, 5.86, 4.58

 

CMYK 0 / 32 / 39 / 64

HEX #5C3F38

RGB 92 63 56

HSL 11.67, 0.24%, 0.29%

LAB 29.7, 11.64, 9.35

 

CMYK 0 / 32 / 39 / 44

HEX #8F6157

RGB 143 97 87

HSL 10.71, 0.24%, 0.45%

LAB 45.74, 17.36, 13.26

 

CMYK 0 / 32 / 39 / 24

HEX #C28476

RGB 194 132 118

HSL 11.05, 0.38%, 0.61%

LAB 61.03, 22.12, 17.23

 

CMYK 15 / 0 / 39 / 24

HEX #A4C175

RGB 164 193 117

HSL 82.89, 0.38%, 0.61%

LAB 74.39, -22.61, 35.07

 

CMYK 39 / 31 / 0 / 24

HEX #7586C1

RGB 117 134 193

HSL 226.58, 0.38%, 0.61%

LAB 56.76, 8.78, -32.73

 

CMYK 0 / 32 / 39 / 24

HEX #C28476

RGB 194 132 118

HSL 11.05, 0.38%, 0.61%

LAB 61.03, 22.12, 17.23

 

CMYK 39 / 0 / 32 / 24

HEX #75C183

RGB 117 193 131

HSL 131.05, 0.38%, 0.61%

LAB 71.93, -36.7, 24.01

 

CMYK 32 / 39 / 0 / 24

HEX #8375C1

RGB 131 117 193

HSL 251.05, 0.38%, 0.61%

LAB 53.38, 22.77, -37.94

 

CMYK 0 / 32 / 39 / 24

HEX #C28476

RGB 194 132 118

HSL 11.05, 0.38%, 0.61%

LAB 61.03, 22.12, 17.23

 

CMYK 15 / 0 / 39 / 24

HEX #A4C175

RGB 164 193 117

HSL 82.89, 0.38%, 0.61%

LAB 74.39, -22.61, 35.07

 

CMYK 39 / 7 / 0 / 24

HEX #75B3C1

RGB 117 179 193

HSL 191.05, 0.38%, 0.61%

LAB 69.38, -16.3, -13.42

 

CMYK 24 / 39 / 0 / 24

HEX #9275C1

RGB 146 117 193

HSL 262.89, 0.38%, 0.61%

LAB 54.75, 27.13, -35.71

 

CMYK 0 / 32 / 39 / 24

HEX #C28476

RGB 194 132 118

HSL 11.05, 0.38%, 0.61%

LAB 61.03, 22.12, 17.23

 

CMYK 27 / 0 / 39 / 24

HEX #8DC175

RGB 141 193 117

HSL 101.05, 0.38%, 0.61%

LAB 72.95, -31.04, 32.92

 

CMYK 39 / 7 / 0 / 24

HEX #75B3C1

RGB 117 179 193

HSL 191.05, 0.38%, 0.61%

LAB 69.38, -16.3, -13.42

 

CMYK 12 / 39 / 0 / 24

HEX #A975C1

RGB 169 117 193

HSL 281.05, 0.38%, 0.61%

LAB 57.08, 34.08, -31.89

 

Description

Color code: CMYK 0 / 32 / 39 / 24 | qconv.com Color code: CMYK 0 / 32 / 39 / 24 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 132 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 132 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 39 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 39% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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