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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 2 / 44 / 16 it is the complementary color CMYK 70 / 67 / 0 / 47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 2 / 44 / 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 2 / 44 / 16: CMYK 0 / 4 / 47 / 14, CMYK 0 / 3 / 43 / 7, CMYK 0 / 3 / 40 / 1, CMYK 0 / 0 / 33 / 0 and CMYK 0 / 0 / 25 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 2 / 44 / 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 2 / 44 / 16: CMYK 0 / 2 / 44 / 16, CMYK 0 / 3 / 49 / 23, CMYK 0 / 3 / 54 / 29, CMYK 0 / 4 / 61 / 36 and CMYK 0 / 5 / 70 / 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 44 / 16

HEX #D6D278

RGB 214 210 120

HSL 57.45, 0.53%, 0.65%

LAB 82.78, -11.22, 44.92

 

Complementary color

CMYK 70 / 67 / 0 / 47

HEX #292D87

RGB 41 45 135

HSL 237.45, 0.53%, 0.35%

LAB 23.99, 29.18, -50.82

 

CMYK 0 / 4 / 47 / 14

HEX #DBD273

RGB 219 210 115

HSL 54.81, 0.59%, 0.65%

LAB 83.12, -9.7, 47.87

 

CMYK 0 / 3 / 43 / 7

HEX #ECE486

RGB 236 228 134

HSL 55.29, 0.73%, 0.73%

LAB 89.41, -10.18, 46.69

 

CMYK 0 / 3 / 40 / 1

HEX #FDF699

RGB 253 246 153

HSL 55.8, 0.96%, 0.8%

LAB 95.62, -10.59, 45.53

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAC

RGB 255 255 172

HSL 60, 1%, 0.84%

LAB 98.34, -12.15, 39.74

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBF

RGB 255 255 191

HSL 60, 1%, 0.87%

LAB 98.65, -9.81, 30.68

 

CMYK 0 / 2 / 44 / 16

HEX #D6D278

RGB 214 210 120

HSL 57.45, 0.53%, 0.65%

LAB 82.78, -11.22, 44.92

 

CMYK 0 / 3 / 49 / 23

HEX #C5C065

RGB 197 192 101

HSL 56.88, 0.45%, 0.58%

LAB 76.38, -10.75, 46.1

 

CMYK 0 / 3 / 54 / 29

HEX #B4AE52

RGB 180 174 82

HSL 56.33, 0.4%, 0.51%

LAB 69.88, -10.17, 47.26

 

CMYK 0 / 4 / 61 / 36

HEX #A39C3F

RGB 163 156 63

HSL 55.8, 0.44%, 0.44%

LAB 63.28, -9.46, 48.31

 

CMYK 0 / 5 / 70 / 43

HEX #928A2C

RGB 146 138 44

HSL 55.29, 0.54%, 0.37%

LAB 56.56, -8.57, 49.08

 

CMYK 0 / 2 / 44 / 16

HEX #D6D278

RGB 214 210 120

HSL 57.45, 0.53%, 0.65%

LAB 82.78, -11.22, 44.92

 

CMYK 5 / 0 / 45 / 16

HEX #CAD576

RGB 202 213 118

HSL 66.95, 0.53%, 0.65%

LAB 82.62, -17.68, 45.5

 

CMYK 13 / 0 / 45 / 16

HEX #BAD576

RGB 186 213 118

HSL 77.05, 0.53%, 0.65%

LAB 81.48, -23.89, 43.82

 

CMYK 20 / 0 / 45 / 16

HEX #AAD576

RGB 170 213 118

HSL 87.16, 0.53%, 0.65%

LAB 80.43, -29.9, 42.29

 

CMYK 28 / 0 / 45 / 16

HEX #9AD576

RGB 154 213 118

HSL 97.26, 0.53%, 0.65%

LAB 79.48, -35.64, 40.9

 

