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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 30 / 57 / 31 it is the complementary color CMYK 56 / 26 / 0 / 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 30 / 57 / 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 30 / 57 / 31: CMYK 0 / 32 / 61 / 29, CMYK 0 / 29 / 55 / 22, CMYK 0 / 26 / 49 / 16, CMYK 0 / 24 / 45 / 9 and CMYK 0 / 22 / 41 / 2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 30 / 57 / 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 30 / 57 / 31: CMYK 0 / 30 / 57 / 31, CMYK 0 / 34 / 64 / 38, CMYK 0 / 39 / 73 / 44, CMYK 0 / 45 / 85 / 51 and CMYK 0 / 53 / 100 / 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 57 / 31

HEX #B07B4C

RGB 176 123 76

HSL 28.2, 0.4%, 0.49%

LAB 56.01, 15.42, 33.71

 

Complementary color

CMYK 56 / 26 / 0 / 30

HEX #4F84B3

RGB 79 132 179

HSL 208.2, 0.4%, 0.51%

LAB 53.41, -3.7, -30.13

 

CMYK 0 / 32 / 61 / 29

HEX #B57B47

RGB 181 123 71

HSL 28.36, 0.44%, 0.49%

LAB 56.53, 17.17, 37.16

 

CMYK 0 / 29 / 55 / 22

HEX #C68D5A

RGB 198 141 90

HSL 28.33, 0.49%, 0.56%

LAB 63.17, 15.96, 35.6

 

CMYK 0 / 26 / 49 / 16

HEX #D79F6D

RGB 215 159 109

HSL 28.3, 0.57%, 0.64%

LAB 69.72, 14.91, 34.14

 

CMYK 0 / 24 / 45 / 9

HEX #E8B180

RGB 232 177 128

HSL 28.27, 0.69%, 0.71%

LAB 76.17, 14.01, 32.77

 

CMYK 0 / 22 / 41 / 2

HEX #F9C393

RGB 249 195 147

HSL 28.24, 0.89%, 0.78%

LAB 82.53, 13.21, 31.49

 

CMYK 0 / 30 / 57 / 31

HEX #B07B4C

RGB 176 123 76

HSL 28.2, 0.4%, 0.49%

LAB 56.01, 15.42, 33.71

 

CMYK 0 / 34 / 64 / 38

HEX #9F6939

RGB 159 105 57

HSL 28.24, 0.47%, 0.42%

LAB 49.22, 16.73, 35.32

 

CMYK 0 / 39 / 73 / 44

HEX #8E5726

RGB 142 87 38

HSL 28.27, 0.58%, 0.35%

LAB 42.32, 18.31, 36.96

 

CMYK 0 / 45 / 85 / 51

HEX #7D4513

RGB 125 69 19

HSL 28.3, 0.74%, 0.28%

LAB 35.33, 20.21, 38.27

 

CMYK 0 / 53 / 100 / 58

HEX #6C3300

RGB 108 51 0

HSL 28.33, 1%, 0.21%

LAB 28.26, 22.41, 38.95

 

CMYK 0 / 30 / 57 / 31

HEX #B07B4C

RGB 176 123 76

HSL 28.2, 0.4%, 0.49%

LAB 56.01, 15.42, 33.71

 

CMYK 0 / 21 / 57 / 32

HEX #AE8A4A

RGB 174 138 74

HSL 38.4, 0.4%, 0.49%

LAB 59.59, 6, 39.04

 

CMYK 0 / 11 / 57 / 32

HEX #AE9A4A

RGB 174 154 74

HSL 48, 0.4%, 0.49%

LAB 63.84, -2.77, 44.01

 

CMYK 0 / 2 / 57 / 32

HEX #AEAB4A

RGB 174 171 74

HSL 58.2, 0.4%, 0.49%

LAB 68.47, -11.79, 49.28

 

CMYK 7 / 0 / 57 / 32

HEX #A1AE4A

RGB 161 174 74

HSL 67.8, 0.4%, 0.49%

LAB 68.27, -18.81, 48.77

 

