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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 29 / 56 / 15 it is the complementary color CMYK 76 / 37 / 0 / 37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 29 / 56 / 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 29 / 56 / 15: CMYK 0 / 31 / 59 / 13, CMYK 0 / 28 / 54 / 6, CMYK 0 / 25 / 50 / 0, CMYK 0 / 18 / 42 / 0 and CMYK 0 / 11 / 35 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 29 / 56 / 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 29 / 56 / 15: CMYK 0 / 29 / 56 / 15, CMYK 0 / 32 / 62 / 22, CMYK 0 / 36 / 69 / 28, CMYK 0 / 40 / 77 / 35 and CMYK 0 / 45 / 87 / 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 56 / 15

HEX #D99A5F

RGB 217 154 95

HSL 29.02, 0.62%, 0.61%

LAB 68.53, 17.22, 40.04

 

Complementary color

CMYK 76 / 37 / 0 / 37

HEX #2665A0

RGB 38 101 160

HSL 209.02, 0.62%, 0.39%

LAB 41.62, 1.05, -37.66

 

CMYK 0 / 31 / 59 / 13

HEX #DE9A5A

RGB 222 154 90

HSL 29.09, 0.67%, 0.61%

LAB 69.02, 18.91, 43.35

 

CMYK 0 / 28 / 54 / 6

HEX #EFAC6D

RGB 239 172 109

HSL 29.08, 0.8%, 0.68%

LAB 75.43, 17.75, 41.86

 

CMYK 0 / 25 / 50 / 0

HEX #FFBE80

RGB 255 190 128

HSL 29.29, 1%, 0.75%

LAB 81.65, 16.33, 40.29

 

CMYK 0 / 18 / 42 / 0

HEX #FFD093

RGB 255 208 147

HSL 33.89, 1%, 0.79%

LAB 86.25, 8.8, 36.49

 

CMYK 0 / 11 / 35 / 0

HEX #FFE2A6

RGB 255 226 166

HSL 40.45, 1%, 0.83%

LAB 90.96, 1.64, 33.01

 

CMYK 0 / 29 / 56 / 15

HEX #D99A5F

RGB 217 154 95

HSL 29.02, 0.62%, 0.61%

LAB 68.53, 17.22, 40.04

 

CMYK 0 / 32 / 62 / 22

HEX #C8884C

RGB 200 136 76

HSL 29.03, 0.53%, 0.54%

LAB 62.01, 18.45, 41.57

 

CMYK 0 / 36 / 69 / 28

HEX #B77639

RGB 183 118 57

HSL 29.05, 0.53%, 0.47%

LAB 55.4, 19.89, 43.13

 

CMYK 0 / 40 / 77 / 35

HEX #A66426

RGB 166 100 38

HSL 29.06, 0.63%, 0.4%

LAB 48.71, 21.57, 44.55

 

CMYK 0 / 45 / 87 / 42

HEX #955213

RGB 149 82 19

HSL 29.08, 0.77%, 0.33%

LAB 41.96, 23.54, 45.41

 

CMYK 0 / 29 / 56 / 15

HEX #D99A5F

RGB 217 154 95

HSL 29.02, 0.62%, 0.61%

LAB 68.53, 17.22, 40.04

 

CMYK 0 / 20 / 57 / 15

HEX #D9AE5D

RGB 217 174 93

HSL 39.19, 0.62%, 0.61%

LAB 73.42, 6.33, 46.93

 

CMYK 0 / 11 / 57 / 15

HEX #D9C25D

RGB 217 194 93

HSL 48.87, 0.62%, 0.61%

LAB 78.53, -4.17, 52.87

 

CMYK 0 / 1 / 57 / 15

HEX #D9D75D

RGB 217 215 93

HSL 59.03, 0.62%, 0.61%

LAB 84.04, -14.83, 59.09

 

CMYK 9 / 0 / 57 / 15

HEX #C6D95D

RGB 198 217 93

HSL 69.19, 0.62%, 0.61%

LAB 83.14, -23.48, 57.68

 

