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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 29 / 71 / 26 it is the complementary color CMYK 67 / 40 / 0 / 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 29 / 71 / 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 29 / 71 / 26: CMYK 0 / 31 / 74 / 24, CMYK 0 / 28 / 67 / 17, CMYK 0 / 25 / 61 / 11, CMYK 0 / 23 / 56 / 4 and CMYK 0 / 19 / 51 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 29 / 71 / 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 29 / 71 / 26: CMYK 0 / 29 / 71 / 26, CMYK 0 / 33 / 79 / 33, CMYK 0 / 37 / 89 / 39, CMYK 0 / 42 / 100 / 46 and CMYK 0 / 49 / 100 / 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 71 / 26

HEX #BD8637

RGB 189 134 55

HSL 35.37, 0.55%, 0.48%

LAB 60.02, 13.52, 49.25

 

Complementary color

CMYK 67 / 40 / 0 / 22

HEX #4279C8

RGB 66 121 200

HSL 215.37, 0.55%, 0.52%

LAB 50.69, 7.48, -46.47

 

CMYK 0 / 31 / 74 / 24

HEX #C28632

RGB 194 134 50

HSL 35, 0.59%, 0.48%

LAB 60.56, 15.46, 52.21

 

CMYK 0 / 28 / 67 / 17

HEX #D39845

RGB 211 152 69

HSL 35.07, 0.62%, 0.55%

LAB 67.08, 13.98, 51.07

 

CMYK 0 / 25 / 61 / 11

HEX #E4AA58

RGB 228 170 88

HSL 35.14, 0.72%, 0.62%

LAB 73.51, 12.71, 49.76

 

CMYK 0 / 23 / 56 / 4

HEX #F5BC6B

RGB 245 188 107

HSL 35.22, 0.87%, 0.69%

LAB 79.86, 11.61, 48.4

 

CMYK 0 / 19 / 51 / 0

HEX #FFCE7E

RGB 255 206 126

HSL 37.21, 1%, 0.75%

LAB 85.46, 7.84, 46.07

 

CMYK 0 / 29 / 71 / 26

HEX #BD8637

RGB 189 134 55

HSL 35.37, 0.55%, 0.48%

LAB 60.02, 13.52, 49.25

 

CMYK 0 / 33 / 79 / 33

HEX #AC7424

RGB 172 116 36

HSL 35.29, 0.65%, 0.41%

LAB 53.37, 15.14, 50.18

 

CMYK 0 / 37 / 89 / 39

HEX #9B6211

RGB 155 98 17

HSL 35.22, 0.8%, 0.34%

LAB 46.64, 17.07, 50.25

 

CMYK 0 / 42 / 100 / 46

HEX #8A5000

RGB 138 80 0

HSL 34.78, 1%, 0.27%

LAB 39.82, 19.32, 48.86

 

CMYK 0 / 49 / 100 / 53

HEX #793E00

RGB 121 62 0

HSL 30.74, 1%, 0.24%

LAB 32.94, 21.96, 43.3

 

CMYK 0 / 29 / 71 / 26

HEX #BD8637

RGB 189 134 55

HSL 35.37, 0.55%, 0.48%

LAB 60.02, 13.52, 49.25

 

CMYK 0 / 17 / 71 / 26

HEX #BD9C37

RGB 189 156 55

HSL 45.22, 0.55%, 0.48%

LAB 65.65, 1.48, 55.04

 

CMYK 0 / 6 / 71 / 26

HEX #BDB237

RGB 189 178 55

HSL 55.07, 0.55%, 0.48%

LAB 71.51, -10.17, 60.89

 

CMYK 6 / 0 / 71 / 26

HEX #B2BD37

RGB 178 189 55

HSL 64.93, 0.55%, 0.48%

LAB 73.63, -20.46, 62.66

 

CMYK 17 / 0 / 71 / 26

HEX #9CBD37

RGB 156 189 55

HSL 74.78, 0.55%, 0.48%

LAB 72.05, -29.55, 60.57

 

