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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 32 / 36 / 7 it is the complementary color CMYK 83 / 9 / 0 / 60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 32 / 36 / 7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 32 / 36 / 7: CMYK 0 / 33 / 39 / 5, CMYK 0 / 30 / 35 / 0, CMYK 0 / 23 / 27 / 0, CMYK 0 / 16 / 20 / 0 and CMYK 0 / 9 / 13 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 32 / 36 / 7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 32 / 36 / 7: CMYK 0 / 32 / 36 / 7, CMYK 0 / 35 / 40 / 14, CMYK 0 / 38 / 44 / 20, CMYK 0 / 42 / 49 / 27 and CMYK 0 / 47 / 55 / 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 36 / 7

HEX #EDA198

RGB 237 161 152

HSL 6.35, 0.7%, 0.76%

LAB 73.39, 27.11, 16.17

 

Complementary color

CMYK 83 / 9 / 0 / 60

HEX #125E67

RGB 18 94 103

HSL 186.35, 0.7%, 0.24%

LAB 36.2, -18.46, -11.51

 

CMYK 0 / 33 / 39 / 5

HEX #F2A193

RGB 242 161 147

HSL 8.84, 0.79%, 0.76%

LAB 73.85, 28.43, 19.64

 

CMYK 0 / 30 / 35 / 0

HEX #FFB3A6

RGB 255 179 166

HSL 8.76, 1%, 0.83%

LAB 79.76, 26.05, 17.74

 

CMYK 0 / 23 / 27 / 0

HEX #FFC5B9

RGB 255 197 185

HSL 10.29, 1%, 0.86%

LAB 84.33, 19.01, 13.99

 

CMYK 0 / 16 / 20 / 0

HEX #FFD7CC

RGB 255 215 204

HSL 12.94, 1%, 0.9%

LAB 89.03, 12.27, 10.61

 

CMYK 0 / 9 / 13 / 0

HEX #FFE9DF

RGB 255 233 223

HSL 18.75, 1%, 0.94%

LAB 93.83, 5.87, 7.55

 

CMYK 0 / 32 / 36 / 7

HEX #EDA198

RGB 237 161 152

HSL 6.35, 0.7%, 0.76%

LAB 73.39, 27.11, 16.17

 

CMYK 0 / 35 / 40 / 14

HEX #DC8F85

RGB 220 143 133

HSL 6.9, 0.55%, 0.69%

LAB 66.94, 28.02, 17.43

 

CMYK 0 / 38 / 44 / 20

HEX #CB7D72

RGB 203 125 114

HSL 7.42, 0.46%, 0.62%

LAB 60.41, 29.04, 18.83

 

CMYK 0 / 42 / 49 / 27

HEX #BA6B5F

RGB 186 107 95

HSL 7.91, 0.4%, 0.55%

LAB 53.79, 30.16, 20.41

 

CMYK 0 / 47 / 55 / 34

HEX #A9594C

RGB 169 89 76

HSL 8.39, 0.38%, 0.48%

LAB 47.11, 31.4, 22.25

 

CMYK 0 / 32 / 36 / 7

HEX #EDA198

RGB 237 161 152

HSL 6.35, 0.7%, 0.76%

LAB 73.39, 27.11, 16.17

 

CMYK 0 / 27 / 36 / 7

HEX #ECAD96

RGB 236 173 150

HSL 16.05, 0.69%, 0.76%

LAB 76.02, 20.12, 20.89

 

CMYK 0 / 20 / 36 / 7

HEX #ECBC96

RGB 236 188 150

HSL 26.51, 0.69%, 0.76%

LAB 79.61, 12.16, 25.79

 

CMYK 0 / 14 / 36 / 7

HEX #ECCA96

RGB 236 202 150

HSL 36.28, 0.69%, 0.76%

LAB 83.06, 4.82, 30.42

 

CMYK 0 / 8 / 36 / 7

HEX #ECD896

RGB 236 216 150

HSL 46.05, 0.69%, 0.76%

LAB 86.58, -2.41, 35.07

 