CMYK 0 / 29 / 56 / 15

HEX #D99A5F

RGB 217 154 95

HSL 29.02, 0.62%, 0.61%

LAB 68.53, 17.22, 40.04

 

CMYK 0 / 31 / 54 / 95

HEX #0D0906

RGB 13 9 6

HSL 25.71, 0.37%, 0.04%

LAB 2.66, 0.7, 1.53

 

CMYK 0 / 30 / 56 / 75

HEX #402D1C

RGB 64 45 28

HSL 28.33, 0.39%, 0.18%

LAB 20.25, 6.26, 14.38

 

CMYK 0 / 29 / 57 / 55

HEX #735232

RGB 115 82 50

HSL 29.54, 0.39%, 0.32%

LAB 37.68, 9.77, 24.08

 

CMYK 0 / 29 / 56 / 35

HEX #A67649

RGB 166 118 73

HSL 29.03, 0.39%, 0.47%

LAB 53.54, 13.66, 32.05

 

CMYK 0 / 29 / 56 / 15

HEX #D99A5F

RGB 217 154 95

HSL 29.02, 0.62%, 0.61%

LAB 68.53, 17.22, 40.04

 

CMYK 39 / 0 / 57 / 15

HEX #84D95D

RGB 132 217 93

HSL 101.13, 0.62%, 0.61%

LAB 79.23, -47.68, 52.18

 

CMYK 52 / 57 / 0 / 15

HEX #685DD9

RGB 104 93 217

HSL 245.32, 0.62%, 0.61%

LAB 46.69, 37.48, -62.47

 

CMYK 0 / 29 / 56 / 15

HEX #D99A5F

RGB 217 154 95

HSL 29.02, 0.62%, 0.61%

LAB 68.53, 17.22, 40.04

 

CMYK 57 / 0 / 29 / 15

HEX #5DD999

RGB 93 217 153

HSL 149.03, 0.62%, 0.61%

LAB 78.61, -49.15, 21.37

 

CMYK 29 / 57 / 0 / 15

HEX #995DD9

RGB 153 93 217

HSL 269.03, 0.62%, 0.61%

LAB 51.39, 48.33, -54.65

 

CMYK 0 / 29 / 56 / 15

HEX #D99A5F

RGB 217 154 95

HSL 29.02, 0.62%, 0.61%

LAB 68.53, 17.22, 40.04

 

CMYK 39 / 0 / 57 / 15

HEX #84D95D

RGB 132 217 93

HSL 101.13, 0.62%, 0.61%

LAB 79.23, -47.68, 52.18

 

CMYK 57 / 28 / 0 / 15

HEX #5D9DD9

RGB 93 157 217

HSL 209.03, 0.62%, 0.61%

LAB 62.89, -3.05, -36.75

 

CMYK 18 / 57 / 0 / 15

HEX #B25DD9

RGB 178 93 217

HSL 281.13, 0.62%, 0.61%

LAB 54.35, 54.47, -49.76

 

CMYK 0 / 29 / 56 / 15

HEX #D99A5F

RGB 217 154 95

HSL 29.02, 0.62%, 0.61%

LAB 68.53, 17.22, 40.04

 

CMYK 56 / 0 / 57 / 15

HEX #5FD95D

RGB 95 217 93

HSL 119.03, 0.62%, 0.61%

LAB 77.79, -58.21, 50.14

 

CMYK 57 / 28 / 0 / 15

HEX #5D9DD9

RGB 93 157 217

HSL 209.03, 0.62%, 0.61%

LAB 62.89, -3.05, -36.75

 

CMYK 1 / 57 / 0 / 15

HEX #D75DD9

RGB 215 93 217

HSL 299.03, 0.62%, 0.61%

LAB 59.24, 63.84, -41.71

 

Description

Color code: CMYK 0 / 29 / 56 / 15 | qconv.com Color code: CMYK 0 / 29 / 56 / 15 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 154 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 154 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 56 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 56% 15% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

21% - 英國生活 、X Japan Live R...
Link: http://www.siusiuming.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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