CMYK 0 / 2 / 44 / 16

HEX #D6D278

RGB 214 210 120

HSL 57.45, 0.53%, 0.65%

LAB 82.78, -11.22, 44.92

 

CMYK 0 / 0 / 40 / 96

HEX #0A0A06

RGB 10 10 6

HSL 60, 0.25%, 0.03%

LAB 2.66, -0.56, 1.51

 

CMYK 0 / 2 / 44 / 76

HEX #3D3C22

RGB 61 60 34

HSL 57.78, 0.28%, 0.19%

LAB 24.76, -4.3, 16.23

 

CMYK 0 / 2 / 44 / 56

HEX #706E3F

RGB 112 110 63

HSL 57.55, 0.28%, 0.34%

LAB 45.57, -6.77, 26.44

 

CMYK 0 / 2 / 44 / 36

HEX #A3A05B

RGB 163 160 91

HSL 57.5, 0.28%, 0.5%

LAB 64.71, -9.12, 36.23

 

CMYK 0 / 2 / 44 / 16

HEX #D6D278

RGB 214 210 120

HSL 57.45, 0.53%, 0.65%

LAB 82.78, -11.22, 44.92

 

CMYK 45 / 0 / 38 / 16

HEX #76D584

RGB 118 213 132

HSL 128.84, 0.53%, 0.65%

LAB 77.94, -45.06, 31.51

 

CMYK 20 / 45 / 0 / 16

HEX #AA76D5

RGB 170 118 213

HSL 272.84, 0.53%, 0.65%

LAB 58.33, 38.23, -41.26

 

CMYK 0 / 2 / 44 / 16

HEX #D6D278

RGB 214 210 120

HSL 57.45, 0.53%, 0.65%

LAB 82.78, -11.22, 44.92

 

CMYK 45 / 0 / 2 / 16

HEX #76D5D0

RGB 118 213 208

HSL 176.84, 0.53%, 0.65%

LAB 79.61, -29.32, -6.3

 

CMYK 2 / 45 / 0 / 16

HEX #D076D5

RGB 208 118 213

HSL 296.84, 0.53%, 0.65%

LAB 62.65, 49.24, -34.19

 

CMYK 0 / 2 / 44 / 16

HEX #D6D278

RGB 214 210 120

HSL 57.45, 0.53%, 0.65%

LAB 82.78, -11.22, 44.92

 

CMYK 45 / 0 / 38 / 16

HEX #76D584

RGB 118 213 132

HSL 128.84, 0.53%, 0.65%

LAB 77.94, -45.06, 31.51

 

CMYK 45 / 42 / 0 / 16

HEX #767BD5

RGB 118 123 213

HSL 236.84, 0.53%, 0.65%

LAB 54.89, 21.35, -47

 

CMYK 0 / 45 / 7 / 16

HEX #D576C6

RGB 213 118 198

HSL 309.47, 0.53%, 0.65%

LAB 62.66, 48.07, -25.68

 

CMYK 0 / 2 / 44 / 16

HEX #D6D278

RGB 214 210 120

HSL 57.45, 0.53%, 0.65%

LAB 82.78, -11.22, 44.92

 

CMYK 45 / 0 / 24 / 16

HEX #76D5A1

RGB 118 213 161

HSL 147.16, 0.53%, 0.65%

LAB 78.47, -39.83, 17.11

 

CMYK 45 / 42 / 0 / 16

HEX #767BD5

RGB 118 123 213

HSL 236.84, 0.53%, 0.65%

LAB 54.89, 21.35, -47

 

CMYK 0 / 45 / 20 / 16

HEX #D576AA

RGB 213 118 170

HSL 327.16, 0.53%, 0.65%

LAB 61.66, 43.59, -11.29

 

Description

Color code: CMYK 0 / 2 / 44 / 16 | qconv.com Color code: CMYK 0 / 2 / 44 / 16 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 210 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 210 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 44 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 44% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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