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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 31 / 37 / 15 it is the complementary color CMYK 68 / 11 / 0 / 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 31 / 37 / 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 31 / 37 / 15: CMYK 0 / 32 / 41 / 13, CMYK 0 / 30 / 37 / 6, CMYK 0 / 27 / 33 / 0, CMYK 0 / 20 / 26 / 0 and CMYK 0 / 13 / 18 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 31 / 37 / 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 31 / 37 / 15: CMYK 0 / 31 / 37 / 15, CMYK 0 / 34 / 41 / 22, CMYK 0 / 38 / 46 / 28, CMYK 0 / 42 / 52 / 35 and CMYK 0 / 48 / 59 / 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 37 / 15

HEX #D99689

RGB 217 150 137

HSL 9.75, 0.51%, 0.69%

LAB 68.29, 23.57, 17.02

 

Complementary color

CMYK 68 / 11 / 0 / 54

HEX #266976

RGB 38 105 118

HSL 189.75, 0.51%, 0.31%

LAB 40.93, -16.49, -13.48

 

CMYK 0 / 32 / 41 / 13

HEX #DE9684

RGB 222 150 132

HSL 12, 0.58%, 0.69%

LAB 68.76, 24.93, 20.52

 

CMYK 0 / 30 / 37 / 6

HEX #EFA897

RGB 239 168 151

HSL 11.59, 0.73%, 0.76%

LAB 75.2, 24.04, 19.26

 

CMYK 0 / 27 / 33 / 0

HEX #FFBAAA

RGB 255 186 170

HSL 11.29, 1%, 0.83%

LAB 81.45, 22.86, 17.95

 

CMYK 0 / 20 / 26 / 0

HEX #FFCCBD

RGB 255 204 189

HSL 13.64, 1%, 0.87%

LAB 86.07, 15.89, 14.32

 

CMYK 0 / 13 / 18 / 0

HEX #FFDED0

RGB 255 222 208

HSL 17.87, 1%, 0.91%

LAB 90.81, 9.24, 11.05

 

CMYK 0 / 31 / 37 / 15

HEX #D99689

RGB 217 150 137

HSL 9.75, 0.51%, 0.69%

LAB 68.29, 23.57, 17.02

 

CMYK 0 / 34 / 41 / 22

HEX #C88476

RGB 200 132 118

HSL 10.24, 0.43%, 0.62%

LAB 61.73, 24.49, 18.31

 

CMYK 0 / 38 / 46 / 28

HEX #B77263

RGB 183 114 99

HSL 10.71, 0.37%, 0.55%

LAB 55.08, 25.53, 19.76

 

CMYK 0 / 42 / 52 / 35

HEX #A66050

RGB 166 96 80

HSL 11.16, 0.35%, 0.48%

LAB 48.33, 26.71, 21.41

 

CMYK 0 / 48 / 59 / 42

HEX #954E3D

RGB 149 78 61

HSL 11.59, 0.42%, 0.41%

LAB 41.49, 28.04, 23.34

 

CMYK 0 / 31 / 37 / 15

HEX #D99689

RGB 217 150 137

HSL 9.75, 0.51%, 0.69%

LAB 68.29, 23.57, 17.02

 

CMYK 0 / 25 / 38 / 15

HEX #D8A187

RGB 216 161 135

HSL 19.26, 0.51%, 0.69%

LAB 70.76, 16.99, 21.5

 

CMYK 0 / 19 / 38 / 15

HEX #D8AE87

RGB 216 174 135

HSL 28.89, 0.51%, 0.69%

LAB 73.95, 10, 25.81

 

CMYK 0 / 13 / 38 / 15

HEX #D8BC87

RGB 216 188 135

HSL 39.26, 0.51%, 0.69%

LAB 77.47, 2.55, 30.51

 

CMYK 0 / 7 / 38 / 15

HEX #D8C987

RGB 216 201 135

HSL 48.89, 0.51%, 0.69%

LAB 80.81, -4.23, 34.89

 