CMYK 0 / 30 / 57 / 31

HEX #B07B4C

RGB 176 123 76

HSL 28.2, 0.4%, 0.49%

LAB 56.01, 15.42, 33.71

 

CMYK 0 / 30 / 57 / 11

HEX #E39F62

RGB 227 159 98

HSL 28.37, 0.7%, 0.64%

LAB 70.88, 18.89, 41.62

 

CMYK 0 / 30 / 57 / 91

HEX #17100A

RGB 23 16 10

HSL 27.69, 0.39%, 0.06%

LAB 5.19, 1.93, 3.7

 

CMYK 0 / 30 / 57 / 71

HEX #4A3420

RGB 74 52 32

HSL 28.57, 0.4%, 0.21%

LAB 23.72, 7.11, 16.48

 

CMYK 0 / 30 / 57 / 51

HEX #7D5736

RGB 125 87 54

HSL 27.89, 0.4%, 0.35%

LAB 40.32, 11.74, 25.3

 

CMYK 0 / 30 / 57 / 31

HEX #B07B4C

RGB 176 123 76

HSL 28.2, 0.4%, 0.49%

LAB 56.01, 15.42, 33.71

 

CMYK 38 / 0 / 57 / 32

HEX #6CAE4A

RGB 108 174 74

HSL 99.6, 0.4%, 0.49%

LAB 64.93, -39.26, 44.06

 

CMYK 53 / 57 / 0 / 32

HEX #514AAE

RGB 81 74 174

HSL 244.2, 0.4%, 0.49%

LAB 37.3, 31, -52.76

 

CMYK 0 / 30 / 57 / 31

HEX #B07B4C

RGB 176 123 76

HSL 28.2, 0.4%, 0.49%

LAB 56.01, 15.42, 33.71

 

CMYK 57 / 0 / 30 / 32

HEX #4AAE79

RGB 74 174 121

HSL 148.2, 0.4%, 0.49%

LAB 64.25, -41.67, 18.65

 

CMYK 30 / 57 / 0 / 32

HEX #794AAE

RGB 121 74 174

HSL 268.2, 0.4%, 0.49%

LAB 41.25, 40.25, -46.21

 

CMYK 0 / 30 / 57 / 31

HEX #B07B4C

RGB 176 123 76

HSL 28.2, 0.4%, 0.49%

LAB 56.01, 15.42, 33.71

 

CMYK 38 / 0 / 57 / 32

HEX #6CAE4A

RGB 108 174 74

HSL 99.6, 0.4%, 0.49%

LAB 64.93, -39.26, 44.06

 

CMYK 57 / 26 / 0 / 32

HEX #4A80AE

RGB 74 128 174

HSL 207.6, 0.4%, 0.49%

LAB 51.78, -4.06, -29.8

 

CMYK 19 / 57 / 0 / 32

HEX #8D4AAE

RGB 141 74 174

HSL 280.2, 0.4%, 0.49%

LAB 43.68, 45.39, -42.19

 

CMYK 0 / 30 / 57 / 31

HEX #B07B4C

RGB 176 123 76

HSL 28.2, 0.4%, 0.49%

LAB 56.01, 15.42, 33.71

 

CMYK 55 / 0 / 57 / 32

HEX #4EAE4A

RGB 78 174 74

HSL 117.6, 0.4%, 0.49%

LAB 63.66, -48.4, 42.26

 

CMYK 57 / 26 / 0 / 32

HEX #4A80AE

RGB 74 128 174

HSL 207.6, 0.4%, 0.49%

LAB 51.78, -4.06, -29.8

 

CMYK 2 / 57 / 0 / 32

HEX #AB4AAE

RGB 171 74 174

HSL 298.2, 0.4%, 0.49%

LAB 47.77, 53.35, -35.45

 

Description

Color code: CMYK 0 / 30 / 57 / 31 | qconv.com Color code: CMYK 0 / 30 / 57 / 31 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 123 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 123 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 57 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 57% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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