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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 30 / 28 / 20 it is the complementary color CMYK 54 / 0 / 4 / 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 30 / 28 / 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 30 / 28 / 20: CMYK 0 / 32 / 32 / 18, CMYK 0 / 29 / 29 / 11, CMYK 0 / 26 / 26 / 5, CMYK 0 / 23 / 22 / 0 and CMYK 0 / 16 / 15 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 30 / 28 / 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 30 / 28 / 20: CMYK 0 / 30 / 28 / 20, CMYK 0 / 33 / 32 / 27, CMYK 0 / 37 / 36 / 33, CMYK 0 / 42 / 41 / 40 and CMYK 0 / 48 / 48 / 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 28 / 20

HEX #CC8F93

RGB 204 143 147

HSL 356.07, 0.37%, 0.68%

LAB 65.43, 23.69, 7.18

 

Complementary color

CMYK 54 / 0 / 4 / 56

HEX #33706C

RGB 51 112 108

HSL 176.07, 0.37%, 0.32%

LAB 43.32, -20.72, -3.8

 

CMYK 0 / 32 / 32 / 18

HEX #D18F8E

RGB 209 143 142

HSL 0.9, 0.42%, 0.69%

LAB 65.87, 24.91, 10.7

 

CMYK 0 / 29 / 29 / 11

HEX #E2A1A1

RGB 226 161 161

HSL 0, 0.53%, 0.76%

LAB 72.38, 24.12, 9.63

 

CMYK 0 / 26 / 26 / 5

HEX #F3B3B4

RGB 243 179 180

HSL 359.06, 0.73%, 0.83%

LAB 78.8, 23.4, 8.66

 

CMYK 0 / 23 / 22 / 0

HEX #FFC5C7

RGB 255 197 199

HSL 357.93, 1%, 0.89%

LAB 84.65, 20.95, 6.99

 

CMYK 0 / 16 / 15 / 0

HEX #FFD7DA

RGB 255 215 218

HSL 355.5, 1%, 0.92%

LAB 89.36, 14.38, 3.72

 

CMYK 0 / 30 / 28 / 20

HEX #CC8F93

RGB 204 143 147

HSL 356.07, 0.37%, 0.68%

LAB 65.43, 23.69, 7.18

 

CMYK 0 / 33 / 32 / 27

HEX #BB7D80

RGB 187 125 128

HSL 357.1, 0.31%, 0.61%

LAB 58.78, 24.5, 8.25

 

CMYK 0 / 37 / 36 / 33

HEX #AA6B6D

RGB 170 107 109

HSL 358.1, 0.27%, 0.54%

LAB 52.02, 25.42, 9.45

 

CMYK 0 / 42 / 41 / 40

HEX #99595A

RGB 153 89 90

HSL 359.06, 0.26%, 0.47%

LAB 45.16, 26.44, 10.84

 

CMYK 0 / 48 / 48 / 47

HEX #884747

RGB 136 71 71

HSL 0, 0.31%, 0.41%

LAB 38.19, 27.58, 12.5

 

CMYK 0 / 30 / 28 / 20

HEX #CC8F93

RGB 204 143 147

HSL 356.07, 0.37%, 0.68%

LAB 65.43, 23.69, 7.18

 

CMYK 0 / 27 / 30 / 20

HEX #CB958F

RGB 203 149 143

HSL 6, 0.37%, 0.68%

LAB 66.65, 19.47, 11.16

 

CMYK 0 / 22 / 30 / 20

HEX #CB9F8F

RGB 203 159 143

HSL 16, 0.37%, 0.68%

LAB 69.09, 14, 14.59

 

CMYK 0 / 17 / 30 / 20

HEX #CBA98F

RGB 203 169 143

HSL 26, 0.37%, 0.68%

LAB 71.59, 8.57, 18.06

 

CMYK 0 / 12 / 30 / 20

HEX #CBB38F

RGB 203 179 143

HSL 36, 0.37%, 0.68%

LAB 74.14, 3.2, 21.57

 

CMYK 0 / 30 / 28 / 20

HEX #CC8F93

RGB 204 143 147

HSL 356.07, 0.37%, 0.68%

LAB 65.43, 23.69, 7.18

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 29 / 27 / 80

HEX #332425

RGB 51 36 37

HSL 356, 0.17%, 0.17%

LAB 16, 7.32, 2.12

 

CMYK 0 / 29 / 27 / 60

HEX #66484A

RGB 102 72 74

HSL 356, 0.17%, 0.34%

LAB 33.89, 13.14, 3.89

 

CMYK 0 / 30 / 28 / 40

HEX #996B6E

RGB 153 107 110

HSL 356.09, 0.18%, 0.51%

LAB 49.99, 18.81, 5.69

 

CMYK 0 / 30 / 28 / 20

HEX #CC8F93

RGB 204 143 147

HSL 356.07, 0.37%, 0.68%

LAB 65.43, 23.69, 7.18

 

CMYK 4 / 0 / 30 / 20

HEX #C3CB8F

RGB 195 203 143

HSL 68, 0.37%, 0.68%

LAB 79.78, -12.43, 29.08

 

CMYK 30 / 16 / 0 / 20

HEX #8FABCB

RGB 143 171 203

HSL 212, 0.37%, 0.68%

LAB 68.95, -2.18, -19.43

 

CMYK 0 / 30 / 28 / 20

HEX #CC8F93

RGB 204 143 147

HSL 356.07, 0.37%, 0.68%

LAB 65.43, 23.69, 7.18

 

CMYK 28 / 0 / 30 / 20

HEX #93CB8F

RGB 147 203 143

HSL 116, 0.37%, 0.68%

LAB 76.62, -29.75, 24.28

 

CMYK 30 / 28 / 0 / 20

HEX #8F93CB

RGB 143 147 203

HSL 236, 0.37%, 0.68%

LAB 62.52, 11.32, -29.28

 

CMYK 0 / 30 / 28 / 20

HEX #CC8F93

RGB 204 143 147

HSL 356.07, 0.37%, 0.68%

LAB 65.43, 23.69, 7.18

 

CMYK 4 / 0 / 30 / 20

HEX #C3CB8F

RGB 195 203 143

HSL 68, 0.37%, 0.68%

LAB 79.78, -12.43, 29.08

 

CMYK 30 / 0 / 2 / 20

HEX #8FCBC7

RGB 143 203 199

HSL 176, 0.37%, 0.68%

LAB 77.68, -19.99, -4.19

 

CMYK 26 / 30 / 0 / 20

HEX #978FCB

RGB 151 143 203

HSL 248, 0.37%, 0.68%

LAB 62.11, 16.01, -29.87

 

CMYK 0 / 30 / 28 / 20

HEX #CC8F93

RGB 204 143 147

HSL 356.07, 0.37%, 0.68%

LAB 65.43, 23.69, 7.18

 

CMYK 13 / 0 / 30 / 20

HEX #B1CB8F

RGB 177 203 143

HSL 86, 0.37%, 0.68%

LAB 78.49, -19.18, 27.12

 

CMYK 30 / 0 / 2 / 20

HEX #8FCBC7

RGB 143 203 199

HSL 176, 0.37%, 0.68%

LAB 77.68, -19.99, -4.19

 

CMYK 17 / 30 / 0 / 20

HEX #A98FCB

RGB 169 143 203

HSL 266, 0.37%, 0.68%

LAB 63.67, 21.58, -27.34

 

Description

Color code: CMYK 0 / 30 / 28 / 20 | qconv.com Color code: CMYK 0 / 30 / 28 / 20 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 143 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 143 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 28 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 28% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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