CMYK 0 / 32 / 36 / 7

HEX #EDA198

RGB 237 161 152

HSL 6.35, 0.7%, 0.76%

LAB 73.39, 27.11, 16.17

 

CMYK 0 / 33 / 36 / 87

HEX #211615

RGB 33 22 21

HSL 5, 0.22%, 0.11%

LAB 8.58, 5.4, 2.81

 

CMYK 0 / 32 / 36 / 67

HEX #543936

RGB 84 57 54

HSL 6, 0.22%, 0.27%

LAB 26.95, 11.53, 6.67

 

CMYK 0 / 32 / 36 / 47

HEX #875C57

RGB 135 92 87

HSL 6.25, 0.22%, 0.44%

LAB 43.5, 16.95, 9.99

 

CMYK 0 / 32 / 36 / 27

HEX #BA7E77

RGB 186 126 119

HSL 6.27, 0.33%, 0.6%

LAB 58.69, 22.39, 13.28

 

CMYK 0 / 32 / 36 / 7

HEX #EDA198

RGB 237 161 152

HSL 6.35, 0.7%, 0.76%

LAB 73.39, 27.11, 16.17

 

CMYK 11 / 0 / 36 / 7

HEX #D2EC96

RGB 210 236 150

HSL 78.14, 0.69%, 0.76%

LAB 89.81, -22.26, 38.92

 

CMYK 36 / 25 / 0 / 7

HEX #96B0EC

RGB 150 176 236

HSL 221.86, 0.69%, 0.76%

LAB 71.95, 5.45, -32.86

 

CMYK 0 / 32 / 36 / 7

HEX #EDA198

RGB 237 161 152

HSL 6.35, 0.7%, 0.76%

LAB 73.39, 27.11, 16.17

 

CMYK 36 / 0 / 33 / 7

HEX #96EC9F

RGB 150 236 159

HSL 126.28, 0.69%, 0.76%

LAB 86.49, -41.32, 29.36

 

CMYK 33 / 36 / 0 / 7

HEX #9F96EC

RGB 159 150 236

HSL 246.28, 0.69%, 0.76%

LAB 65.93, 22.6, -42.19

 

CMYK 0 / 32 / 36 / 7

HEX #EDA198

RGB 237 161 152

HSL 6.35, 0.7%, 0.76%

LAB 73.39, 27.11, 16.17

 

CMYK 11 / 0 / 36 / 7

HEX #D2EC96

RGB 210 236 150

HSL 78.14, 0.69%, 0.76%

LAB 89.81, -22.26, 38.92

 

CMYK 36 / 3 / 0 / 7

HEX #96E4EC

RGB 150 228 236

HSL 185.58, 0.69%, 0.76%

LAB 86.02, -21.92, -11.5

 

CMYK 25 / 36 / 0 / 7

HEX #B096EC

RGB 176 150 236

HSL 258.14, 0.69%, 0.76%

LAB 67.35, 27.37, -39.87

 

CMYK 0 / 32 / 36 / 7

HEX #EDA198

RGB 237 161 152

HSL 6.35, 0.7%, 0.76%

LAB 73.39, 27.11, 16.17

 

CMYK 22 / 0 / 36 / 7

HEX #B9EC96

RGB 185 236 150

HSL 95.58, 0.69%, 0.76%

LAB 88.21, -31.25, 36.53

 

CMYK 36 / 3 / 0 / 7

HEX #96E4EC

RGB 150 228 236

HSL 185.58, 0.69%, 0.76%

LAB 86.02, -21.92, -11.5

 

CMYK 14 / 36 / 0 / 7

HEX #CA96EC

RGB 202 150 236

HSL 276.28, 0.69%, 0.76%

LAB 69.77, 35.01, -35.91

 

Description

Color code: CMYK 0 / 32 / 36 / 7 | qconv.com Color code: CMYK 0 / 32 / 36 / 7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 161 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 161 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 36 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 36% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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