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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 30 / 24 / 17 it is the complementary color CMYK 60 / 0 / 12 / 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 30 / 24 / 17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 30 / 24 / 17: CMYK 0 / 32 / 28 / 15, CMYK 0 / 29 / 25 / 8, CMYK 0 / 27 / 23 / 2, CMYK 0 / 21 / 16 / 0 and CMYK 0 / 14 / 9 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 30 / 24 / 17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 30 / 24 / 17: CMYK 0 / 30 / 24 / 17, CMYK 0 / 33 / 27 / 24, CMYK 0 / 37 / 31 / 30, CMYK 0 / 42 / 35 / 37 and CMYK 0 / 47 / 41 / 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 24 / 17

HEX #D494A1

RGB 212 148 161

HSL 347.81, 0.43%, 0.71%

LAB 67.84, 25.94, 2.9

 

Complementary color

CMYK 60 / 0 / 12 / 58

HEX #2B6B5E

RGB 43 107 94

HSL 167.81, 0.43%, 0.29%

LAB 40.96, -23.9, 1.16

 

CMYK 0 / 32 / 28 / 15

HEX #D9949C

RGB 217 148 156

HSL 353.04, 0.48%, 0.72%

LAB 68.26, 27.08, 6.39

 

CMYK 0 / 29 / 25 / 8

HEX #EAA6AF

RGB 234 166 175

HSL 352.06, 0.62%, 0.78%

LAB 74.74, 26.32, 5.42

 

CMYK 0 / 27 / 23 / 2

HEX #FBB8C2

RGB 251 184 194

HSL 351.04, 0.89%, 0.85%

LAB 81.12, 25.63, 4.53

 

CMYK 0 / 21 / 16 / 0

HEX #FFCAD5

RGB 255 202 213

HSL 347.55, 1%, 0.9%

LAB 86.16, 20.4, 1.72

 

CMYK 0 / 14 / 9 / 0

HEX #FFDCE8

RGB 255 220 232

HSL 339.43, 1%, 0.93%

LAB 90.9, 14.03, -1.39

 

CMYK 0 / 30 / 24 / 17

HEX #D494A1

RGB 212 148 161

HSL 347.81, 0.43%, 0.71%

LAB 67.84, 25.94, 2.9

 

CMYK 0 / 33 / 27 / 24

HEX #C3828E

RGB 195 130 142

HSL 348.92, 0.35%, 0.64%

LAB 61.24, 26.72, 3.86

 

CMYK 0 / 37 / 31 / 30

HEX #B2707B

RGB 178 112 123

HSL 350, 0.3%, 0.57%

LAB 54.54, 27.58, 4.94

 

CMYK 0 / 42 / 35 / 37

HEX #A15E68

RGB 161 94 104

HSL 351.04, 0.26%, 0.5%

LAB 47.73, 28.53, 6.17

 

CMYK 0 / 47 / 41 / 44

HEX #904C55

RGB 144 76 85

HSL 352.06, 0.31%, 0.43%

LAB 40.82, 29.57, 7.63

 

CMYK 0 / 30 / 24 / 17

HEX #D494A1

RGB 212 148 161

HSL 347.81, 0.43%, 0.71%

LAB 67.84, 25.94, 2.9

 

CMYK 0 / 30 / 28 / 17

HEX #D49598

RGB 212 149 152

HSL 357.14, 0.42%, 0.71%

LAB 67.84, 24.12, 7.95

 

CMYK 0 / 26 / 30 / 17

HEX #D49C95

RGB 212 156 149

HSL 6.67, 0.42%, 0.71%

LAB 69.43, 19.92, 11.87

 

CMYK 0 / 21 / 30 / 17

HEX #D4A795

RGB 212 167 149

HSL 17.14, 0.42%, 0.71%

LAB 72.1, 13.95, 15.62

 

CMYK 0 / 17 / 30 / 17

HEX #D4B195

RGB 212 177 149

HSL 26.67, 0.42%, 0.71%

LAB 74.58, 8.57, 19.07

 