CMYK 0 / 29 / 71 / 26

HEX #BD8637

RGB 189 134 55

HSL 35.37, 0.55%, 0.48%

LAB 60.02, 13.52, 49.25

 

CMYK 0 / 29 / 71 / 6

HEX #F0AA46

RGB 240 170 70

HSL 35.29, 0.85%, 0.61%

LAB 74.65, 16.68, 59.62

 

CMYK 0 / 28 / 72 / 86

HEX #241A0A

RGB 36 26 10

HSL 36.92, 0.57%, 0.09%

LAB 10.07, 2.45, 11

 

CMYK 0 / 29 / 71 / 66

HEX #573E19

RGB 87 62 25

HSL 35.81, 0.55%, 0.22%

LAB 28.23, 6.55, 26.44

 

CMYK 0 / 29 / 71 / 46

HEX #8A6228

RGB 138 98 40

HSL 35.51, 0.55%, 0.35%

LAB 44.65, 10.17, 38.28

 

CMYK 0 / 29 / 71 / 26

HEX #BD8637

RGB 189 134 55

HSL 35.37, 0.55%, 0.48%

LAB 60.02, 13.52, 49.25

 

CMYK 56 / 0 / 71 / 26

HEX #54BD37

RGB 84 189 55

HSL 107.01, 0.55%, 0.48%

LAB 68.43, -54.41, 55.73

 

CMYK 58 / 71 / 0 / 26

HEX #4F37BD

RGB 79 55 189

HSL 250.75, 0.55%, 0.48%

LAB 34.13, 46.58, -66.82

 

CMYK 0 / 29 / 71 / 26

HEX #BD8637

RGB 189 134 55

HSL 35.37, 0.55%, 0.48%

LAB 60.02, 13.52, 49.25

 

CMYK 71 / 0 / 30 / 26

HEX #37BD85

RGB 55 189 133

HSL 154.93, 0.55%, 0.48%

LAB 68.68, -48.94, 18.16

 

CMYK 30 / 71 / 0 / 26

HEX #8537BD

RGB 133 55 189

HSL 274.93, 0.55%, 0.48%

LAB 40.23, 56.11, -56.6

 

CMYK 0 / 29 / 71 / 26

HEX #BD8637

RGB 189 134 55

HSL 35.37, 0.55%, 0.48%

LAB 60.02, 13.52, 49.25

 

CMYK 56 / 0 / 71 / 26

HEX #54BD37

RGB 84 189 55

HSL 107.01, 0.55%, 0.48%

LAB 68.43, -54.41, 55.73

 

CMYK 71 / 41 / 0 / 26

HEX #376FBD

RGB 55 111 189

HSL 214.93, 0.55%, 0.48%

LAB 46.78, 7.99, -46.4

 

CMYK 15 / 71 / 0 / 26

HEX #A037BD

RGB 160 55 189

HSL 287.01, 0.55%, 0.48%

LAB 44.06, 61.69, -50.23

 

CMYK 0 / 29 / 71 / 26

HEX #BD8637

RGB 189 134 55

HSL 35.37, 0.55%, 0.48%

LAB 60.02, 13.52, 49.25

 

CMYK 71 / 0 / 65 / 26

HEX #37BD42

RGB 55 189 66

HSL 124.93, 0.55%, 0.48%

LAB 67.73, -59.79, 50.32

 

CMYK 71 / 41 / 0 / 26

HEX #376FBD

RGB 55 111 189

HSL 214.93, 0.55%, 0.48%

LAB 46.78, 7.99, -46.4

 

CMYK 0 / 71 / 6 / 26

HEX #BD37B2

RGB 189 55 178

HSL 304.93, 0.55%, 0.48%

LAB 47.96, 66.19, -37.31

 

Description

Color code: CMYK 0 / 29 / 71 / 26 | qconv.com Color code: CMYK 0 / 29 / 71 / 26 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 134 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 134 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 71 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 71% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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