CMYK 0 / 31 / 37 / 15

HEX #D99689

RGB 217 150 137

HSL 9.75, 0.51%, 0.69%

LAB 68.29, 23.57, 17.02

 

CMYK 0 / 31 / 38 / 95

HEX #0D0908

RGB 13 9 8

HSL 12, 0.24%, 0.04%

LAB 2.7, 0.98, 0.77

 

CMYK 0 / 31 / 38 / 75

HEX #402C28

RGB 64 44 40

HSL 10, 0.23%, 0.2%

LAB 20.22, 8.59, 6.25

 

CMYK 0 / 31 / 37 / 55

HEX #734F49

RGB 115 79 73

HSL 8.57, 0.22%, 0.37%

LAB 37.33, 14.29, 9.62

 

CMYK 0 / 31 / 37 / 35

HEX #A67369

RGB 166 115 105

HSL 9.84, 0.26%, 0.53%

LAB 53.37, 18.79, 13.61

 

CMYK 0 / 31 / 37 / 15

HEX #D99689

RGB 217 150 137

HSL 9.75, 0.51%, 0.69%

LAB 68.29, 23.57, 17.02

 

CMYK 13 / 0 / 38 / 15

HEX #BCD887

RGB 188 216 135

HSL 80.74, 0.51%, 0.69%

LAB 82.67, -22.59, 36.9

 

CMYK 38 / 28 / 0 / 15

HEX #879BD8

RGB 135 155 216

HSL 225.19, 0.51%, 0.69%

LAB 64.6, 7.88, -33.35

 

CMYK 0 / 31 / 37 / 15

HEX #D99689

RGB 217 150 137

HSL 9.75, 0.51%, 0.69%

LAB 68.29, 23.57, 17.02

 

CMYK 38 / 0 / 32 / 15

HEX #87D893

RGB 135 216 147

HSL 128.89, 0.51%, 0.69%

LAB 79.82, -38.92, 26.42

 

CMYK 32 / 38 / 0 / 15

HEX #9387D8

RGB 147 135 216

HSL 248.89, 0.51%, 0.69%

LAB 60.33, 22.75, -39.96

 

CMYK 0 / 31 / 37 / 15

HEX #D99689

RGB 217 150 137

HSL 9.75, 0.51%, 0.69%

LAB 68.29, 23.57, 17.02

 

CMYK 13 / 0 / 38 / 15

HEX #BCD887

RGB 188 216 135

HSL 80.74, 0.51%, 0.69%

LAB 82.67, -22.59, 36.9

 

CMYK 38 / 6 / 0 / 15

HEX #87CCD8

RGB 135 204 216

HSL 188.89, 0.51%, 0.69%

LAB 78.05, -18.65, -12.84

 

CMYK 25 / 38 / 0 / 15

HEX #A387D8

RGB 163 135 216

HSL 260.74, 0.51%, 0.69%

LAB 61.72, 27.32, -37.68

 

CMYK 0 / 31 / 37 / 15

HEX #D99689

RGB 217 150 137

HSL 9.75, 0.51%, 0.69%

LAB 68.29, 23.57, 17.02

 

CMYK 25 / 0 / 38 / 15

HEX #A3D887

RGB 163 216 135

HSL 99.26, 0.51%, 0.69%

LAB 81.1, -31.64, 34.55

 

CMYK 38 / 6 / 0 / 15

HEX #87CCD8

RGB 135 204 216

HSL 188.89, 0.51%, 0.69%

LAB 78.05, -18.65, -12.84

 

CMYK 13 / 38 / 0 / 15

HEX #BC87D8

RGB 188 135 216

HSL 279.26, 0.51%, 0.69%

LAB 64.14, 34.78, -33.72

 

Description

Color code: CMYK 0 / 31 / 37 / 15 | qconv.com Color code: CMYK 0 / 31 / 37 / 15 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 150 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 150 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 37 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 37% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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