CMYK 0 / 30 / 24 / 17

HEX #D494A1

RGB 212 148 161

HSL 347.81, 0.43%, 0.71%

LAB 67.84, 25.94, 2.9

 

CMYK 0 / 25 / 25 / 97

HEX #080606

RGB 8 6 6

HSL 0, 0.14%, 0.03%

LAB 1.76, 0.52, 0.18

 

CMYK 0 / 31 / 24 / 77

HEX #3B292D

RGB 59 41 45

HSL 346.67, 0.18%, 0.2%

LAB 18.82, 9.14, 0.7

 

CMYK 0 / 30 / 24 / 57

HEX #6E4D54

RGB 110 77 84

HSL 347.27, 0.18%, 0.37%

LAB 36.49, 15.08, 1.44

 

CMYK 0 / 30 / 24 / 37

HEX #A1707A

RGB 161 112 122

HSL 347.76, 0.21%, 0.54%

LAB 52.48, 20.9, 2.29

 

CMYK 0 / 30 / 24 / 17

HEX #D494A1

RGB 212 148 161

HSL 347.81, 0.43%, 0.71%

LAB 67.84, 25.94, 2.9

 

CMYK 0 / 0 / 30 / 17

HEX #D4D395

RGB 212 211 149

HSL 59.05, 0.42%, 0.71%

LAB 83.31, -9.23, 30.91

 

CMYK 30 / 11 / 0 / 17

HEX #95BCD4

RGB 149 188 212

HSL 202.86, 0.42%, 0.71%

LAB 74.26, -7.42, -16.29

 

CMYK 0 / 30 / 24 / 17

HEX #D494A1

RGB 212 148 161

HSL 347.81, 0.43%, 0.71%

LAB 67.84, 25.94, 2.9

 

CMYK 23 / 0 / 30 / 17

HEX #A3D495

RGB 163 212 149

HSL 106.67, 0.42%, 0.71%

LAB 80.2, -27.67, 26.15

 

CMYK 30 / 23 / 0 / 17

HEX #95A3D4

RGB 149 163 212

HSL 226.67, 0.42%, 0.71%

LAB 67.53, 6.27, -26.54

 

CMYK 0 / 30 / 24 / 17

HEX #D494A1

RGB 212 148 161

HSL 347.81, 0.43%, 0.71%

LAB 67.84, 25.94, 2.9

 

CMYK 0 / 0 / 30 / 17

HEX #D4D395

RGB 212 211 149

HSL 59.05, 0.42%, 0.71%

LAB 83.31, -9.23, 30.91

 

CMYK 30 / 0 / 6 / 17

HEX #95D4C7

RGB 149 212 199

HSL 167.62, 0.42%, 0.71%

LAB 80.52, -22.75, 0

 

CMYK 30 / 29 / 0 / 17

HEX #9596D4

RGB 149 150 212

HSL 239.05, 0.42%, 0.71%

LAB 64.13, 13.64, -31.79

 

CMYK 0 / 30 / 24 / 17

HEX #D494A1

RGB 212 148 161

HSL 347.81, 0.43%, 0.71%

LAB 67.84, 25.94, 2.9

 

CMYK 8 / 0 / 30 / 17

HEX #C2D495

RGB 194 212 149

HSL 77.14, 0.42%, 0.71%

LAB 82.23, -16.54, 29.23

 

CMYK 30 / 0 / 6 / 17

HEX #95D4C7

RGB 149 212 199

HSL 167.62, 0.42%, 0.71%

LAB 80.52, -22.75, 0

 

CMYK 21 / 30 / 0 / 17

HEX #A795D4

RGB 167 149 212

HSL 257.14, 0.42%, 0.71%

LAB 65.33, 19.61, -29.81

 

Description

Color code: CMYK 0 / 30 / 24 / 17 | qconv.com Color code: CMYK 0 / 30 / 24 / 17 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 148 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 148 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 24 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 24% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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